★★★★★ Theatre Review: Handle with Care by Ontroerend Goed (HKAF 2026)

A tiny theatrical miracle is experienced as you forge memories with complete strangers under an hour. HONG KONG – Belgian avant-garde theatre company Ontroerend Goed has long built a reputation for dismantling what theatre is supposed to be. With Handle with Care, they take that idea to its most radical extreme: there are no actors, no technicians, just a box, a stage, and an audience. … Continue reading ★★★★★ Theatre Review: Handle with Care by Ontroerend Goed (HKAF 2026)

A Little Piece of Eternity: An Interview with Anne Teresa De Keersmaeker on repetition and return in Fase, Four Movements to the Music of Steve Reich

When Anne Teresa De Keersmaeker created Fase, Four Movements to the Music of Steve Reich in the spring of 1982, she was starting, quite deliberately, at the beginning. “I wanted to develop my own choreographic writing,” she recalls. Trained in classical ballet (“a very strictly codified language”), she chose instead “to go step by step, literally one movement at a time,” trusting an emerging intuition … Continue reading A Little Piece of Eternity: An Interview with Anne Teresa De Keersmaeker on repetition and return in Fase, Four Movements to the Music of Steve Reich

Preview: da:ns focus – On Loop by Esplanade – Theatres on the Bay

This year’s da:ns focus unfolds under the theme On Loop, a meditation on repetition as both structure and sensation. From 23–25 April 2026, Esplanade – Theatres on the Bay opens the season with Fase, Four Movements to the Music of Steve Reich by Rosas, the internationally acclaimed company led by Anne Teresa De Keersmaeker. First premiering in 1982, Fase is widely recognised as a cornerstone … Continue reading Preview: da:ns focus – On Loop by Esplanade – Theatres on the Bay

Pesta Raya 2026: An Interview with Dr. Norzizi Zulkifli on adapting Macbeth for Randai and traditional arts in Malaysia

When Dr Norzizi speaks about randai, she does not describe it as an artefact or a genre. She describes the art form as something breathing, precarious, but alive. “Without ASWARA,” she says plainly of the National Academy of Arts, Cultural and Heritage of Malaysia, “randai is a dying traditional art form. It exists, but it is also not there. If you come to Kuala Lumpur … Continue reading Pesta Raya 2026: An Interview with Dr. Norzizi Zulkifli on adapting Macbeth for Randai and traditional arts in Malaysia

★★★★☆ Dance Review: liminal by T.H.E Dance Company

In T.H.E Dance Company newest platform, mid-career dancers explore what it means to exist in the in-between, and the movements it inspires. With liminal, T.H.E Dance Company turns its attention to the in-between, not the polished arrival of mastery, nor the raw urgency of emergence, but the textured, often complicated terrain of mid-career artistry. As a new platform dedicated to choreographic voices in this phase, … Continue reading ★★★★☆ Dance Review: liminal by T.H.E Dance Company

Singapore to Host First-Ever Red Bull Dance Your Style SEA Regional Finals

Singapore’s dance scene is stepping into a new spotlight, and this time, the world is watching. This April, the Lion City transforms into a cultural playground of rhythm, movement, and raw individuality as Red Bull Dance Your Style lands with its first-ever Southeast Asia Regional Final hosted right here. More than just a competition, it’s a celebration of freestyle expression, where the rules are loose, … Continue reading Singapore to Host First-Ever Red Bull Dance Your Style SEA Regional Finals

Preview: liminal by T.H.E Dance Company

In a city that moves at relentless speed, there are rare moments when art asks us to pause: to stand in the in-between, to inhabit the fragile space between who we are and who we are becoming. This April, that space finds a name. Launching in 2026, liminal is a new performance platform and initiative by Singapore’s T.H.E Dance Company that shines a spotlight on … Continue reading Preview: liminal by T.H.E Dance Company

★★★★☆ Theatre Review: Tall Tales – Bananas and Ang Ku Kueh 谈谈: 香蕉与红龟粿 by The Finger Players X Shakespeare’s Wild Sisters Group

A multiplicity of riotous stories exuberantly told, even if they don’t quite add up. Tall Tales: Bananas & Ang Ku Kuehs holds a delectable premise: a Singapore–Taiwan puppet theatre collaboration drawing on the storytelling spirit of The Decameron, where tales of love, jealousy, greed and mischief multiply across cultures and generations. Directed by Oliver Chong of The Finger Players and Wang Chia-Ming of Shakespeare’s Wild … Continue reading ★★★★☆ Theatre Review: Tall Tales – Bananas and Ang Ku Kueh 谈谈: 香蕉与红龟粿 by The Finger Players X Shakespeare’s Wild Sisters Group

Preview: Pesta Raya – Malay Festival of Arts 2026 by Esplanade – Theatres on the Bay

As Pesta Raya – Malay Festival of Arts marks its 25th edition in 2026, the beloved festival returns not just as a celebration, but as a living archive of the Nusantara’s cultural imagination. Taking place from 16 to 19 April at Esplanade – Theatres on the Bay, this milestone edition reflects how far the festival has come, from a platform for artistic expression to a … Continue reading Preview: Pesta Raya – Malay Festival of Arts 2026 by Esplanade – Theatres on the Bay

A Dream of Red Mansions: An Interview with the dancers and choreographer of National Ballet of China’s acclaimed ballet adaptation of the classic tale 

When audiences step into A Dream of Red Mansions this March, they will be entering a world suspended somewhere between memory and dream. The ballet, performed by the National Ballet of China, transforms one of China’s most beloved literary works into a lyrical stage experience. Inspired by Cao Xueqin’s 18th-century novel, the production blends classical ballet vocabulary with Chinese movement aesthetics to evoke a fragile … Continue reading A Dream of Red Mansions: An Interview with the dancers and choreographer of National Ballet of China’s acclaimed ballet adaptation of the classic tale