Toy Factory’s stellar first production charts the birth and growth of a clan association over the last hundred years. Hokkien is a language that isn’t often associated with grace or beauty, often relegated to slang used in the army or, as is the case with many dialects, seen as a relic of the past. But in Sometime Moon, Toy Factory makes a strong case for convincing audiences … Continue reading Review:《有时月光》(Sometime Moon) by Toy Factory
Toy Factory opens their 2018 season on a high note, with a brand new show this March! Titled《有时月光》Sometime Moon, this epic new production is incredibly ambitious, and the 10-act musical charts a hundred years of history in the life of one of the earliest Huay Kuan (Clan Association) established in Singapore. Sometime Moon follows the rise of the fictitious Quan Ji Huay Kuan from the moment … Continue reading Preview:《有时月光》(Sometime Moon) by Toy Factory
Same same but different – Pangdemonium’s The Father is a terrifying take on dementia as seen through one man’s eyes. Florian Zeller’s The Father is a difficult play to watch. Not necessarily because it’s complicated (although it’ll certain leave you confused and terrified by the end), but because it’s a play that deals with the inevitable – growing old, and the very real possibility of encountering … Continue reading Review: The Father by Pangdemonium!
Multiple-Life Theatre Award 2018 nominee Pangdemonium springs into their 2018 season with one of their most socially relevant plays yet – Florian Zeller’s The Father. Receiving critical acclaimed when it premiered on London’s West End, The Father stars Lim Kay Siu as Andre, a man who’s fallen prey to dementia and becomes increasingly unsure of the very fabric of reality and the world he lives in. Prior … Continue reading Pangdemonium’s The Father: An Interview with Actors Lim Kay Siu and Keagan Kang
Tackling the theme of Hope and Home this year, Pangdemonium’s 2018 season is starting off on an incredibly poignant note as they present the Singaporean premiere of Florian Zeller’s Moliere Award winning play The Father. Directed by Tracie Pang, The Father follows André, a 70 year old man who’s managed to lose his beloved watch again. His daughter and son-in-law aren’t helping much, sneaking around the house and … Continue reading Preview: The Father by Pangdemonium!
A change of perspective could widen your peripheries in this oneiric projection-performance from one of Thailand’s most acclaimed filmmakers. Apichatpong Weerasethakul is one of Thailand’s most internationally acclaimed filmmakers, having been the first Southeast Asian artist to nab the Palme d’Or at the 2010 Cannes Festival. If anything though, Apichatpong is an artist first, filmmaker second, never shying away from innovations in the medium, and … Continue reading Review: Apichatpong Weerasethakul’s FEVER ROOM presented by Theatreworks
Filmmaker Apichatpong Weerasethakul is perhaps best known for his breakout work Uncle Boonmee Who Can Recall His Past Lives, the first Thai film and first Southeast Asian to ever win a Palme d’Or at the 2010 Cannes Film Festival. Now, to kickstart their 2018 season, TheatreWorks Curators Academy is proud to welcome Apichatpong onto our shores with his touring work FEVER ROOM. Playing at the Victoria Theatre from 25th … Continue reading Preview: FEVER ROOM presented by Theatreworks
In the Xin Yi Dance Company’s latest performance, there’s an intensity to that keeps our eyes completely focused on the stage at all times. Described as a ‘dance drama’, Resolute follows a tale of morality and virtue, as three strangers – a judge, doctor and lawyer meet under trying circumstances, each of them facing their own moral dilemmas and internal demons. An easy to follow storyline with … Continue reading Review: Resolute by Xin Yi Dance Company
How time flies! In the flash of an eye, it’s already November, and as we’re fast approaching the end of the year, we’ve started thinking about what’s in store for us on the theatre calendar in 2018. As always, Pangdemonium has already made their announcement ahead of time, and will be presenting three carefully curated set of plays surrounding the theme of HOPE & HOME in 2018. … Continue reading Preview: Pangdemonium’s 2018 Season
In its traditional stand-up comedy routine form, the closing debate of the Singapore Writers Festival had audiences falling off their chairs laughing through the 90 minute show. Ironically, this only proved that the ‘kiasu-ism’ displayed by over 600 people queuing over six hours for free entry tickets to the debate was worth it after all. The debate closed the 20th Singapore Writers festival last Sunday … Continue reading Singapore Writers Festival 2017 Closing Debate: This House believes that Kiasuism is a Good Singaporean Trait
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