Review: Love Ya Mom! by (爱呀,我的妈!) by Godot Theatre Company

Heartwarming tale that’ll bring anyone closer to their mom. There’s just some nights you need nothing more than a simple and clean musical to reassure and make you feel warm and fuzzy inside. Most recently, that musical happens to be Taiwanese theatre company Godot Theatre’s Love Ya Mom!, which played at the Esplanade Theatre in its overseas debut. Directed by Liang Chi-Ming, with music by acclaimed … Continue reading Review: Love Ya Mom! by (爱呀,我的妈!) by Godot Theatre Company

M1 Contact Contemporary Dance Festival 2019: M1 Open Stage – Programme B (Review)

Four thought-provoking works from female choreographers and dancers.  The M1 Contact Dance Festival’s Open Stage programme remains one of the most exciting parts of the festival each year, gathering international dance talents to perform alongside local ones to showcase a range of the very best contemporary choreographies of today, from the playful to the profound. With Programme B, we caught four very different works from female … Continue reading M1 Contact Contemporary Dance Festival 2019: M1 Open Stage – Programme B (Review)

M1 Contact Contemporary Dance Festival 2019: Mr Sign by T.H.E Dance Company (Review)

  Absurd, dystopian world where thoughts and language are thrown into disarray.  First performed in 2013, the 2019 M1 Contact Festival brings back Kim Jae Duk’s first full-length production for T.H.E Dance Company, the endlessly fascinating Mr Sign for a single public performance. Composed and choreographed by Kim, Mr Sign is set in an absurd, dystopian-like society, as members of T.H.E (Anthea Seah, Brandon Khoo, Lynette Lim, Ng Zu You, … Continue reading M1 Contact Contemporary Dance Festival 2019: Mr Sign by T.H.E Dance Company (Review)

George Town Festival 2019: Kampong Chempedak by The Glowers Drama Group (Review)

Change is the only constant. PENANG, MALAYSIA – While most modern city-dwellers have long gotten used to the constant march of progress as our cityscape moves forth, there remain those that find it difficult to impossible to adapt to the way the world has changed. Performed by Singapore senior theatre group The Glowers, our story then focuses on the villagers of Kampong Chempedak, once a thriving and … Continue reading George Town Festival 2019: Kampong Chempedak by The Glowers Drama Group (Review)

Review: First Fleet (第一舰队) by Nine Years Theatre and Singapore Chinese Cultural Centre

Steering audiences to believe in the redemptive power of art. Written and directed by Nelson Chia, First Fleet marks a bold move for the Nine Years Theatre artistic director, clearly differentiating them from the rest of the companies producing works relating to Singapore’ colonial history this year. Taking inspiration from both historical figures and Thomas Keneally’s novel The Playmaker, First Fleet instead focuses on Australia’s colonial history. And more specifically, the … Continue reading Review: First Fleet (第一舰队) by Nine Years Theatre and Singapore Chinese Cultural Centre

M1 Contact Contemporary Dance Festival 2019: Off Stage (Review)

Strong potential evident in each of these works-in-progress Created as a platform to showcase new works-in-progress from local and regional dance artists, the M1 Contact Dance Festival 2019’s Off Stage presented four draft pieces at T.H.E Dance Company’s studio at Goodman Arts Centre. Inviting both members of the public and local/international dancers and choreographers, Off Stage not only gave audience members a chance to preview … Continue reading M1 Contact Contemporary Dance Festival 2019: Off Stage (Review)

George Town Festival 2019: Screaming in Silence by Parastoo Theatre Team (Review)

Staging the painful truth of forced marriage in Afghanistan.  PENANG, MALAYSIA – Performed by Parastoo Theatre Team, a group of Afghan refugees who are based in Malaysia, Screaming in Silence uses the form of Theatre of the Oppressed to raise awareness about child marriage in Afghanistan, following the life of a young girl forced into marriage with a much older man by her father and the community. Performed in … Continue reading George Town Festival 2019: Screaming in Silence by Parastoo Theatre Team (Review)

N.O.W. 2019: Three Fat Virgins Unassembled (Review)

  Almost 30 years on and Ovidia Yu’s classic remains shockingly relevant. One of my earliest memories of coming into contact with local theatre is picking up a copy of Fat Virgins, Fast Cars and Asian Values in the late 2000s, collecting some of the Theatreworks Writers’ Lab’s most seminal plays from the 1990s. Naturally, as its title suggests, this collection contained Ovidia Yu’s Three Fat Virgins Unassembled, a … Continue reading N.O.W. 2019: Three Fat Virgins Unassembled (Review)

M1 Contact Contemporary Dance Festival 2019: Dance at Dusk by T.H.E Second Company (Review)

Highlighting communication breakdowns in the light of the setting sun. Returning to the M1 Contact Festival once again since its inception in 2017, Dance at Dusk remains one of the festival’s most important, accessible free programmes reaching out not only to curious families, but also, to the differently abled, who may not be able to appreciate dance in the same way the able do. Working together with … Continue reading M1 Contact Contemporary Dance Festival 2019: Dance at Dusk by T.H.E Second Company (Review)

SPRMRKT at STPI: Bringing Out The Best Of Each Ingredient

SPRMRKT at STPI has been a mainstay of the Robertson Quay area for some time now. Supporting art gallery STPI with a space to eat, drink and relax after indulging in a little arts and culture, SPRMRKT has grown from strength to strength with each passing year. Most recently, they’ve been delving into collaborations with regional chefs or chefs from around the region based in … Continue reading SPRMRKT at STPI: Bringing Out The Best Of Each Ingredient