What does it mean to be a man? Two surreal Mandarin plays tackle the toxic mindset of masculinity about what it means to be a man today.  Are you any less of a man if you don’t shout, swear, or display an unrelenting libido?Toxic masculinity is placed in the spotlight in W!ld Rice’s double bill of new Mandarin works for this year’s Singapore Theatre Festival, … Continue reading Singapore Theatre Festival 2018: 招: When The Cold Wind Blows/G.F.E. (Review)

Amidst stories of the underdog and minorities, does the straight Chinese male have a story to tell in Singapore society? Two playwrights think so, and at the 2018 Singapore Theatre Festival, will be presenting these intimate stories of what it means to be a Singaporean male in today’s world, in a doublebill of two plays. In the first half of the doublebill, director Ric Liu … Continue reading Singapore Theatre Festival 2018: Double Bill – G.F.E. / 招: When The Cold Wind Blows (Preview)

Stripping back the layers to reveal actress Rebekah Sangeetha Dorai at her most vulnerable, while still showcasing all her talents.  All her life, Rebekah Sangeetha Dorai has been playing roles. From spending long hours as a child parked in front of Channel News Asia emulating the broadcasters, to changing her accent to fit in, to her current career as an actress becoming a different character each … Continue reading Singapore Theatre Festival 2018: Building A Character (Review)

W!ld Rice’s newest Resident Playwright Thomas Lim made a stunning debut with Grandmother Tongue at the Singapore Theatre Festival 2 years ago, selling out both that run and the restaging last year. This year, he’s back with an all new play in the form of Supervision, set to make its world premiere next week at the opening of W!ld Rice’s 2018 Singapore Theatre Festival. Directed by W!ld Rice artistic director … Continue reading Singapore Theatre Festival 2018: An Interview with Thomas Lim and Janice Koh (Supervision)