Preview: The Parting Glass by Gateway Arts

This September, The Blackbird at Gillman Barracks will take on a new role: not just a place for drinks, music and dinner, but the setting for a story about love, loneliness and the people we think we know. From 2 to 13 September, Gateway Arts will stage The Parting Glass, its first immersive, site-specific production, bringing audiences within just a few steps of its characters … Continue reading Preview: The Parting Glass by Gateway Arts

Malaysia Theatre: An interview with ‘The Secret Drawer’ creators Lim Tiong Wooi, Ling Tang and director Jo Kukathas

There are some family stories that sit in plain sight. Others are deliberately put away. For Ling Tang, it was a drawer she was told never to open. For Lim Tiong Wooi, it was a box of almost 60 documents tracing her father’s years of detention, rejection and separation. And for Jo Kukathas, it was a box of her own father’s belongings sitting in her … Continue reading Malaysia Theatre: An interview with ‘The Secret Drawer’ creators Lim Tiong Wooi, Ling Tang and director Jo Kukathas

Godot Theatre Company’s ART returns to the Esplanade, and Pu Hsueh-Liang, Chu Chung Heng and Tseng Kuo Chen are closer than ever

There is a moment before our interview properly begins that says almost everything one needs to know about ART. The first question has barely been asked when the three actors are already talking over one another. Within seconds, the room dissolves into laughter. They interrupt one another, finish each other’s sentences, argue over tiny details and gently tease each other without missing a beat. Before … Continue reading Godot Theatre Company’s ART returns to the Esplanade, and Pu Hsueh-Liang, Chu Chung Heng and Tseng Kuo Chen are closer than ever

Singapore Night Festival 2026: NAFA’s emerging talents showcase their skills on the city stage

Across Singapore Night Festival 2026, NAFA students, graduates and faculty are bringing folklore, oral histories, illustration, sound, dance and theatre into public spaces, and finding new ways to work beyond the boundaries of the art school. For many young artists, the transition out of art school can be an uncertain one. Graduation marks the end of a structured environment, but not the end of the … Continue reading Singapore Night Festival 2026: NAFA’s emerging talents showcase their skills on the city stage

How Drama’s ‘Big Brown Girl’ returns to Singapore, and creator Ross Nasir is inviting you to her room at The Standard

When Big Brown Girl was first staged, its premise was already an unusual one: a one-woman show about a Singaporean woman getting back into dating, with the audience deciding which men she meets along the way. Now, several years and iterations later, Ruby is returning to Singapore, but this time, audiences won’t simply be watching her dates from a theatre seat. The latest version of … Continue reading How Drama’s ‘Big Brown Girl’ returns to Singapore, and creator Ross Nasir is inviting you to her room at The Standard

Review: Singapore Night Festival 2026 – The Lost Legacy of Fort Canning – The Forbidden Hill by Sight Lines Productions & The Urbanist Singapore

By D.Y. A trek up Singapore’s landmark hill reexamines the boundaries of realised history and collective memory. Situated in the backyard of Singapore’s Central Business District, Fort Canning Park is perhaps one of Singapore’s most iconic green spaces for both recreational activities as well as large-scale cultural events. Yet, most might overlook the depth of local stories living along its green pastures. Thus, aligning with … Continue reading Review: Singapore Night Festival 2026 – The Lost Legacy of Fort Canning – The Forbidden Hill by Sight Lines Productions & The Urbanist Singapore

SMU Arts Fest 2026: Legendary sees a new generation reinterpret and retell myths, legends and icons

At SMU Arts Fest 2026, the legends may be old, but the ways of telling them are anything but. Running from 21 August to 5 September, Singapore Management University’s annual arts festival transforms its city campus into a hub of performances, exhibitions and music, bringing together some 400 performers, including 250 undergraduate and postgraduate students and 25 alumni, from 14 SMU arts clubs, alongside professional … Continue reading SMU Arts Fest 2026: Legendary sees a new generation reinterpret and retell myths, legends and icons

New 1,000-seat theatre coming to Tanglin by 2030 as arts patronage hits record high at Patron of the Arts Awards 2026

A new 1,000-seat theatre is set to anchor the redevelopment of the former Tanglin Shopping Centre, while a record 585 patrons are recognised for contributing $89.5 million to Singapore’s arts scene. Singapore’s arts landscape is set for a major boost with the development of a new 1,000-seat theatre at the site of the former Tanglin Shopping Centre, slated for completion by 2030. The purpose-built venue … Continue reading New 1,000-seat theatre coming to Tanglin by 2030 as arts patronage hits record high at Patron of the Arts Awards 2026

Art: UOB launches UOB Artbeat to bring art closer to the community

Art takes centre stage at Tanjong Pagar Distripark this August and September as UOB launches UOB Artbeat, its inaugural art festival designed to make art more accessible, engaging and interactive for the wider community. Held across two weekends from 29 August to 6 September 2026 at Artspace@Helutrans, the festival will bring together emerging artists, artworks from the UOB Art Collection and hands-on experiences that invite … Continue reading Art: UOB launches UOB Artbeat to bring art closer to the community

Esplanade’s The Studios 2026: An Interview with Claire Teo and Oon Shu An on seeing, being, and performing ‘MONSTRESS’

What does it mean to truly see another person? Not simply to look at them, but to recognise their struggles, question our assumptions and notice the quiet ways people can slip through the cracks. These are the questions surrounding MONSTRESS, a new work by visually impaired theatre-maker Claire Teo and ART:DIS that examines disability, caregiving and the everyday systems that shape who is heard, believed … Continue reading Esplanade’s The Studios 2026: An Interview with Claire Teo and Oon Shu An on seeing, being, and performing ‘MONSTRESS’