Category: Review

Art What!, Arts, malaysia, Review, Sands Theatre, Sands Theatre Highlights, Singapore, Singapore Arts, Theatre., Theatre, travel, travelXculture

Arts in Malaysia 2019/20: ILHAM Gallery and Singapore Art Museum Present The Body Politic and The Body (Preview)

KUALA LUMPUR – ILHAM Gallery and Singapore Art Museum (SAM) present ILHAM x SAM Project: The Body Politic and the Body from 8th December 2019 to 12th April 2020 at ILHAM Gallery in Kuala Lumpur. The first collaboration between ILHAM Gallery and SAM, it explores the many facets of contemporary art and its genealogies in Malaysia. The Body Politic and the Body is conceived as a … Continue reading Arts in Malaysia 2019/20: ILHAM Gallery and Singapore Art Museum Present The Body Politic and The Body (Preview)

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Arts, London, Review, Theatre, travel, travelXculture

In London’s (Off) West End 2019: The Grid by Lollipop (Review)

Crafty sci-fi themed escape room and innovative cocktails make this experience one to remember. LONDON – With the advent of increasingly sophisticated artificial intelligence (AI), will robots one day rule the world? The answer to that may just be dependent on how well you fare at Lollipop’s sci-fi multi-chamber escape room The Grid.  Set at the offices of Neosight, The Grid tasks players with an all-important mission – … Continue reading In London’s (Off) West End 2019: The Grid by Lollipop (Review)

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Arts, Review, Singapore

Singapore International Festival of Arts 2020 Releases First Wave of Tickets, Confirms Local Commissions and Crystal Pite’s Revisor

Come its 43rd year in 2020, the Singapore International Festival of Arts (SIFA) returns with a slew of new works from both local and international artists in the month of May. The festival has released the first wave of tickets for five productions that will be making their debut next year, with local theatre companies Nine Years Theatre, The Finger Players and The Necessary Stage, … Continue reading Singapore International Festival of Arts 2020 Releases First Wave of Tickets, Confirms Local Commissions and Crystal Pite’s Revisor

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Arts, Review, Singapore, Theatre

Review: Peter Pan In Serangoon Gardens by W!ld Rice

★★★★☆ (Performance attended 29/11/19) Pan-tastic end to W!ld Rice’s 2019 season reminding audiences of the magic of childhood and belief.  The wonderful thing about W!ld Rice’s pantomimes is that while very much focused on creating a year-end show that children can enjoy, these same shows are also very much family affairs, allowing even the adult audiences to slip into the same mindset and simple joy … Continue reading Review: Peter Pan In Serangoon Gardens by W!ld Rice

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Arts, musical, Review, Sands Theatre, Singapore, SRT, Theatre

Review: Sweeney Todd – The Demon Barber of Fleet Street by Atlantis Theatrical Entertainment, Presented by Singapore Repertory Theatre

★★★★☆ (Performance attended 28/11/19) Reimagined version of Sondheim’s macabre musical thriller a refreshing take on an oft-forgotten classic, with Broadway star Lea Salonga a highlight.   In the Victorian era, penny dreadfuls were some of the more popular forms of entertainment, a serialised form of literature that derives its name from how every issue would cost just one penny. As for the ‘dreadful’ portion, well, that … Continue reading Review: Sweeney Todd – The Demon Barber of Fleet Street by Atlantis Theatrical Entertainment, Presented by Singapore Repertory Theatre

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Arts, Film, Review, Singapore

SGIFF 2019: The Truth (La vérité) dir. Hirokazu Kore-eda (Review)

Palme d’Or winner Kore-eda’s non-Japanese debut is a subtly moving portrait of complex familial relationships while celebrating the film industry and legacies left behind.  While The Truth marks the first non-Japanese film Hirokazu Kore-eda had directed, it remains a project that has his name stamped all over it. Known for his mastery over subtle, understated family dramas, The Truth follows prima donna actress Fabienne (French film icon Catherine … Continue reading SGIFF 2019: The Truth (La vérité) dir. Hirokazu Kore-eda (Review)

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Arts, Film, Review, Singapore

SGIFF 2019: Revolution Launderette dir. Mark Chua and Lam Li Shuen (Review)

More experimental shenanigans from the team behind Cannonball sees them contemplating big, philosophical questions of fate, reality and the meaning of life.  For all their talk about their new film having a stronger narrative than their last, Mark Chua and Lam Li Shuen’s Revolution Launderette still follows very much in the same vein as their debut feature Cannonball, with plenty of experimental, indie filmmaking techniques and stylistics rarely seen on … Continue reading SGIFF 2019: Revolution Launderette dir. Mark Chua and Lam Li Shuen (Review)

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Food, Review, Singapore

Food For Thought: Ring in the festive season with indulgent offerings from Rang Mahal and Table Restaurant & Bar

As the season of revelry fast approaches, it’s time to celebrate with feasts with family and friends once again. To help, Rang Mahal Restaurants, comprising Rang Mahal and Table Restaurant & Bar, present a variety of dine-in and takeaway options to complete any celebration. Boasting its signature tandoor-roasted turkey that comes marinated with a fragrant blend of twenty-six spices including cinnamon, cardamom, nutmeg, mace and … Continue reading Food For Thought: Ring in the festive season with indulgent offerings from Rang Mahal and Table Restaurant & Bar

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Arts, Review, Singapore

Esplanade’s Voices Series 2019: Opus Jam (Review)

French a capella group shows off their range. Known for their genial attitudes and fun approach to their concerts, Opus Jam members Emmanuel Cappalaere (founder and tenor 2), Julien Guilloton (bass), David-Alexandre Aquiba (beatboxer and baritone), Rémy Arenas (tenor 1 alto and the newest member), Nicolas Gabet (soprano) and Mathieu Becquerelle (tenor 2) recently arrived in town as part of the Esplanade’s Voice Series and … Continue reading Esplanade’s Voices Series 2019: Opus Jam (Review)

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Arts, Review, Singapore, Theatre

Review: Rumah Dayak by Rupa co.lab

★★★★☆ (Performance attended 23/11/19, Matinee) Nessa Anwar’s sophomore full length play proves her mastery over capturing natural conversation and social realism. Presented by new theatre collective Rupa co.lab in their theatrical debut, Rumah Dayak follows a night-hour safehouse for troubled youths in the Malay community. Ironically however, the safehouse itself is facing imminent danger, as they face mounting pressures from the authorities, rising costs of operations, and … Continue reading Review: Rumah Dayak by Rupa co.lab

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