Singapore International Festival of Arts 2020 Releases First Wave of Tickets, Confirms Local Commissions and Crystal Pite’s Revisor

Come its 43rd year in 2020, the Singapore International Festival of Arts (SIFA) returns with a slew of new works from both local and international artists in the month of May. The festival has released the first wave of tickets for five productions that will be making their debut next year, with local theatre companies Nine Years Theatre, The Finger Players and The Necessary Stage, … Continue reading Singapore International Festival of Arts 2020 Releases First Wave of Tickets, Confirms Local Commissions and Crystal Pite’s Revisor

Singapore International Festival of Arts Announces Natalie Hennedige As Festival Director From 2021-23

The Singapore International Festival of Arts (SIFA) has announced Natalie Hennedige, Artistic Director at Cake Theatrical Productions, as the next Festival Director for SIFA 2021 to 2023, following current Festival Director Gaurav Kripalani as his three-year tenure draws to a close with SIFA 2020 next year. Hennedige will officially assume the role as Festival Director Designate in January 2020 where she will get to work … Continue reading Singapore International Festival of Arts Announces Natalie Hennedige As Festival Director From 2021-23

Pangdemonium’s Urinetown: An Interview with the Cast and their Pee-rs

Urinetown may be a work of fiction, but with issues such as a “cross-border water crisis” and being set in “the most expensive city in the world”, it bears more than a pissing passing resemblance to a certain place far closer to home. As Pangdemonium gets ready to present this raucous, campy musical satire (which won Best Book and Best Original Score at the 2002 Tony … Continue reading Pangdemonium’s Urinetown: An Interview with the Cast and their Pee-rs

Review: Being, and Organs by Paul Gong (Taiwan), presented by RAW Moves

Striking a balance between humanity and technology in RAW Moves latest work. From a prosthetic limbs to a bio-printed heart, technology seems to be developing at increasingly unprecedented rates. And as we find new ways and means to replace our organic body parts with artificial ones, how much longer will it be before we can truly, fully call ourselves ‘human’? Such a conundrum forms the … Continue reading Review: Being, and Organs by Paul Gong (Taiwan), presented by RAW Moves

Preview: Being, and Organs by Paul Gong (Taiwan), presented by RAW Moves

With emerging technologies, a bio-printed heart is now close to reality. With these artificial organs gaining increasingly similar structure and compatibility, a new relationship is generated between humans and their bodies. With Being, and Organs, conceptualiser Paul Gong and Movement mentor Ricky Sim, Artistic Director of RAW Moves unite to examine the topic of trans-humanism, bodily integrity and the social-ethical implications of artificial organs. Staying … Continue reading Preview: Being, and Organs by Paul Gong (Taiwan), presented by RAW Moves

Preview: Urinetown – The Musical by Pangdemonium

Following their mid-year production of original play This is What Happens to Pretty Girls, Pangdemonium rounds off the year with one heck of a splash with multiple-award winning musical satire Urinetown.  Gleefully taking the piss out of politicians, populism, “people power”, capitalism, corporate corruption, and musicals themselves, local audience members may find more than a passing similarity to home as Pangdemonium immerses them in a fictitious “most expensive city … Continue reading Preview: Urinetown – The Musical by Pangdemonium

Review: Subtle Downtempo No by Murasaki Penguin and RAW Moves

Minute observations made visible only in slow motion. In a brand new international collaboration with Australian/Japanese dance company Murasaki Penguin, RAW Moves continues their 2019/20 theme of Systems, and explores our roles as cogs in the system of society through dance, light and projection to further elevate their art. Choreographed by Anna Kuroda and with sound and visuals by David Kirkpatrick, Subtle Downtempo No explores the effects social … Continue reading Review: Subtle Downtempo No by Murasaki Penguin and RAW Moves

Camden Fringe 2019: The Cardboard Kitchen Project by FK Co-Lab

LONDON – After bringing their interactive installation Dear Cardboard Kitchen to Singapore in May, London based Singapore company FK Co-Lab has further developed the installation into a full length theatre production, set to premiere at Camden Fringe this August. Created by FK Co-Lab co-founders Faezah Zulkifli (director) and Nur Khairiyah Ramli (producer), The Cardboard Kitchen Project follows Jennie, as she moves from Singapore to London. She inherits a … Continue reading Camden Fringe 2019: The Cardboard Kitchen Project by FK Co-Lab

Review: Singapore International Festival of Arts 2019

When the 2019 Singapore International Festival of Arts (SIFA) programme line-up was announced in February this year, expectations ran high and hype was abound. With the impending arrival of some of the greatest living artists today and exciting new work from local artists, SIFA 2019 promised a season of arts that would establish May as Singapore’s month of arts, building on what Festival Director Gaurav … Continue reading Review: Singapore International Festival of Arts 2019

RAW Moves and Murasaki Penguin’s Subtle Downtempo No: An Interview with the Team

RAW Moves is back this July with a brand new production. Playing as part of their 2019-20 season of Systems, get ready for Subtle Downtempo No, a brand new production created together with Australian/Japanese dance company Murasaki Penguin as they explore the experience of being an outlier from society’s systems. Choreographed by Anna Kuroda and sound and visual artist David Kirkpatrick from Murasaki Penguin, Subtle Downtempo No uses an interdisciplinary combination to … Continue reading RAW Moves and Murasaki Penguin’s Subtle Downtempo No: An Interview with the Team