Interview: Nathania Ong gets HONEST about finding her voice and learning to take up space with her upcoming concert

For someone who has spent much of her career stepping into other people’s stories, Nathania Ong is about to do something rather different: telling her own. The Singaporean musical theatre performer returns this September with HONEST, her first solo concert in Singapore, promising an intimate evening of musical theatre, original music and personal storytelling that traces both the trajectory of her career, as well as … Continue reading Interview: Nathania Ong gets HONEST about finding her voice and learning to take up space with her upcoming concert

★★★★☆ Theatre Review: 3 Queens by The Necessary Stage

A wistful, deeply human portrait of female friendship that grows apart, and a strong return to form for Haresh Sharma’s writing. Duration: 90 minutes 3 Queens, The Necessary Stage’s new production, is the type of everyday tragedy that plays out across households all around the world. Written by Haresh Sharma, and co-directed by Haresh and Adib Kosnan, the play does not find its tragedy from … Continue reading ★★★★☆ Theatre Review: 3 Queens by The Necessary Stage

★★★★☆ Film Review: HOPE dir. Na Hong-jin

Big budget Korean sci-fi thriller keeps you on the edge of your seat with some of the best action sequences in cinema throughout its lengthy runtime and odd story. Duration: 156 minutes Does a film actually need a good storyline to succeed? HOPE certainly makes you question it. Na Hong-jin, best known for directing 2016 horror film The Wailing, returns with a nearly 3-hour Korean … Continue reading ★★★★☆ Film Review: HOPE dir. Na Hong-jin

★★★★☆ London Theatre Review: Death Note – The Musical by HoriPro and Trafalgar Theatre Productions

Singapore’s Xander Pang leads an ambitious reimagining of the manga phenomenon that dazzles in moments but struggles to match the psychological intensity of its source material. LONDON, UNITED KINGDOM – There is something inherently audacious about bringing Death Note, one of Japan’s most recognisable manga properties, to the London stage as an English-language musical. Even more so when the musical itself has travelled such an … Continue reading ★★★★☆ London Theatre Review: Death Note – The Musical by HoriPro and Trafalgar Theatre Productions

Preview: The Secret Room of Urban Bestiary by ARTS FISSION and Alliance Française

This September, Alliance Française de Singapour and Singapore contemporary dance company ARTS FISSION are inviting audiences to find out, transforming the gallery on Level 2 into something far more alive than a conventional exhibition space. Premiering on 4 September and returning on 11 September 2026, The Secret Room of Urban Bestiary is a new site-specific contemporary dance production conceived by ARTS FISSION Artistic Director Angela … Continue reading Preview: The Secret Room of Urban Bestiary by ARTS FISSION and Alliance Française

Wagnerian Ambition: Orchestra of the Music Makers Music Director Chan Tze Law on ‘Siegfried’ and OMM’s future

For Chan Tze Law, the question of whether the Orchestra of the Music Makers (OMM) will complete Wagner’s Ring cycle is, for now, best left unanswered. OMM has already travelled three quarters of the way. After Die Walküre in 2020 and Das Rheingold in 2023, the Singapore-based orchestra will take on Siegfried at the Esplanade Concert Hall on 5 September, bringing one of the most … Continue reading Wagnerian Ambition: Orchestra of the Music Makers Music Director Chan Tze Law on ‘Siegfried’ and OMM’s future

Malaysia Theatre: SUSAN by FSKi Works

Do you care who she is? Or just what she did? A woman stands before us. She has two dead husbands behind her, a murder case in front of her, and one thing she refuses to give away: her name. That is the provocation at the heart of SUSAN, FSKi Works’ full-length world premiere opening this week at Hush The Theatre in Petaling Jaya. Following … Continue reading Malaysia Theatre: SUSAN by FSKi Works

Malaysia Theatre: Sarah Ruhl’s Eurydice by Jeffrey Cheah Performing Arts Centre

What happens when one of the oldest love stories in the Western canon is told from the woman’s point of view? This September, Malaysian audiences can find out as Jeffrey Cheah Performing Arts Centre (JCPAC) presents Sarah Ruhl’s Eurydice, a bold, funny and ultimately heartbreaking reimagining of the myth of Orpheus and Eurydice. Directed by award-winning theatre-maker Ghafir Akbar, the production runs from 18–27 September … Continue reading Malaysia Theatre: Sarah Ruhl’s Eurydice by Jeffrey Cheah Performing Arts Centre

Malaysia Theatre: An interview with ‘The Secret Drawer’ creators Lim Tiong Wooi, Ling Tang and director Jo Kukathas

There are some family stories that sit in plain sight. Others are deliberately put away. For Ling Tang, it was a drawer she was told never to open. For Lim Tiong Wooi, it was a box of almost 60 documents tracing her father’s years of detention, rejection and separation. And for Jo Kukathas, it was a box of her own father’s belongings sitting in her … Continue reading Malaysia Theatre: An interview with ‘The Secret Drawer’ creators Lim Tiong Wooi, Ling Tang and director Jo Kukathas

Godot Theatre Company’s ART returns to the Esplanade, and Pu Hsueh-Liang, Chu Chung Heng and Tseng Kuo Chen are closer than ever

There is a moment before our interview properly begins that says almost everything one needs to know about ART. The first question has barely been asked when the three actors are already talking over one another. Within seconds, the room dissolves into laughter. They interrupt one another, finish each other’s sentences, argue over tiny details and gently tease each other without missing a beat. Before … Continue reading Godot Theatre Company’s ART returns to the Esplanade, and Pu Hsueh-Liang, Chu Chung Heng and Tseng Kuo Chen are closer than ever