Category: Review

Arts, Dance with Me, Review, Singapore

Preview: Milieu 2018 by Frontier Danceland

After their annual mid-year showcase at Sides 2018. Frontier Danceland ends off their 2018 season with the annual Milieu 2018, as they present a new double bill of work at the Esplanade Theatre Studio this November. Focusing on closely incorporating the concept of sound and aural elements into the performance, Milieu 2018 will invite two international artists to showcase new works. In Dimensions of Dialogue, Frontier Danceland Artistic Director Low … Continue reading Preview: Milieu 2018 by Frontier Danceland

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Art What!, Arts, Interview, Preview, Review, Singapore

Museum Musings: National Gallery Singapore Launches OUTBOUND Commission Series

National Gallery Singapore is set to launch OUTBOUND, a brand new series of artwork commissions to trigger unexpected and meaningful art encounters for visitors beyond the exhibition galleries. These unique commissions are meant to greet visitors as they walk around the Gallery, designed to provoke critical reflection, curiosity and playfulness. Curated as an ongoing series, each season of OUTBOUND will progressively unveil artworks in the Gallery’s public spaces … Continue reading Museum Musings: National Gallery Singapore Launches OUTBOUND Commission Series

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Arts, Dance with Me, Esplanade Recital Studio, Esplanade Theatre, Esplanade Theatre Studio, Review, Singapore, Singapore Arts, Theatre., Theatres

Review: Invisible Habitudes by T.H.E Dance Company (da:ns Festival 2018)

Exploring interpersonal relationships through the most primal facets of the human condition and intense choreography.  While often associated with free performances, for da:ns Festival 2018, T.H.E Dance Company has premiered the very first full-length ticketed dance performance at the Esplanade Outdoor Theatre, beautifully set against the backdrop of the Marina Bay skyline. Choreographed by T.H.E artistic director Kuik Swee Boon, Invisible Habitudes’ creation was born from T.H.E’s methodology of “hollow … Continue reading Review: Invisible Habitudes by T.H.E Dance Company (da:ns Festival 2018)

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Arts, Dance with Me, Esplanade Recital Studio, Esplanade Theatre, Esplanade Theatre Studio, Review, Singapore, Singapore Arts, Theatre., Theatres

Review: Until the Lions by Akram Khan (da:ns Festival 2018)

Thrilling, wickedly sharp choreography and strong set design makes for a spectacle of a performance. For veteran choreographer and dancer Akram Khan, life has a fascinating way of coming full circle. One of his earliest experiences on the stage would be as a 13 year old as part of Peter Brook’s staging of the Mahabharata. Years later, he’s returned to the Hindu epic with a … Continue reading Review: Until the Lions by Akram Khan (da:ns Festival 2018)

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Arts, Centre 42, Review, Singapore

Centre 42’s The Vault: Sau(dara) by Bhumi Collective

In 1985, Malaysian playwright Leow Puay Tin wrote the phenomenal 3 Children. Three years later, the production was jointly put to stage by Krishen Jit and Ong Keng Sen, after an earlier production at Kuala Lumpur’s Five Arts Centre, and represented one of the first major cross-Causeway productions in the English language, with a four member cast that starred Lim Kay Tong, Lok Meng Chue, … Continue reading Centre 42’s The Vault: Sau(dara) by Bhumi Collective

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Arts, Chinese Theatre, Music, musical, Review, Singapore, Singapore Arts, Theatre., Theatre, Theatre Companies, Theatres, Toy Factory, Victoria Theatre

Review: Watching by Toy Factory

Apprehension towards NS hints at deeper family matters. Have you ever sat on the couch and gone on a TV marathon that lasts for so long that your vision gets blurry, your body goes limp, and it begins to become hard to tell reality from fiction? Toy Factory’s Watching covers precisely that feeling. Written and directed by Toy Factory associate artistic director Stanley Seah, Watching follows teenaged Tony … Continue reading Review: Watching by Toy Factory

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Drama Centre, Pangdemonium, Review, Singapore, Theatre, Theatre Companies

Review: Peter and the Starcatcher by Pangdemonium

Pangdemonium’s first ‘family-friendly’ show still leaves plenty of wink-wink nudge-nudge moments for the grownups in the audience. What might life have been like for the boy who would become Peter Pan before Neverland? With that simple premise, Dave Barry and Ridley Pearson crafted the unofficial prequel to J.M. Barrie’s classic novel of the boy who never grew up – Peter and the Starcatcher, imagining the myriad … Continue reading Review: Peter and the Starcatcher by Pangdemonium

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Food, Review, Singapore

The Sampan: Riverside Dining with a Pan-Asian Touch

Imagine taking a walk down the river when suddenly, you come across a cosy looking joint nestled along the rows of restaurants. From first glance it already looks welcoming, with a simple yet unassuming logo that perfectly captures the essence of ‘Asian, yet not pretentiously so’. This, ladies and gentlemen, is our first impression of The Sampan. Helmed by former Ku De Ta Bali general … Continue reading The Sampan: Riverside Dining with a Pan-Asian Touch

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Art What!, Arts, Interview, Preview, Review, Singapore

Museum Musings: National Gallery Singapore and ArtScience Museum Set to Present First Exhibition on Minimalism in Southeast Asia

For the first time ever, National Gallery Singapore and ArtScience Museum will be embarking on an exciting collaboration this November to present the region’s first exhibition focusing on Minimalism. With the Gallery taking the lead, over 130 works will be displayed across the two sites to explore the history and legacy of the movement, which still has plenty of influence on art forms, practitioners and even … Continue reading Museum Musings: National Gallery Singapore and ArtScience Museum Set to Present First Exhibition on Minimalism in Southeast Asia

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Arts, Drama Centre Black Box, Malay Theatre, Review, Singapore, Singapore Arts, Theatre., Teater Ekamatra, Theatre, Theatre Companies, Theatres

Review: Tiger of Malaya by Teater Ekamatra

Interrogating history through a filmic lens. There’s a saying that history is written by the victors, leaving plenty of warped accounts and representations scattered throughout media. Singapore, of course, isn’t exempt from this, with films by foreigners throughout history appropriating both the country and its people to better bring out their own agenda. Given the benefit of hindsight then, if we were to have a chance … Continue reading Review: Tiger of Malaya by Teater Ekamatra

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