Review: Underclass《贱民》by The Necessary Stage and Drama Box

Disclaimer: The following review contains plot information for Underclass The Necessary Stage and Drama Box present a rich script about the poor and destitute, discomforting as it shines a spotlight on the invisible people we turn a blind eye to. How often do you have to think about whether you can afford your next meal, or how much you can save by taking a series … Continue reading Review: Underclass《贱民》by The Necessary Stage and Drama Box

Preview: 7th French Animation Film Festival (Singapore)

The annual French Animation Film Festival returns at the end of the month! From May 25th – 27th, head on down to Alliance Francaise for a taste of new French animation, from feature length worlds to lose yourself in to bite-sized shorts showcasing the endless imagination of French animators. This year, a total of 7 screenings will be held. Opening the festival on the evening … Continue reading Preview: 7th French Animation Film Festival (Singapore)

Preview: Happy Ever Laughter 2018 by Dream Academy

Happy Ever Laughter has always been one of the biggest events of Dream Academy’s calendar, and was sorely missed last year. But Dream is more than making up for its absence with an all new edition that’s set to be bigger and better than ever! Now in its fourth instalment, Singapore’s biggest live standup comedy event ups the ante a whole new level with The Battle, … Continue reading Preview: Happy Ever Laughter 2018 by Dream Academy

NYFA 2018: Last Chance to Submit Your Film For A Shot At Greatness

The lead up to the final submission date of the National Youth Film Awards (NYFA) 2018 draws ever closer, with the last chance to submit your film ending this Friday! Organised by *SCAPE, and supported by National Youth Council (NYC) and Sinema, NYFA is now in its fourth edition, and over the past few years, has firmly established itself as the premier platform and awards ceremony … Continue reading NYFA 2018: Last Chance to Submit Your Film For A Shot At Greatness

Review: Sides 2018 by Frontier Danceland

A triple bill of original, contemporary choreographies.  Last weekend, local contemporary dance company Frontier Danceland presented their annual mid-year showcase of works, with a triple bill of new, original choreographies titled SIDES 2018. In SIDES 2018, audiences spectated upon the three vastly different styles by various international choreographers – English Richard Chappell and local company artist Faye Tan’s The colour of there seen from here, Israeli Shahar Binyamini’s PARADISO, and French … Continue reading Review: Sides 2018 by Frontier Danceland

SIFA 2018: Concluding Thoughts on A New Director and A New Festival

Nobody likes change. Humans are very much creatures of habit, and when things get shaken up, we naturally feel a little uncomfortable. So it comes as no surprise that when Gaurav Kripalani was first announced to take over as the new Festival Director of the Singapore International Festival of the Arts (SIFA) from 2018-2020, many reflected upon his appointment with a little hesitation and some … Continue reading SIFA 2018: Concluding Thoughts on A New Director and A New Festival

Pangdemonium’s Dragonflies: An Interview with Cast Members Adrian Pang, Elizabeth Morse and Jamil Schulze

In a little over a week, Pangdemonium returns with their second production of the year, following the incredible production of The Father in March. This time, they’ll be restaging their multiple Life! Theatre Award Winning original production Dragonflies by Stephanie Street. First staged at the 2017 Singapore International Festival of the Arts, Dragonflies follows the story of Singaporean man Leslie, as he finds himself forcefully evicted from his adopted home in the … Continue reading Pangdemonium’s Dragonflies: An Interview with Cast Members Adrian Pang, Elizabeth Morse and Jamil Schulze

Review: La Voix Humaine by Singapore Symphony Orchestra

Heartbreak expresses itself through dropped calls and missed connections.  Irrevocably changing the way humans live and communicate, the phone has simultaneously enabled and limited the way in which we interact with one another over the years, due to our increasing reliance on it for human connection. It’s no wonder then that it continues to be the subject of art and music, from Adele’s “Hello” to Francis … Continue reading Review: La Voix Humaine by Singapore Symphony Orchestra

EUFF 2018: A Meeting with Paavo Westerberg, Director of The Violin Player (Finland)

It’s not everyday one gets invited to Finnish Ambassador Paula Parviainen’s own residence for lunch. Arriving at the brightly lit apartment in the afternoon, we were impressed by the gorgeous view and aptly decorated walls with paintings by Finnish artists. During lunch itself, plates bearing Moomin characters were even used, very appropriate, considering how they’re some of the most popular and recognisable characters originating from Finland. … Continue reading EUFF 2018: A Meeting with Paavo Westerberg, Director of The Violin Player (Finland)

Preview: Pissed Julie (茱莉小解) by Nine Years Theatre

Fresh from a successful premiere at the 2018 Macau Arts Festival, Nine Years Theatre (NYT) is flying back to Singapore to present their newest production Pissed Julie.  Initially proposed by artistic director Nelson Chia as an interesting project to embark on with Macau and performed in both cities, Pissed Julie went from a festival commissioned play featuring Macanese actors directed by Nelson, to an all new co-production between … Continue reading Preview: Pissed Julie (茱莉小解) by Nine Years Theatre