Preview: da:ns focus – On Loop by Esplanade – Theatres on the Bay

This year’s da:ns focus unfolds under the theme On Loop, a meditation on repetition as both structure and sensation. From 23–25 April 2026, Esplanade – Theatres on the Bay opens the season with Fase, Four Movements to the Music of Steve Reich by Rosas, the internationally acclaimed company led by Anne Teresa De Keersmaeker. First premiering in 1982, Fase is widely recognised as a cornerstone … Continue reading Preview: da:ns focus – On Loop by Esplanade – Theatres on the Bay

Pesta Raya 2026: An Interview with Maria Tri Sulistyani, founder of Papermoon Puppet Theatre, and playwright/director of ‘PUNO – Sewing Memories’

Twelve years ago, the story that would become PUNO: Sewing Memories began with a promise. Back in 2013, Papermoon Puppet Theatre was planning a collaboration with a close friend from the Philippines: puppetry artist Don Salubayba. “It was kind of like, wow, it’s amazing that we have so much in common, let’s do something together,” recalls director and playwright Maria Tri Sulistyani, also a co-founder … Continue reading Pesta Raya 2026: An Interview with Maria Tri Sulistyani, founder of Papermoon Puppet Theatre, and playwright/director of ‘PUNO – Sewing Memories’

Pesta Raya 2026: An Interview with Dr. Norzizi Zulkifli on adapting Macbeth for Randai and traditional arts in Malaysia

When Dr Norzizi speaks about randai, she does not describe it as an artefact or a genre. She describes the art form as something breathing, precarious, but alive. “Without ASWARA,” she says plainly of the National Academy of Arts, Cultural and Heritage of Malaysia, “randai is a dying traditional art form. It exists, but it is also not there. If you come to Kuala Lumpur … Continue reading Pesta Raya 2026: An Interview with Dr. Norzizi Zulkifli on adapting Macbeth for Randai and traditional arts in Malaysia

Pesta Raya 2026: An Interview with ‘La Luna’ director Mohd Fared Jainal, playwright Ridhwan Saidi, and star Munah Bagharib

In an age where the world often feels divided and overexposed to outrage, the most compelling theatre sometimes comes from stories that remind us what it means to live, work, and confront challenges together. This year’s La Luna, making its stage debut during Pesta Raya at Esplanade – Theatres on the Bay, does exactly that: it’s a feel-good comedy that also asks audiences to look … Continue reading Pesta Raya 2026: An Interview with ‘La Luna’ director Mohd Fared Jainal, playwright Ridhwan Saidi, and star Munah Bagharib

Preview: [title of show] (2026) by Sing’theatre

This April, theatre audiences in Singapore can look forward to Sing’theatre’s production of [title of show], a witty, fast-paced, Tony-nominated musical that turns the creative process itself into the main event. Equal parts hilarious and heartfelt, the show follows two writers racing against the clock to create a brand-new musical… about writing a musical. At first glance, it’s a clever meta-comedy. But beneath the sharp … Continue reading Preview: [title of show] (2026) by Sing’theatre

Preview: godategod by Intercultural Theatre Institute

In a city where ambition and identity are constantly in motion, theatre has a way of holding up a mirror, sometimes gently, sometimes unflinchingly. This April, the Intercultural Theatre Institute (ITI) invites audiences to sit with the big questions in godategod, a bold, layered production written and directed by Haresh Sharma. Running from 23 to 25 April at the Drama Centre Black Box, the show … Continue reading Preview: godategod by Intercultural Theatre Institute

Preview: Emergency Stairs x NAFA Industry Project 2026 – ‘Backstage Protocol’ and ‘Pulau Rindu’

Have you ever wondered about the forces shaping our lives that we don’t see? This April, a new generation of theatre-makers in Singapore is asking exactly that. The NAFA Industry Project 2026, co-presented by Emergency Stairs and Nanyang Academy of Fine Arts, is a bold, immersive exploration of what they call “Invisible Architectures.” Think about the unseen systems, quiet hierarchies, and emotional undercurrents that shape … Continue reading Preview: Emergency Stairs x NAFA Industry Project 2026 – ‘Backstage Protocol’ and ‘Pulau Rindu’

Visual Art: core_memory – A solo exhibition by Chok Si Xuan at starch

This April, a new exhibition is asking big questions about the devices we carry, the systems we depend on, and the invisible histories embedded within them. From 17 April to 17 May 2026, artist Chok Si Xuan presents core_memory, a solo exhibition at starch, a space known for pushing the boundaries of experimental art. But this isn’t your typical gallery show. It’s an immersive, almost … Continue reading Visual Art: core_memory – A solo exhibition by Chok Si Xuan at starch

Creativity, Culture, and Community Collide at ARTBOX CAMP 2026

If your April calendar needs a reset, ARTBOX CAMP 2026 might just be the most vibrant answer. Taking over Singapore Expo for two weekends, the festival returns bigger, bolder, and more immersive, reimagined as a “creative camp” where art, food, and culture come alive. But beyond the colourful booths and buzzing crowds, this year’s edition tells a deeper story: one of evolution, community, and the … Continue reading Creativity, Culture, and Community Collide at ARTBOX CAMP 2026

End of the World and Hard-Boiled Wonderland: An Interview with director/choreographer Philippe Decouflé on adapting Haruki Murakami for the stage

Few literary worlds are as slippery, introspective and visually elusive as those of Haruki Murakami—which makes the stage adaptation of Hard-Boiled Wonderland and the End of the World an especially intriguing proposition. Directed and choreographed by Philippe Decouflé, the production transforms Murakami’s dual narratives into a highly visual theatrical experience, where movement, colour and scenography take the place of interior monologue. Arriving in Singapore at … Continue reading End of the World and Hard-Boiled Wonderland: An Interview with director/choreographer Philippe Decouflé on adapting Haruki Murakami for the stage