Kalaa Utsavam 2026: Aakash Odedra on dance, Sufism and the search for liberation in ‘Songs of the Bulbul’

Birdsong is fleeting, its beauty existing only in the moment before disappearing into silence. Yet, in Persian and Sufi traditions, the bulbul, or nightingale, carries a deeper significance: a symbol of the soul yearning for the divine, its song an expression of longing, devotion and the pursuit of spiritual liberation. It is this ancient symbolism that lies at the heart of Songs of the Bulbul, … Continue reading Kalaa Utsavam 2026: Aakash Odedra on dance, Sufism and the search for liberation in ‘Songs of the Bulbul’

★★★★☆ Dance Review: Pán《盤》 by T.H.E Dance Company

By D.Y. A plate; a platform; a being – of creation. The live Singaporean premiere of T.H.E’s award-winning production examines what it means to create and collaborate in a world fraught with seemingly irreconcilable differences. Pán《盤》carries a myriad of definitions: from the dinnerware we eat out of everyday to the mythic Pan Gu 《盤古》, who supposedly created our world from his own body millennia  ago. … Continue reading ★★★★☆ Dance Review: Pán《盤》 by T.H.E Dance Company

Kalaa Utsavam 2026: Govin Ruben and Adriano Cortese discuss Nicole Kidman, Tamil cinema, and loving yourself in ‘The Failed Romances’

For performer Govin Ruben, a lifetime of romantic misadventures has become the unlikely material for a Tamil-cinema-inspired cabaret. Developed with director Adriano Cortese, காதல் தோல்விகள் (The Failed Romances) is a funny, music-filled and unexpectedly vulnerable exploration of heartbreak, cultural identity, and the exhausting business of trying to become someone worthy of love. In 2013, Govin Ruben was sitting on the rooftop of the Rex Hotel … Continue reading Kalaa Utsavam 2026: Govin Ruben and Adriano Cortese discuss Nicole Kidman, Tamil cinema, and loving yourself in ‘The Failed Romances’

Kalaa Utsavam 2026: Rishi Budhrani and K.P. Sandhu talk about friendship, the ‘impossible’ dream, and a lifetime in the making of ‘Bedok to Bollywood’

For Rishi Budhrani and K.P. Sandhu, the journey from Singapore to Bollywood has never been a straight line. Now, in a new theatrical collaboration built on decades of friendship, professional gambles and hard-won lessons, the two performers are telling a story about ambition, belonging and the courage to keep dreaming — even when the odds seem absurd. What does it mean to dream of becoming … Continue reading Kalaa Utsavam 2026: Rishi Budhrani and K.P. Sandhu talk about friendship, the ‘impossible’ dream, and a lifetime in the making of ‘Bedok to Bollywood’

Kalaa Utsavam 2026: The cast of HuM Theatre’s ‘Rafta Rafta’ talk about intercultural theatre and taking it slow in a fast-paced modern life

Nearly twenty years on, HUM Theatre returns to a story about marriage, family and the delicate business of making room for one another. Through the comedy of everyday tensions, Rafta Rafta finds new resonance in a Singapore shaped by changing relationships, generational expectations and the pressures of modern life. There is a particular kind of chaos that comes with starting a marriage: the discovery that … Continue reading Kalaa Utsavam 2026: The cast of HuM Theatre’s ‘Rafta Rafta’ talk about intercultural theatre and taking it slow in a fast-paced modern life

★★★★★ Dance Review: Sounding Light 定光 by Cloud Gate Dance Theatre

Cloud Gate invites us to pause and appreciate the little things all around us, and to rediscover the wonder and beauty of simply being alive. Duration: 60 minutes What if the world has never been quiet, but we have simply forgotten how to listen? In Sounding Light, which played last weekend as part of the 2026 edition of the Esplanade’s da:ns focus: Connect Asia Now … Continue reading ★★★★★ Dance Review: Sounding Light 定光 by Cloud Gate Dance Theatre

Review: Still Lives – Singapore by Daniel Kok and Luke George feat. RUDRA

Bodies, instruments and histories held in stasis, Still Lives: Singapore turns the act of tying into a meditation on care, memory and the communities that gather around them. Duration: ~105 minutes What does it mean to watch a metal band that cannot play its instruments, in a theatre where nobody is quite required to sit still? In Still Lives: Singapore, four members of pioneering Vedic … Continue reading Review: Still Lives – Singapore by Daniel Kok and Luke George feat. RUDRA

★★★★☆ Dance Review: BATU by Ayu Permata Sari and Hasyimah Harith

A multisensory fever dream that examines femininity in all its sorcery, esoterica, and erotica through the lens of the humble mortar and pestle, and the stories passed down from woman to woman in the kitchen. Duration: 75 minutes You can watch a dance, or you can feel it take hold of your body. BATU does both, pulling you into its strange, increasingly feverish world through … Continue reading ★★★★☆ Dance Review: BATU by Ayu Permata Sari and Hasyimah Harith

Sounding Light 定光: An interview with Cloud Gate Dance Theatre Artistic Director Cheng Tsung-lung on slowing down

It seems like an impossibility to ever ask people who live in bustling metropolitan cities like Taipei or Singapore to slow down. These are places built around movement: trains arriving and departing, traffic flowing through intersections, people crossing streets with somewhere to be, messages arriving before the previous ones have been answered. There is always another email, another meeting, another decision to make. Even our … Continue reading Sounding Light 定光: An interview with Cloud Gate Dance Theatre Artistic Director Cheng Tsung-lung on slowing down

Interview: Kuik Swee Boon and Kim Jae Duk on T.H.E Dance Company’s Pán《盤》

Five years after its digital premiere, the award-winning two-part dance work returns to Singapore for its long-awaited local live staging. Its choreographers reflect on cultural identity, artistic collaboration and why dance can express what words cannot. When Kuik Swee Boon watched rehearsals for Pán《盤》 ahead of its Singapore staging, there was a particular feeling of anticipation. For the founding artistic director of T.H.E Dance Company, … Continue reading Interview: Kuik Swee Boon and Kim Jae Duk on T.H.E Dance Company’s Pán《盤》