George Town Festival 2019: Kampong Chempedak by The Glowers Drama Group (Review)

Change is the only constant. PENANG, MALAYSIA – While most modern city-dwellers have long gotten used to the constant march of progress as our cityscape moves forth, there remain those that find it difficult to impossible to adapt to the way the world has changed. Performed by Singapore senior theatre group The Glowers, our story then focuses on the villagers of Kampong Chempedak, once a thriving and … Continue reading George Town Festival 2019: Kampong Chempedak by The Glowers Drama Group (Review)

Review: First Fleet (第一舰队) by Nine Years Theatre and Singapore Chinese Cultural Centre

Steering audiences to believe in the redemptive power of art. Written and directed by Nelson Chia, First Fleet marks a bold move for the Nine Years Theatre artistic director, clearly differentiating them from the rest of the companies producing works relating to Singapore’ colonial history this year. Taking inspiration from both historical figures and Thomas Keneally’s novel The Playmaker, First Fleet instead focuses on Australia’s colonial history. And more specifically, the … Continue reading Review: First Fleet (第一舰队) by Nine Years Theatre and Singapore Chinese Cultural Centre

M1 Contact Contemporary Dance Festival 2019: Off Stage (Review)

Strong potential evident in each of these works-in-progress Created as a platform to showcase new works-in-progress from local and regional dance artists, the M1 Contact Dance Festival 2019’s Off Stage presented four draft pieces at T.H.E Dance Company’s studio at Goodman Arts Centre. Inviting both members of the public and local/international dancers and choreographers, Off Stage not only gave audience members a chance to preview … Continue reading M1 Contact Contemporary Dance Festival 2019: Off Stage (Review)

Singapore Food Festival 2019: Advanced Dining by Telok Ayer Arts Club & The Picnic (Review)

Expect the unexpected and come away with a new belief in the art of dining. Spoilers ahead Eating is and always will be a part of our daily lives. But get into a routine long enough, and you may just begin to forget just what it was that made food such a magical experience in the first place. Enter Advanced Dining, a curated experiential art … Continue reading Singapore Food Festival 2019: Advanced Dining by Telok Ayer Arts Club & The Picnic (Review)

George Town Festival 2019: Screaming in Silence by Parastoo Theatre Team (Review)

Staging the painful truth of forced marriage in Afghanistan.  PENANG, MALAYSIA – Performed by Parastoo Theatre Team, a group of Afghan refugees who are based in Malaysia, Screaming in Silence uses the form of Theatre of the Oppressed to raise awareness about child marriage in Afghanistan, following the life of a young girl forced into marriage with a much older man by her father and the community. Performed in … Continue reading George Town Festival 2019: Screaming in Silence by Parastoo Theatre Team (Review)

Nine Years Theatre’s First Fleet (第一舰队): An Interview with Director Nelson Chia

Following FAUST/US earlier this year, Nine Years Theatre returns this week for their second production of the year – an original work about the first British fleet to step foot onto what would eventually become Australia, aptly titled First Fleet. Written and directed by Nelson Chia, we posed a number of questions to the Nine Years Theatre Artistic Director to find out a little more about what we … Continue reading Nine Years Theatre’s First Fleet (第一舰队): An Interview with Director Nelson Chia

N.O.W. 2019: Three Fat Virgins Unassembled (Review)

  Almost 30 years on and Ovidia Yu’s classic remains shockingly relevant. One of my earliest memories of coming into contact with local theatre is picking up a copy of Fat Virgins, Fast Cars and Asian Values in the late 2000s, collecting some of the Theatreworks Writers’ Lab’s most seminal plays from the 1990s. Naturally, as its title suggests, this collection contained Ovidia Yu’s Three Fat Virgins Unassembled, a … Continue reading N.O.W. 2019: Three Fat Virgins Unassembled (Review)

Dream Academy’s Broadway Beng: An Interview with Sebastian Tan

In many ways, Broadway Beng seems eternal. Having debuted in 2006, the dapper, Hokkien-spouting, Broadway/West End musical-lovin’ ‘beng’ has become something of a national icon in his own right, winning the hearts of countless aunties, xiao mei meis and men alike with his swagger and charm. But unlike an icon such as say, James Bond and how the character changes actors every few years, Broadway Beng can and will … Continue reading Dream Academy’s Broadway Beng: An Interview with Sebastian Tan

M1 Contact Contemporary Dance Festival 2019: Dance at Dusk by T.H.E Second Company (Review)

Highlighting communication breakdowns in the light of the setting sun. Returning to the M1 Contact Festival once again since its inception in 2017, Dance at Dusk remains one of the festival’s most important, accessible free programmes reaching out not only to curious families, but also, to the differently abled, who may not be able to appreciate dance in the same way the able do. Working together with … Continue reading M1 Contact Contemporary Dance Festival 2019: Dance at Dusk by T.H.E Second Company (Review)

Review: Happy Waiting by Grain Performance & Research Lab

Modern homage to Beckett’s works reflects on the crushing despair of mundane routines and walking depression.  Taking both its name and inspiration from two plays by master of absurd theatre Samuel Beckett, Happy Waiting sees Grain Performance & Research Lab attempt to use the absurd medium to confront issues of joy and routine in daily life. Written by Beverly Yuen and directed by choreographer Bernice Lee, Happy Waiting combines elements … Continue reading Review: Happy Waiting by Grain Performance & Research Lab