★★★★★ Dance Review: Sounding Light 定光 by Cloud Gate Dance Theatre

Cloud Gate invites us to pause and appreciate the little things all around us, and to rediscover the wonder and beauty of simply being alive. Duration: 60 minutes What if the world has never been quiet, but we have simply forgotten how to listen? In Sounding Light, which played last weekend as part of the 2026 edition of the Esplanade’s da:ns focus: Connect Asia Now … Continue reading ★★★★★ Dance Review: Sounding Light 定光 by Cloud Gate Dance Theatre

Review: Still Lives – Singapore by Daniel Kok and Luke George feat. RUDRA

Bodies, instruments and histories held in stasis, Still Lives: Singapore turns the act of tying into a meditation on care, memory and the communities that gather around them. Duration: ~105 minutes What does it mean to watch a metal band that cannot play its instruments, in a theatre where nobody is quite required to sit still? In Still Lives: Singapore, four members of pioneering Vedic … Continue reading Review: Still Lives – Singapore by Daniel Kok and Luke George feat. RUDRA

★★★★☆ Dance Review: BATU by Ayu Permata Sari and Hasyimah Harith

A multisensory fever dream that examines femininity in all its sorcery, esoterica, and erotica through the lens of the humble mortar and pestle, and the stories passed down from woman to woman in the kitchen. Duration: 75 minutes You can watch a dance, or you can feel it take hold of your body. BATU does both, pulling you into its strange, increasingly feverish world through … Continue reading ★★★★☆ Dance Review: BATU by Ayu Permata Sari and Hasyimah Harith

Sounding Light 定光: An interview with Cloud Gate Dance Theatre Artistic Director Cheng Tsung-lung on slowing down

It seems like an impossibility to ever ask people who live in bustling metropolitan cities like Taipei or Singapore to slow down. These are places built around movement: trains arriving and departing, traffic flowing through intersections, people crossing streets with somewhere to be, messages arriving before the previous ones have been answered. There is always another email, another meeting, another decision to make. Even our … Continue reading Sounding Light 定光: An interview with Cloud Gate Dance Theatre Artistic Director Cheng Tsung-lung on slowing down

Interview: Kuik Swee Boon and Kim Jae Duk on T.H.E Dance Company’s Pán《盤》

Five years after its digital premiere, the award-winning two-part dance work returns to Singapore for its long-awaited local live staging. Its choreographers reflect on cultural identity, artistic collaboration and why dance can express what words cannot. When Kuik Swee Boon watched rehearsals for Pán《盤》 ahead of its Singapore staging, there was a particular feeling of anticipation. For the founding artistic director of T.H.E Dance Company, … Continue reading Interview: Kuik Swee Boon and Kim Jae Duk on T.H.E Dance Company’s Pán《盤》

BATU: Ayu Permata Sari and Hasyimah Harith on reimagining the kitchen, sharing stories and space

A kitchen can be many things. It is a place where food is prepared and domestic work is done, but it can also be where women gather, where stories are exchanged, where knowledge is passed between generations, and where rituals are repeated almost without thought. For Indonesian choreographer Ayu Permata Sari and Singaporean artist Hasyimah Harith, it is also a space through which questions of … Continue reading BATU: Ayu Permata Sari and Hasyimah Harith on reimagining the kitchen, sharing stories and space

Still Lives – Singapore: Daniel Kok and Luke George on using shibari to explore trust, tension and stories

A performance called Still Lives might sound, at first, like an exercise in holding still. But for artists Daniel Kok and Luke George, stillness is only the beginning. Built around rope, bodies, objects and the act of carefully binding people into sculptural compositions, Still Lives is less a fixed work than an evolving encounter with each place it enters. Since its beginnings during the pandemic, … Continue reading Still Lives – Singapore: Daniel Kok and Luke George on using shibari to explore trust, tension and stories

Preview: Kalaa Utsavam – Indian Festival of Arts 2026 by Esplanade – Theatres on the Bay

For 25 years, the Esplanade’s Kalaa Utsavam – Indian Festival of Arts has grown alongside Singapore’s Indian arts community, creating a space where classical traditions, contemporary ideas and new artistic voices can meet. Its 25th edition, taking place from 20 to 29 November 2026 at Esplanade – Theatres on the Bay, marks the occasion not simply by looking back, but by asking what Indian arts … Continue reading Preview: Kalaa Utsavam – Indian Festival of Arts 2026 by Esplanade – Theatres on the Bay

Preview: da:ns focus – Connect Asia Now (CAN) 2026 by Esplanade – Theatre on the Bay

In a world where we’re constantly scrolling, multitasking and moving from one thing to the next, taking the time to truly see has become something of a luxury. This October, Esplanade’s da:ns focus – Connect Asia Now (CAN) returns with a timely reminder that contemporary performance can do more than entertain, and encourage us to pause, pay attention and reconnect with ourselves and those around … Continue reading Preview: da:ns focus – Connect Asia Now (CAN) 2026 by Esplanade – Theatre on the Bay

Preview: The Secret Room of Urban Bestiary by ARTS FISSION and Alliance Française

This September, Alliance Française de Singapour and Singapore contemporary dance company ARTS FISSION are inviting audiences to find out, transforming the gallery on Level 2 into something far more alive than a conventional exhibition space. Premiering on 4 September and returning on 11 September 2026, The Secret Room of Urban Bestiary is a new site-specific contemporary dance production conceived by ARTS FISSION Artistic Director Angela … Continue reading Preview: The Secret Room of Urban Bestiary by ARTS FISSION and Alliance Française