SWF 2025: Theatremakers Jo Tan and Adib Kosnan revisit past writing with ‘Rewrite My Fire’

by D.Y. Jo Tan brings a new initiative to the Singapore Writer’s Festival (SWF 2025); connecting playwrights and their older works with new dramaturgical support, in hopes of revitalisation. As theatre companies produce season after season, smaller local scripts can slowly fade away from public memory, especially in favour of bigger, flashier productions. This is the problem that local theatremaker, Jo Tan, set out to … Continue reading SWF 2025: Theatremakers Jo Tan and Adib Kosnan revisit past writing with ‘Rewrite My Fire’

Theatre Review: Temporary Chinese Theatres《当场》by Emergency Stairs and Nanyang Academy of Fine Arts (NAFA)

Wild, absurd work that attempts to make sense of what it means to enter the contemporary Chinese Theatre scene in 2025 and beyond. What does it mean to be a maker of “contemporary Chinese theatre”? Confronting this sharp question head-on, the pioneer cohort of Nanyang Academy of Fine Arts’ (NAFA) BA (Hons) Contemporary Chinese Theatres programme grapples with the industry they are about to enter, … Continue reading Theatre Review: Temporary Chinese Theatres《当场》by Emergency Stairs and Nanyang Academy of Fine Arts (NAFA)

SGIFF 2025: An Interview with Girl 女孩 director Shu Qi, and stars Bai Xiao-Ying and 9m88

When Girl opened the 2025 Singapore International Film Festival at Marina Bay Sands, the theatre was filled to its edges, with filmmakers, industry regulars, influencers, and longtime fans gathered to witness one of Asia’s most beloved stars step into a bold new role. For Shu Qi, who has spent decades defining onscreen charisma, the packed house represented both the reputation she’d built up over the … Continue reading SGIFF 2025: An Interview with Girl 女孩 director Shu Qi, and stars Bai Xiao-Ying and 9m88

★★★★☆ Film Review: Girl 女孩 dir. Shu Qi

Shu Qi’s directorial debut is deeply personal, and teases out the pain and potential of girlhood in ’80s Taiwan. Adolescence is rarely tidy. It’s unruly, bewildering, and often defined by the kind of pain we only learn how to name years later. In Girl, her semi-autobiographical directorial debut, Taiwanese star Shu Qi turns that ache into cinema. Known primarily for her collaborations with Hou Hsiao-hsien … Continue reading ★★★★☆ Film Review: Girl 女孩 dir. Shu Qi

Visual Art: ART SG and S.E.A. Focus Announce Leading Galleries, New Curatorial and Programme Offerings for 2026 Edition

When ART SG opens its doors at Marina Bay Sands in January 2026, the fair will look and feel different from every edition before it. Now in its fourth year, Southeast Asia’s largest international art fair is transforming into a wider cultural ecosystem, one that reflects how rapidly the region’s artistic landscape is developing. Spearheaded by Founding and Lead Partner UBS, ART SG 2026 brings … Continue reading Visual Art: ART SG and S.E.A. Focus Announce Leading Galleries, New Curatorial and Programme Offerings for 2026 Edition

da:ns focus: An Interview with Nederlands Dans Theater artistic director Emily Molnar on rigour, collaboration and the joy of platforming new voices

Ten years on from their last tour here, Nederlands Dans Theater 2 (NDT 2) returns to the Esplanade this season with a trio of works that Artistic Director Emily Molnar describes as “a programme that truly shows where we’re at.” For Molnar, bringing NDT 2 back to Singapore is “an absolute pleasure,” and the triple bill, featuring works by Alexander Ekman, Botis Seva, and Marcos … Continue reading da:ns focus: An Interview with Nederlands Dans Theater artistic director Emily Molnar on rigour, collaboration and the joy of platforming new voices

Film: An Interview with SGIFF General Manager Jeremy Chua and Programme Director Thong Kay Wee on the power and future of film

In a cultural landscape obsessed with certainties, guarantees, and KPIs, the Singapore International Film Festival is, in many ways, an act of defiance. Not loud, not rebellious, but simply the act of being utterly committed to the art of cinema and its continuity. As the festival prepares for its 36th edition, running for two weeks from 26th November to 7th December, the people behind it … Continue reading Film: An Interview with SGIFF General Manager Jeremy Chua and Programme Director Thong Kay Wee on the power and future of film

Concert Review: ECOncert 《声态不息》 by Ding Yi Music Company

A collaborative, multi-genre invitation to forest bathe in the Esplanade Recital Studio, and co-exist with nature all around us. Now in its third edition, Ding Yi Music Company’s ECOncert has come to embrace an identity unmistakably its own, one rooted in environmental consciousness, an attentiveness to the natural textures of sound, and a desire to re-enchant the everyday landscapes around us. This year, the team … Continue reading Concert Review: ECOncert 《声态不息》 by Ding Yi Music Company

Pairing Food with Writing: Two culinary, literary experiences at Singapore Writers Festival 2025

In his second year helming the Singapore Writers Festival (SWF), Festival Director Yong Shu Hoong has not only brought in heavyweight names like Ken Liu and R.F. Kuang, but also pushed the festival toward new ways of experiencing literature. This edition sees him experimenting with more intimate formats—small-group sessions that allow participants to meet authors up close, and hands-on workshops that prioritise interaction over audience … Continue reading Pairing Food with Writing: Two culinary, literary experiences at Singapore Writers Festival 2025

Brigitte Niedermair and Carine Roitfeld share more about their vision behind UBS House of Craft x Dior at New Museum Singapore

The prestigious UBS House of Craft x Dior is set to arrive in Singapore within a week, a full exhibition exploring Dior at the heart of haute couture fashion for eight decades, complete with strong scope, ambition, and emotional resonance. After its resounding New York debut in June 2025, the Asian edition brings an enriched program to the New Art Museum Singapore, part of Whitestone … Continue reading Brigitte Niedermair and Carine Roitfeld share more about their vision behind UBS House of Craft x Dior at New Museum Singapore