Seven years on from Fear of Writing, Tan Tarn How makes a welcome return with this politically-charged, incisive commentary on the death of local journalism.  Over the years, mainstream media has seen countless changes transform its purpose and perspective. From being seen as the fifth estate to becoming a government mouthpiece, to the advent of new media and alternative news sites to even today’s proliferation … Continue reading Singapore Theatre Festival 2018: Press Gang (Review)

When we first saw Rebekah Sangeetha Dorai onstage in Boeing Boeing last year, we knew she was something special. She’s proven that again when we last saw her onstage at the Arts House in The Page On Stage, and we were overjoyed to see her get a chance to take the spotlight all on her own in an upcoming solo show in the 2018 Singapore Theatre Festival. As … Continue reading Singapore Theatre Festival 2018: Building A Character (Preview)

Former Straits Times journalist Tan Tarn How knows a thing or two about controversy. The playwright is best known for penning some of the most scintillating political satires in local theatre, from his infamous The Lady of Soul and her Ultimate ‘S’ Machine, receiving objections in 36 of its 67 pages from the authorities, to his most recent play Fear of Writing, in 2011, where ‘MDA officials’ … Continue reading Singapore Theatre Festival 2018: An Interview with Tan Tarn How, Rei Poh and Shane Mardjuki (Press Gang)