Singapore Theatre Festival 2018: Building A Character (Preview)

When we first saw Rebekah Sangeetha Dorai onstage in Boeing Boeing last year, we knew she was something special. She’s proven that again when we last saw her onstage at the Arts House in The Page On Stage, and we were overjoyed to see her get a chance to take the spotlight all on her own in an upcoming solo show in the 2018 Singapore Theatre Festival. As … Continue reading Singapore Theatre Festival 2018: Building A Character (Preview)

Singapore Theatre Festival 2018: An Interview with Thomas Lim and Janice Koh (Supervision)

W!ld Rice’s newest Resident Playwright Thomas Lim made a stunning debut with Grandmother Tongue at the Singapore Theatre Festival 2 years ago, selling out both that run and the restaging last year. This year, he’s back with an all new play in the form of Supervision, set to make its world premiere next week at the opening of W!ld Rice’s 2018 Singapore Theatre Festival. Directed by W!ld Rice artistic director … Continue reading Singapore Theatre Festival 2018: An Interview with Thomas Lim and Janice Koh (Supervision)

Singapore Theatre Festival 2018: An Interview with Tan Tarn How, Rei Poh and Shane Mardjuki (Press Gang)

Former Straits Times journalist Tan Tarn How knows a thing or two about controversy. The playwright is best known for penning some of the most scintillating political satires in local theatre, from his infamous The Lady of Soul and her Ultimate ‘S’ Machine, receiving objections in 36 of its 67 pages from the authorities, to his most recent play Fear of Writing, in 2011, where ‘MDA officials’ … Continue reading Singapore Theatre Festival 2018: An Interview with Tan Tarn How, Rei Poh and Shane Mardjuki (Press Gang)

Preview: Because I Love You – Theatreworks’ 2018 Season

Following exhibiting Zai Kuning’s epic Dapunta Hyang and touring Trojan Women internationally, Theatreworks’ 2018 theatre season begins proper again this July at their home in 72-13, Mohammed Sultan Road. This year, they’ve themed their season ‘Because I Love You’, and present two brand new plays diving in to the heart of relationships and love. Is love enough? How do you love someone who is far away, … Continue reading Preview: Because I Love You – Theatreworks’ 2018 Season

An Interview with the Creatives of dead was the body till i taught it how to move

Bhumi Collective has only been around for a couple of years, but they’ve already been showcasing a variety of genres  dipping their toes into various genres of shows, ranging from fringe theatre to lecture performance. Now, they’ll be presenting an all new, original, interdisciplinary work, co-created by a number of young theatre makers both familiar and new to the local scene in the premiere of dead … Continue reading An Interview with the Creatives of dead was the body till i taught it how to move

Preview: Love and Duty – Mozart’s Il Re Pastore by The Opera People

Opera has come a long way since the ‘park and bark’ style of the 1980s, with newer groups constantly attempting to buck the trend and make it trendy, modern and accessible. And perfectly in line with that, newly formed opera company The Opera People have arrived on the scene with big reputations and aspirations. Founded by opera stalwarts and brothers Jonathan and David Charles Tay, the contemporary opera … Continue reading Preview: Love and Duty – Mozart’s Il Re Pastore by The Opera People

Reflections on a Skyline: An Interview with Here and Beyond Director Stanley Seah and Cast Member Jolene Wong

Toy Factory is having an incredibly busy year – they’ve already staged three brand new productions in 2018, ranging from epic hundred year musical to loving comedy tribute, and all of which were presented in Mandarin or Mandarin dialects. But this July, something quintessentially Singaporean will be coming your way, with the first ever stage adaptation of the only MOE-prescribed Singaporean O-Level Literature text – Here … Continue reading Reflections on a Skyline: An Interview with Here and Beyond Director Stanley Seah and Cast Member Jolene Wong

Review: Framed, By Adolf by The Finger Players

Dark fairytale meets con-job for justice in this story-within-a-story about the holocaust and art. The art world is fickle and subjective, with the monetary worth of a painting determined by market forces and its value by its frame, specifically the way a backstory ‘frames’ and positions an artwork to give it legitimacy. But even the volatile art market is in agreement that a controversial work … Continue reading Review: Framed, By Adolf by The Finger Players

Preview: dead was the body till i taught it how to move by Bhumi Collective

Life has a habit of throwing the greatest of curveballs when you least expect it. And in Bhumi Collective’s latest production, they’ll be tackling the story of one man who finds his once clear path now at a crossroads when faced with an unexpected crisis. Written by Edward Eng, directed by the Second Breakfast Company artistic director Adeeb Fazah, and with dramaturgy and movement direction … Continue reading Preview: dead was the body till i taught it how to move by Bhumi Collective

Preview: Here and Beyond by Toy Factory

This July, Toy Factory takes on the local literary scene as they adapt Singapore’s only local MOE prescribed literature text for ‘O’ Level students! In Here and Beyond (edited by Cyril Wong), 12 quintessentially Singaporean stories charting the complexities, hardships and shared love and dedication to the Singapore we call home were collected from some of our most renowned local writers. Now, watch as these 12 stories by … Continue reading Preview: Here and Beyond by Toy Factory