Review: Evita presented by BASE Entertainment Asia and Lunchbox Theatrical Productions (+Ticket Giveaway!)

A moving portrait of one of Argentina’s most beloved political figures. There are always two sides to every story. And by definition, it is the winners who get to decide which one will go down in the annals of history. In Evita, it is beloved Argentinian political figure Eva Peron whose life comes under scrutiny. Known for her rise in power from a humble provincial girl to … Continue reading Review: Evita presented by BASE Entertainment Asia and Lunchbox Theatrical Productions (+Ticket Giveaway!)

Evita Media Call – An Interview with the Cast and Creatives

Considering that this is the first time Evita will ever be staged in Singapore, it’s pretty impressive that it’s the version considered the definitive one by original composer Andrew Lloyd Webber. Based on the rise to power of real life Argentinian political leader Eva Peron (the eponymous ‘Evita’), Evita is widely considered to be one of Andrew Lloyd Webber’s best works, alongside Cats and Phantom of the Opera. Originally opening … Continue reading Evita Media Call – An Interview with the Cast and Creatives

Huayi 2018: Einstein In The Carpark by Emergency Stairs (Preview)

Of the many performance spaces within the Esplanade, there’s never been one quite as unique as the carpark, being used for the very first time by experimental theatre company Emergency Stairs as they return to Huayi with their new production Einstein In The Carpark. Directed and conceptualized by Emergency Staris artistic director Liu Xiaoyi, Einstein In The Carpark takes inspiration from physicist Albert Einstein’s theory of relativity, … Continue reading Huayi 2018: Einstein In The Carpark by Emergency Stairs (Preview)

Huayi 2018: Why We Chat? by Edward Lam Dance Theatre (Preview)

This Huayi Festival, the Esplanade welcomes Hong Kong’s Edward Lam Dance Theatre to Singapore as they present a truly unique theatrical show that reflects on modern relationships, inspired, oddly enough, by the classic Chinese collection Liaozhai Zhiyi. Directed by award-winning director Edward Lam himself and written by the acclaimed playwright-actress Wong Wing Sze, Why We Chat? follows an aspiring writer (popular Taiwanese-Hong Kong singer/actor David Wang) as he shafts … Continue reading Huayi 2018: Why We Chat? by Edward Lam Dance Theatre (Preview)

Huayi 2018: Cut Kafka! by Nine Years Theatre and T.H.E. Dance Company (Preview)

In a company first, leading arts companies Nine Years Theatre joins forces with T.H.E. Dance Company to produce an all new physical theatre/movement piece inspired by the works of author Franz Kafka. Kafka is best known for his surreal works that’ve influenced readers across the world, and certainly one of the most unique writers of the 20th century, with works such as The Metamorphosis, The … Continue reading Huayi 2018: Cut Kafka! by Nine Years Theatre and T.H.E. Dance Company (Preview)

Huayi 2018: I came at last to the seas by The Theatre Practice (Review)

It is perhaps fitting that the Esplanade’s 2018 Huayi Festival kicked off on Friday (Feb 23) with a local production starring one of Singapore’s largest breakout stars in China of 2017 – Joanna Dong, who placed third in the reality singing contest Sing! China. I came at last to the seas – directed by Kuo Jian Hong, written by Chinese playwright Wu Xi and featuring an … Continue reading Huayi 2018: I came at last to the seas by The Theatre Practice (Review)

Huayi 2018: Blood & Rose Ensemble by Shakespeare’s Wild Sisters Group (Review)

The Taiwanese theatre group ramp up the soap opera potential in Shakespeare through their farcical and madcap adaptation of the Bard’s history plays.  Think it’s hard keeping up with the Kardashians? Shakespeare’s Wild Sisters Group will have you know that they’ve got nothing on the House of Plantaganet. Directed by Wang Chia-Ming, the entirety of the War of the Roses is charted in a loose, 2-hour adaptation of … Continue reading Huayi 2018: Blood & Rose Ensemble by Shakespeare’s Wild Sisters Group (Review)

Pangdemonium’s The Father: An Interview with Actors Lim Kay Siu and Keagan Kang

Multiple-Life Theatre Award 2018 nominee Pangdemonium springs into their 2018 season with one of their most socially relevant plays yet – Florian Zeller’s The Father. Receiving critical acclaimed when it premiered on London’s West End, The Father stars Lim Kay Siu as Andre, a man who’s fallen prey to dementia and becomes increasingly unsure of the very fabric of reality and the world he lives in. Prior … Continue reading Pangdemonium’s The Father: An Interview with Actors Lim Kay Siu and Keagan Kang

Huayi 2018: Blood & Rose Ensemble by Shakespeare’s Wild Sisters Group (Preview)

East meets West in the Esplanade’s 2018 Huayi Festival as Taiwan collaborates with Singapore in an all new adaptation of Shakespeare’s history plays. A co-commission by Esplanade – Theatres on the Bay and The National Theater & Concert Hall, Shakespeare’s Wild Sisters Group reimagines the bard’s Henry VI and Richard III for a fresh, modern audience as they play out the War of the Roses in an all new … Continue reading Huayi 2018: Blood & Rose Ensemble by Shakespeare’s Wild Sisters Group (Preview)

Huayi 2018: I came at last to the seas by The Theatre Practice (Preview)

Kicking off the Esplanade’s 2018 Huayi Festival and marking The Theatre Practice’s very first production of the year is I came at last to the seas, an ambitious all new cross country project, and the first time Huayi has commissioned a local arts group to produce a new work at the Esplanade Theatre for Huayi! I came at last to the seas follows six individuals as they journey … Continue reading Huayi 2018: I came at last to the seas by The Theatre Practice (Preview)