There is no way to think of Singapore without thinking of its incredible food scene. It’s no wonder then that the annual Singapore Food Festival (SFF) has now reached its 25th year, bigger and better than ever as it celebrates our diverse and delicious food culture this July. Themed “Savour Singapore in Every Bite”, SFF 2018 will focus on our food heritage and explore just what … Continue reading Preview: Singapore Food Festival 2018
LONDON/SINGAPORE – After a successful premiere at the M1 Singapore Fringe Festival 2018, Petrina Kow‘s Walking in Beauty is making a trip up to London, featuring new stories and new cast members in a one night only show at Theatre Delicatessen this July! Directed and curated by Petrina Kow and produced by Blue Bean Productions, Walking in Beauty presents a series of real stories told by women from both Singapore … Continue reading On Tour: Petrina Kow’s Walking In Beauty Goes To London (produced by Blue Bean Productions)
Amidst stories of the underdog and minorities, does the straight Chinese male have a story to tell in Singapore society? Two playwrights think so, and at the 2018 Singapore Theatre Festival, will be presenting these intimate stories of what it means to be a Singaporean male in today’s world, in a doublebill of two plays. In the first half of the doublebill, director Ric Liu … Continue reading Singapore Theatre Festival 2018: Double Bill – G.F.E. / 招: When The Cold Wind Blows (Preview)
Proof that theatre provides a safe space for anyone to tell the most heartwrenching of stories. There’s a saying that all stories are worth telling, if only one knows how to tell them. In dead was the body till i taught it how to move, Bhumi Collective presents the story of an ordinary boy going through extraordinary trauma and grief. While going through university in Warwick, ex-Ministry … Continue reading Review: dead was the body till i taught it how to move by Bhumi Collective
Based off the memoir that shot American author Mitch Albom to fame, Taiwan’s Godot Theatre Company will be presenting their smash hit stage adaptation of Tuesdays with Morrie at the Esplanade next week! As a memoir, Tuesdays with Morrie found resonance with audience members worldwide when it was first published in 1997. Tuesdays with Morrie follows Mitch as he spends every Tuesday with his college professor Professor Morrie Schwartz, … Continue reading Tuesdays with Morrie: An Interview with Director Daniel Yang and Cast Members Jin Shi Jie and Pu Xueliang
Happy Ever Laughter, Dream Academy’s biennial standup comedy spectacular, returns for its fourth outing this week, and Dream Academy artistic director Selena Tan has decided to rock the boat with a twist – a comedic battle to the death as two teams of Singapore’s best and most promising comedians vie for the rights to call themselves the nation’s funniest! Says Selena: “We started Happy Ever Laughter … Continue reading Dream Academy’s Happy Ever Laughter 2018: An Interview with Selena Tan
Stripping back the layers to reveal actress Rebekah Sangeetha Dorai at her most vulnerable, while still showcasing all her talents. All her life, Rebekah Sangeetha Dorai has been playing roles. From spending long hours as a child parked in front of Channel News Asia emulating the broadcasters, to changing her accent to fit in, to her current career as an actress becoming a different character each … Continue reading Singapore Theatre Festival 2018: Building A Character (Review)
Seven years on from Fear of Writing, Tan Tarn How makes a welcome return with this politically-charged, incisive commentary on the death of local journalism. Over the years, mainstream media has seen countless changes transform its purpose and perspective. From being seen as the fifth estate to becoming a government mouthpiece, to the advent of new media and alternative news sites to even today’s proliferation … Continue reading Singapore Theatre Festival 2018: Press Gang (Review)
A successful second outing for Thomas Lim in this gripping domestic drama touching on national themes. George Orwell’s novel 1984 may have predicted a future where he believed our every action and movement will be placed under surveillance, but never could he possibly have imagined that the perpetrators would be ourselves. That dystopian future has unwittingly become a startling reality in Singapore, where not only are there CCTV … Continue reading Singapore Theatre Festival 2018: Supervision (Review)
Theatreworks is having a busy July, dedicating the entirety of the month to activities surrounding their Writers Lab programme, from dramatised readings of plays born out of the Lab to the annual 24-Hour Playwriting Competition to be held at Haw Par Villa. But amidst it all, they’ll also be premiering their first mainstage show of the year in the form of Shen Tan’s 13.13.13 in her professional … Continue reading Because I Love You: An Interview with Shen Tan and Tan Shou Chen of Theatreworks’ 13.13.13
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