Preview: Boxman by Flugelman Productions and StoneCrabs Theatre

LONDON – The refugee ‘crisis’ only gets increasingly rampant with each passing month, with a deluge of new immigrants come to live in the country. But hold up, and listen to Ringo’s story before passing any judgments. Presented by Flugelman Productions with StoneCrabs Theatre, Blue Elephant Theatre plays host to Australian playwright Daniel Keene’s one-man show – Boxman. Directed by Edwina Strobl, Boxman follows a homeless refugee as he lives … Continue reading Preview: Boxman by Flugelman Productions and StoneCrabs Theatre

An Interview with the Creatives of dead was the body till i taught it how to move

Bhumi Collective has only been around for a couple of years, but they’ve already been showcasing a variety of genres  dipping their toes into various genres of shows, ranging from fringe theatre to lecture performance. Now, they’ll be presenting an all new, original, interdisciplinary work, co-created by a number of young theatre makers both familiar and new to the local scene in the premiere of dead … Continue reading An Interview with the Creatives of dead was the body till i taught it how to move

Preview: Nam Hwa Blazes 《万紫千红》(July 2018) by Nam Hwa Opera

Nam Hwa Opera is having a busy summer period. Just last week, the fifty year old Teochew Opera troupe performed two full length operas at the Singapore Chinese Cultural Centre, and this coming Sunday, they’ll be showcasing the tenth edition of their quarterly Nam Hwa Blazes programme at the Aliwal Arts Centre! The last edition in April saw the troupe showcasing three classic Teochew Operas, highlighting the … Continue reading Preview: Nam Hwa Blazes 《万紫千红》(July 2018) by Nam Hwa Opera

Preview: The Cyclist by Intercultural Theatre Institute

Following a thought provoking first public production in March, the latest batch of Intercultural Theatre Institute (ITI) graduating students return to the Drama Centre Black Box to present their second show of the year: Vijay Tendulkar’s The Cyclist. Translated into English by Balwant Bhaneja, The Cyclist tells of the adventure of life from the perspective of a nameless cyclist as she sets off on a solo journey. But this is … Continue reading Preview: The Cyclist by Intercultural Theatre Institute

Preview: The Fall by The Young Company

Following two years of training across all forms and aspect of theatre, Singapore Repertory Theatre’s (SRT) latest batch of The Young Company trainees are set to graduate this August, culminating in a graduation showcase performance of James Fritz’s The Fall. First performed by the National Youth Theatre of Great Britain at the Finborough Theatre, London in August 2016, The Fall examines youth and their relationship with ageing and … Continue reading Preview: The Fall by The Young Company

Preview: The Taste of Water by Bound Theatre

Formed in 2011, young, self-funded local theatre company Bound Theatre has produced five productions over the seven years since their inception. Aiming to create honest theatre to tell personal stories about pain and memory, the company will now be presenting their sixth production this August, a completely original devised physical theatre piece titled The Taste of Water. Directed and written by Wee Xuan Yi and Teng Zi … Continue reading Preview: The Taste of Water by Bound Theatre

Reflections on a Skyline: An Interview with Here and Beyond Director Stanley Seah and Cast Member Jolene Wong

Toy Factory is having an incredibly busy year – they’ve already staged three brand new productions in 2018, ranging from epic hundred year musical to loving comedy tribute, and all of which were presented in Mandarin or Mandarin dialects. But this July, something quintessentially Singaporean will be coming your way, with the first ever stage adaptation of the only MOE-prescribed Singaporean O-Level Literature text – Here … Continue reading Reflections on a Skyline: An Interview with Here and Beyond Director Stanley Seah and Cast Member Jolene Wong

Review: My Grandfather’s Road by Neo Kim Seng (Cantonese versions, performed by Tan Cher Kian and Gary Tang)

Two ways to tell a poignant story of growing up in Cantonese.  First written as a book, in My Grandfather’s Road, Neo Kim Seng explores his familial history through the lens and geography of a bygone Singapore, thinking of his childhood growing up on what is literally his grandfather’s road (Neo Pee Teck Lane) and told through personal memories and anecdotes. While we previously watched the full … Continue reading Review: My Grandfather’s Road by Neo Kim Seng (Cantonese versions, performed by Tan Cher Kian and Gary Tang)

Review: Framed, By Adolf by The Finger Players

Dark fairytale meets con-job for justice in this story-within-a-story about the holocaust and art. The art world is fickle and subjective, with the monetary worth of a painting determined by market forces and its value by its frame, specifically the way a backstory ‘frames’ and positions an artwork to give it legitimacy. But even the volatile art market is in agreement that a controversial work … Continue reading Review: Framed, By Adolf by The Finger Players

Review: My Grandfather’s Road by Neo Kim Seng (English version, performed by Karen Tan)

Put on your nostalgia goggles for this monologue about people and places past, laced with a pinch of death and loss.  To call a stretch of land your grandfather’s road sounds like an audacious claim. But for theatremaker Neo Kim Seng, that claim is rooted in truth, with Neo Pee Teck Lane quite literally named after his paternal grandfather. My Grandfather’s Road is adapted from … Continue reading Review: My Grandfather’s Road by Neo Kim Seng (English version, performed by Karen Tan)