Review: My Grandfather’s Road by Neo Kim Seng (Cantonese versions, performed by Tan Cher Kian and Gary Tang)

Two ways to tell a poignant story of growing up in Cantonese.  First written as a book, in My Grandfather’s Road, Neo Kim Seng explores his familial history through the lens and geography of a bygone Singapore, thinking of his childhood growing up on what is literally his grandfather’s road (Neo Pee Teck Lane) and told through personal memories and anecdotes. While we previously watched the full … Continue reading Review: My Grandfather’s Road by Neo Kim Seng (Cantonese versions, performed by Tan Cher Kian and Gary Tang)

Review: Framed, By Adolf by The Finger Players

Dark fairytale meets con-job for justice in this story-within-a-story about the holocaust and art. The art world is fickle and subjective, with the monetary worth of a painting determined by market forces and its value by its frame, specifically the way a backstory ‘frames’ and positions an artwork to give it legitimacy. But even the volatile art market is in agreement that a controversial work … Continue reading Review: Framed, By Adolf by The Finger Players

Review: My Grandfather’s Road by Neo Kim Seng (English version, performed by Karen Tan)

Put on your nostalgia goggles for this monologue about people and places past, laced with a pinch of death and loss.  To call a stretch of land your grandfather’s road sounds like an audacious claim. But for theatremaker Neo Kim Seng, that claim is rooted in truth, with Neo Pee Teck Lane quite literally named after his paternal grandfather. My Grandfather’s Road is adapted from … Continue reading Review: My Grandfather’s Road by Neo Kim Seng (English version, performed by Karen Tan)

Preview: dead was the body till i taught it how to move by Bhumi Collective

Life has a habit of throwing the greatest of curveballs when you least expect it. And in Bhumi Collective’s latest production, they’ll be tackling the story of one man who finds his once clear path now at a crossroads when faced with an unexpected crisis. Written by Edward Eng, directed by the Second Breakfast Company artistic director Adeeb Fazah, and with dramaturgy and movement direction … Continue reading Preview: dead was the body till i taught it how to move by Bhumi Collective

Keeping Teochew Opera Alive: An Interview with Tan Wei Tian, Wendy Lee and Teo Meng Hock of Nam Hwa Opera

This June, Nam Hwa Opera continues their 2018 season with two one night only shows at the Singapore Chinese Cultural Centre – Teochew Opera film classics《告亲夫》Prosecuting the Husband and《刘明珠》Lady Liu Ming Zhu. Whether you’re a Chinese Opera diehard fan or completely new to the scene, don’t miss this chance to relive the glory days of the past and catch this traditional art form performed by one of Singapore’s leading … Continue reading Keeping Teochew Opera Alive: An Interview with Tan Wei Tian, Wendy Lee and Teo Meng Hock of Nam Hwa Opera

Preview: Here and Beyond by Toy Factory

This July, Toy Factory takes on the local literary scene as they adapt Singapore’s only local MOE prescribed literature text for ‘O’ Level students! In Here and Beyond (edited by Cyril Wong), 12 quintessentially Singaporean stories charting the complexities, hardships and shared love and dedication to the Singapore we call home were collected from some of our most renowned local writers. Now, watch as these 12 stories by … Continue reading Preview: Here and Beyond by Toy Factory

Preview: Kinky Boots presented by BASE Entertainment Asia

This October, Singapore gets kinky with the debut of smash hit musical Kinky Boots! Presented by BASE Entertainment Asia, Broadway Entertainment Group and TROIKA Entertainment, Kinky Boots is all kinds of fabulous rolled into one – with a heartwarming book by four time Tony-Award winner Harvey Fierstein, the catchy, Tony-award winning score by Cyndi Lauper (yes, she of True Colours fame) and of course, plenty of over the top costumes … Continue reading Preview: Kinky Boots presented by BASE Entertainment Asia

Preview: Romeo and Juliet by Russian State Ballet of Serbia

  First premiering in 1938 in the Czech Republic, Prokofiev’s Romeo and Juliet has remained one of the best loved ballet adaptation of Shakespeare’s timeless tale of young love and the tragedy of passion throughout history. This year, BASE Entertainment Asia is proud to present the Russian State Ballet of Serbia’s version of the classic production, directed by artistic director and former Bolshoi Ballet principal Sergei Bobrov. An … Continue reading Preview: Romeo and Juliet by Russian State Ballet of Serbia

Esplanade’s Next Stage: Singtel Donates S$10m to Fund Esplanade’s New Waterfront Theatre

Last Saturday, in conjunction with the Esplanade’s inaugural Gala evening in its fifteen years of existence, local telcomm company Singtel has announced its decision to donate S$10 million towards Esplanade – Theatres on the Bay’s development of its new mid-sized, waterfront theatre. Prior to the gala, Ms Yvonne Tham, CEO-Designate at The Esplanade Co Ltd, addressed members of the media and expressed her gratitude towards Singtel … Continue reading Esplanade’s Next Stage: Singtel Donates S$10m to Fund Esplanade’s New Waterfront Theatre

Review: Citizen Dog by The Finger Players

The spirits are at play in both reality and fiction in this new work tackling issues of land ownership and the foibles of human desire. Pu Songling’s monstrous 18th century collection of over 400 supernatural stories Strange Tales from a Chinese Studio (Liaozhai Zhiyi) has remained fascinating over the years, with its quirky supernatural characters from failed scholars to alluring fox spirits interwoven with a strong satirical edge. … Continue reading Review: Citizen Dog by The Finger Players