Tag: Theatre

Arts, Chinese Theatre, Dance with Me, Experimental, Huayi 2018, Nine Years Theatre, Preview, Singapore, Singapore Arts, Theatre., Theatre, Theatre Companies, Theatre Practice Black Box, Theatres

Huayi 2018: Cut Kafka! by Nine Years Theatre and T.H.E. Dance Company (Preview)

In a company first, leading arts companies Nine Years Theatre joins forces with T.H.E. Dance Company to produce an all new physical theatre/movement piece inspired by the works of author Franz Kafka. Kafka is best known for his surreal works that’ve influenced readers across the world, and certainly one of the most unique writers of the 20th century, with works such as The Metamorphosis, The … Continue reading Huayi 2018: Cut Kafka! by Nine Years Theatre and T.H.E. Dance Company (Preview)

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Arts, Chinese Theatre, Experimental, Huayi 2018, Review, Singapore, Singapore Arts, Theatre., The Theatre Practice, Theatre, Theatre Companies, Theatre Practice Black Box, Theatres, Walter S

Huayi 2018: I came at last to the seas by The Theatre Practice (Review)

It is perhaps fitting that the Esplanade’s 2018 Huayi Festival kicked off on Friday (Feb 23) with a local production starring one of Singapore’s largest breakout stars in China of 2017 – Joanna Dong, who placed third in the reality singing contest Sing! China. I came at last to the seas – directed by Kuo Jian Hong, written by Chinese playwright Wu Xi and featuring an … Continue reading Huayi 2018: I came at last to the seas by The Theatre Practice (Review)

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Arts, Chinese Theatre, Esplanade Theatre Studio, Experimental, Huayi 2018, Review, Singapore, Singapore Arts, Theatre., Theatre, Theatre Companies, Theatres

Huayi 2018: Blood & Rose Ensemble by Shakespeare’s Wild Sisters Group (Review)

The Taiwanese theatre group ramp up the soap opera potential in Shakespeare through their farcical and madcap adaptation of the Bard’s history plays.  Think it’s hard keeping up with the Kardashians? Shakespeare’s Wild Sisters Group will have you know that they’ve got nothing on the House of Plantaganet. Directed by Wang Chia-Ming, the entirety of the War of the Roses is charted in a loose, 2-hour adaptation of … Continue reading Huayi 2018: Blood & Rose Ensemble by Shakespeare’s Wild Sisters Group (Review)

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Arts, Interview, Pangdemonium, Preview, Singapore, Singapore Arts, Theatre., Theatre, Theatre Companies, Theatres, Victoria Theatre

Pangdemonium’s The Father: An Interview with Actors Lim Kay Siu and Keagan Kang

Multiple-Life Theatre Award 2018 nominee Pangdemonium springs into their 2018 season with one of their most socially relevant plays yet – Florian Zeller’s The Father. Receiving critical acclaimed when it premiered on London’s West End, The Father stars Lim Kay Siu as Andre, a man who’s fallen prey to dementia and becomes increasingly unsure of the very fabric of reality and the world he lives in. Prior … Continue reading Pangdemonium’s The Father: An Interview with Actors Lim Kay Siu and Keagan Kang

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Arts, Chinese Theatre, Esplanade Theatre Studio, Experimental, Huayi 2018, Preview, Singapore, Singapore Arts, Theatre., Theatre, Theatre Companies, Theatres

Huayi 2018: Blood & Rose Ensemble by Shakespeare’s Wild Sisters Group (Preview)

East meets West in the Esplanade’s 2018 Huayi Festival as Taiwan collaborates with Singapore in an all new adaptation of Shakespeare’s history plays. A co-commission by Esplanade – Theatres on the Bay and The National Theater & Concert Hall, Shakespeare’s Wild Sisters Group reimagines the bard’s Henry VI and Richard III for a fresh, modern audience as they play out the War of the Roses in an all new … Continue reading Huayi 2018: Blood & Rose Ensemble by Shakespeare’s Wild Sisters Group (Preview)

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Arts, Chinese Theatre, Experimental, Huayi 2018, Preview, Singapore, Singapore Arts, Theatre., The Theatre Practice, Theatre, Theatre Companies, Theatre Practice Black Box, Theatres

Huayi 2018: I came at last to the seas by The Theatre Practice (Preview)

Kicking off the Esplanade’s 2018 Huayi Festival and marking The Theatre Practice’s very first production of the year is I came at last to the seas, an ambitious all new cross country project, and the first time Huayi has commissioned a local arts group to produce a new work at the Esplanade Theatre for Huayi! I came at last to the seas follows six individuals as they journey … Continue reading Huayi 2018: I came at last to the seas by The Theatre Practice (Preview)

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Arts, Chinese Theatre, Experimental, Preview, Singapore, Singapore Arts, Theatre., The Theatre Practice, Theatre, Theatre Companies, Theatre Practice Black Box, Theatres

Preview: 四马路 Four Horse Road by The Theatre Practice

The Theatre Practice has always been known for some of the most innovative practices in the local arts scene, from their intimate Kitchen Series of works to their Nursery Rhymes Project, to even an interactive app with the Waterloo Street Crawl.  This April, they’ll be taking it to the next level with the premiere of Four Horse Road. With the title of being Singapore’s oldest street, Four Horse Road has inspired The Theatre Practice’s Artistic … Continue reading Preview: 四马路 Four Horse Road by The Theatre Practice

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Arts, Experimental, London, Preview, Theatre

VAULT Festival 2018: Award-winning Joyous Gard Brings In Three New Shows (Preview)

LONDON – Joyous Gard made a stunning debut at the 2017 VAULT Festival with the award-winning Crocodile, and this year will be returning to the festival with a vengeance, with not one but three all new shows running between February and March. They’ve expanded their team to include some all new collaborators, and with VAULT, celebrate new writing and more promising new voices in theatre. Read about them … Continue reading VAULT Festival 2018: Award-winning Joyous Gard Brings In Three New Shows (Preview)

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Arts, Experimental, Malay Theatre, malaysia, Review, Theatre

Review: Teater Normcore by Ridhwan Saidi (Kuala Lumpur)

Dark humour is rife in these riveting playlets that highlight social issues. KUALA LUMPUR – The term normcore stems from an anti-fashion movement that revolves around purposefully choosing to wear plain, unremarkable clothing. But in the two plays that make up writer Ridhwan Saidi’s Teater Normcore Double Bill, these initially normal looking settings quickly give way to settings far darker than they initially let on. … Continue reading Review: Teater Normcore by Ridhwan Saidi (Kuala Lumpur)

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Arts, Review, Theatre

Review: The Bee by Theatresauce (Kuala Lumpur)

Absurd, dark social satire leaves a lethal sting with Theatresauce’s final show of their 2017/18 season. KUALA LUMPUR – In a world as dark and uncertain as our own, lines of morality are often blurred in the name of media sensationalism. A vigilante borders on villainy when he takes the law into his own hands, and one is forced to wonder – are crimes committed … Continue reading Review: The Bee by Theatresauce (Kuala Lumpur)

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