Preview: The Fall by The Young Company

Following two years of training across all forms and aspect of theatre, Singapore Repertory Theatre’s (SRT) latest batch of The Young Company trainees are set to graduate this August, culminating in a graduation showcase performance of James Fritz’s The Fall. First performed by the National Youth Theatre of Great Britain at the Finborough Theatre, London in August 2016, The Fall examines youth and their relationship with ageing and … Continue reading Preview: The Fall by The Young Company

Preview: The Taste of Water by Bound Theatre

Formed in 2011, young, self-funded local theatre company Bound Theatre has produced five productions over the seven years since their inception. Aiming to create honest theatre to tell personal stories about pain and memory, the company will now be presenting their sixth production this August, a completely original devised physical theatre piece titled The Taste of Water. Directed and written by Wee Xuan Yi and Teng Zi … Continue reading Preview: The Taste of Water by Bound Theatre

Preview: Love and Duty – Mozart’s Il Re Pastore by The Opera People

Opera has come a long way since the ‘park and bark’ style of the 1980s, with newer groups constantly attempting to buck the trend and make it trendy, modern and accessible. And perfectly in line with that, newly formed opera company The Opera People have arrived on the scene with big reputations and aspirations. Founded by opera stalwarts and brothers Jonathan and David Charles Tay, the contemporary opera … Continue reading Preview: Love and Duty – Mozart’s Il Re Pastore by The Opera People

Nothing But Pride for Local Talent: An Interview with Dick Lee (Singapopera 2018)

Dick Lee is perhaps one of the few Singaporeans whose name is immediately recognizable. For many Singaporeans, Dick is best known as the composer of ‘Home’, the song most synonymous with National Day. Written abroad while harbouring thoughts of missing Singapore, the 1998 song has since gone on to become a mainstay at just about every National Day Parade, at any and every Singaporean event … Continue reading Nothing But Pride for Local Talent: An Interview with Dick Lee (Singapopera 2018)

Reflections on a Skyline: An Interview with Here and Beyond Director Stanley Seah and Cast Member Jolene Wong

Toy Factory is having an incredibly busy year – they’ve already staged three brand new productions in 2018, ranging from epic hundred year musical to loving comedy tribute, and all of which were presented in Mandarin or Mandarin dialects. But this July, something quintessentially Singaporean will be coming your way, with the first ever stage adaptation of the only MOE-prescribed Singaporean O-Level Literature text – Here … Continue reading Reflections on a Skyline: An Interview with Here and Beyond Director Stanley Seah and Cast Member Jolene Wong

Review: My Grandfather’s Road by Neo Kim Seng (Cantonese versions, performed by Tan Cher Kian and Gary Tang)

Two ways to tell a poignant story of growing up in Cantonese.  First written as a book, in My Grandfather’s Road, Neo Kim Seng explores his familial history through the lens and geography of a bygone Singapore, thinking of his childhood growing up on what is literally his grandfather’s road (Neo Pee Teck Lane) and told through personal memories and anecdotes. While we previously watched the full … Continue reading Review: My Grandfather’s Road by Neo Kim Seng (Cantonese versions, performed by Tan Cher Kian and Gary Tang)

Review: Framed, By Adolf by The Finger Players

Dark fairytale meets con-job for justice in this story-within-a-story about the holocaust and art. The art world is fickle and subjective, with the monetary worth of a painting determined by market forces and its value by its frame, specifically the way a backstory ‘frames’ and positions an artwork to give it legitimacy. But even the volatile art market is in agreement that a controversial work … Continue reading Review: Framed, By Adolf by The Finger Players

Review: My Grandfather’s Road by Neo Kim Seng (English version, performed by Karen Tan)

Put on your nostalgia goggles for this monologue about people and places past, laced with a pinch of death and loss.  To call a stretch of land your grandfather’s road sounds like an audacious claim. But for theatremaker Neo Kim Seng, that claim is rooted in truth, with Neo Pee Teck Lane quite literally named after his paternal grandfather. My Grandfather’s Road is adapted from … Continue reading Review: My Grandfather’s Road by Neo Kim Seng (English version, performed by Karen Tan)

Preview: dead was the body till i taught it how to move by Bhumi Collective

Life has a habit of throwing the greatest of curveballs when you least expect it. And in Bhumi Collective’s latest production, they’ll be tackling the story of one man who finds his once clear path now at a crossroads when faced with an unexpected crisis. Written by Edward Eng, directed by the Second Breakfast Company artistic director Adeeb Fazah, and with dramaturgy and movement direction … Continue reading Preview: dead was the body till i taught it how to move by Bhumi Collective

25th Singapore International Piano Festival: Dang Thai Son (Review)

The Vietnamese pianist’s performance is a masterclass brought to life onstage. Dang Thai Son first came to fame as the first prize winner at the 10th International Chopin Piano Competition in 1980. Since then, he’s gone on to play in over 40 countries with countless international orchestras, and can be considered a master in his own right. It’s no wonder then that his masterclass sold … Continue reading 25th Singapore International Piano Festival: Dang Thai Son (Review)