Review: Meenah and Cheenah (Rerun) by Dream Academy

The dynamic duo are back again, with tight character work and strong performances that brings the laughs hard and fast. Whether or not you caught the 2016 version, or are curious to see what Dream Academy has in store with this rerun, Meenah and Cheenah is a comedy whose audacious yet relatable jokes can and will stand the test of time. Reuniting theatre extraordinaires Siti … Continue reading Review: Meenah and Cheenah (Rerun) by Dream Academy

Review: The Transition Room by Toy Factory

Waiting rooms can feel like hell.  Over the years, purgatory onstage has taken a great many forms, from the horrific to the mundane. With Stanley Seah’s The Transition Room, the face of limbo takes an absurdist approach towards the middle ground, as we open with four characters finding themselves in a bare, abstract room, each dressed in shades of grey, with no memory or knowledge … Continue reading Review: The Transition Room by Toy Factory

Preview: Not In My Lifetime? by The Finger Players

The Finger Players open their 2019 season with an all new inclusive theatre performance this March. Titled Not in My Lifetime?, the production will be staged at Gateway Theatre’s Black Box and explores the special education system in Singapore as experienced by teachers working within the sector. Conceived by director Tan Beng Tian in collaboration with a diverse team of creatives, the production aims to cater … Continue reading Preview: Not In My Lifetime? by The Finger Players

Preview: SSO Gala – Ray Chen

Charismatic, funny and undeniably skilled – Ray Chen, the wildly popular Taiwanese-Australian violinist has dazzled the violin world on stage, in reviews and on social media. In this third performance with us, he is joined by the combined orchestras of the Singapore Symphony Orchestra and the Singapore National Youth Orchestra, in Prokofiev’s Violin Concerto No. 2. Ray, who turns 30 this March, is distinctive in … Continue reading Preview: SSO Gala – Ray Chen

Huayi Festival 2019: FOUR FOUR EIGHT (四四八) by Emergency Stairs (Review)

Warning: This review may contain spoilers Journey to the centre of the self…and Liu Xiaoyi. Over the years, Emergency Stairs Artistic Director Liu Xiaoyi has made it abundantly clear that the work he puts out staunchly refuses to conform to theatrical standards, having created work that subverts the norm, be it a piece of anti-theatre deliberately attempting to crush audience expectations or even performing in unusual … Continue reading Huayi Festival 2019: FOUR FOUR EIGHT (四四八) by Emergency Stairs (Review)

Preview: Anak Melayu by Teater Kami

In conjunction with their 30th Anniversary celebration this year, Teater Kami is set to restage Anak Melayu – a play that was first staged in 1992 at The Substation, as written and directed by a then 18 year old Noor Effendy Ibrahim. Anak Melayu follows six Malay teenagers going through a tumultuous period in their lives as they attempt to find themselves and discover those around them in … Continue reading Preview: Anak Melayu by Teater Kami

Preview: Sabine Meyer – Mozart Clarinet Concerto presented by Singapore Symphony Orchestra

Celebrated clarinettist Sabine Meyer returns to Singapore to radiate joy with the meditative serenity of Mozart’s Clarinet Concerto. Having played with more than 300 orchestras worldwide, Sabine Meyer is now considered one of the world’s most renowned instrumental soloists. Her efforts alone are part of the reason why the previously underestimated clarinet has recaptured the attention of the concert platform. Born in Crailsheim, Meyer studied … Continue reading Preview: Sabine Meyer – Mozart Clarinet Concerto presented by Singapore Symphony Orchestra

Pangdemonium’s Late Company: An Interview with Adrian Pang, Karen Tan and Xander Pang

Pangdemonium opens their 2019 season with the Asian premiere of Canadian playwright Jordan Tannahill’s Late Company. Touching on the ever pertinent issue and changing face of bullying, Late Company is set to be a tense production as two couple come together for a belated dinner party, following the suicide of one of their sons. Directed by Tracie Pang, we spoke to cast members Adrian Pang, Karen Tan and Xander … Continue reading Pangdemonium’s Late Company: An Interview with Adrian Pang, Karen Tan and Xander Pang

Checkpoint Theatre’s Still Life: An Interview with Playwright/Performer Dana Lam

When we first met Dana Lam at a preview of her new play Still Life last year, we were struck by the quiet strength the former AWARE president exuded as she confidently performed a poetic interpretation of scenes from her life. This was helped in part by the countless artworks displayed all around her studio in Goodman Arts Centre, offering us a glimpse into Dana’s life not just … Continue reading Checkpoint Theatre’s Still Life: An Interview with Playwright/Performer Dana Lam

Preview: Kotor by -wright Assembly

“What you allow is what will continue.” This March, coinciding with International Women’s Day, artist collective -wright Assembly have gathered both male and female artists specialising in multiple art disciplines to create Kotor, a multidisciplinary performance responding to writer Natalie Wang’s anthology The Woman Who Turned Into a Vending Machine. The project originated when Creative Producer Farhanah Diyanah (FD) spoke to choreographer Ismail Jemaah, developing a new … Continue reading Preview: Kotor by -wright Assembly