M1 Contact Contemporary Dance Festival 2019: Mr Sign by T.H.E Dance Company (Review)

  Absurd, dystopian world where thoughts and language are thrown into disarray.  First performed in 2013, the 2019 M1 Contact Festival brings back Kim Jae Duk’s first full-length production for T.H.E Dance Company, the endlessly fascinating Mr Sign for a single public performance. Composed and choreographed by Kim, Mr Sign is set in an absurd, dystopian-like society, as members of T.H.E (Anthea Seah, Brandon Khoo, Lynette Lim, Ng Zu You, … Continue reading M1 Contact Contemporary Dance Festival 2019: Mr Sign by T.H.E Dance Company (Review)

Review: First Fleet (第一舰队) by Nine Years Theatre and Singapore Chinese Cultural Centre

Steering audiences to believe in the redemptive power of art. Written and directed by Nelson Chia, First Fleet marks a bold move for the Nine Years Theatre artistic director, clearly differentiating them from the rest of the companies producing works relating to Singapore’ colonial history this year. Taking inspiration from both historical figures and Thomas Keneally’s novel The Playmaker, First Fleet instead focuses on Australia’s colonial history. And more specifically, the … Continue reading Review: First Fleet (第一舰队) by Nine Years Theatre and Singapore Chinese Cultural Centre

M1 Contact Contemporary Dance Festival 2019: Off Stage (Review)

Strong potential evident in each of these works-in-progress Created as a platform to showcase new works-in-progress from local and regional dance artists, the M1 Contact Dance Festival 2019’s Off Stage presented four draft pieces at T.H.E Dance Company’s studio at Goodman Arts Centre. Inviting both members of the public and local/international dancers and choreographers, Off Stage not only gave audience members a chance to preview … Continue reading M1 Contact Contemporary Dance Festival 2019: Off Stage (Review)

Singapore Food Festival 2019: Advanced Dining by Telok Ayer Arts Club & The Picnic (Review)

Expect the unexpected and come away with a new belief in the art of dining. Spoilers ahead Eating is and always will be a part of our daily lives. But get into a routine long enough, and you may just begin to forget just what it was that made food such a magical experience in the first place. Enter Advanced Dining, a curated experiential art … Continue reading Singapore Food Festival 2019: Advanced Dining by Telok Ayer Arts Club & The Picnic (Review)

Mooncake Season 2019: Mooncakes from Marina Bay Sands

For the Mid-Autumn Festival this year, Marina Bay Sands is presenting their mooncakes in a brand new, stylish celeste blue packaging with a brown leather strap, crafted to resemble a lantern. Adorned with motifs of Marina Bay Sands’ iconic hotel towers, the box opens up to unveil an image of Moon Goddess Chang’e soaring across a moonlit sky, complete with Chinese folk melodies. An ivory four-tiered chest each … Continue reading Mooncake Season 2019: Mooncakes from Marina Bay Sands

Preview: SSO National Day Concert by Singapore Symphony Orchestra

The 1915 Raffles MarchComposed by A. Dietz, former Director of the Orchestra at the Raffles Hotel. Dietz himself is a mystery, with little is known of him, not even his first name. The work is known to have been performed on 13th September 1922 at the hotel, in a special concert reported in The Straits Times the day before. And in 2017, more than a century … Continue reading Preview: SSO National Day Concert by Singapore Symphony Orchestra

Camden Fringe 2019: The Cardboard Kitchen Project by FK Co-Lab

LONDON – After bringing their interactive installation Dear Cardboard Kitchen to Singapore in May, London based Singapore company FK Co-Lab has further developed the installation into a full length theatre production, set to premiere at Camden Fringe this August. Created by FK Co-Lab co-founders Faezah Zulkifli (director) and Nur Khairiyah Ramli (producer), The Cardboard Kitchen Project follows Jennie, as she moves from Singapore to London. She inherits a … Continue reading Camden Fringe 2019: The Cardboard Kitchen Project by FK Co-Lab

Nine Years Theatre’s First Fleet (第一舰队): An Interview with Director Nelson Chia

Following FAUST/US earlier this year, Nine Years Theatre returns this week for their second production of the year – an original work about the first British fleet to step foot onto what would eventually become Australia, aptly titled First Fleet. Written and directed by Nelson Chia, we posed a number of questions to the Nine Years Theatre Artistic Director to find out a little more about what we … Continue reading Nine Years Theatre’s First Fleet (第一舰队): An Interview with Director Nelson Chia

N.O.W. 2019: Three Fat Virgins Unassembled (Review)

  Almost 30 years on and Ovidia Yu’s classic remains shockingly relevant. One of my earliest memories of coming into contact with local theatre is picking up a copy of Fat Virgins, Fast Cars and Asian Values in the late 2000s, collecting some of the Theatreworks Writers’ Lab’s most seminal plays from the 1990s. Naturally, as its title suggests, this collection contained Ovidia Yu’s Three Fat Virgins Unassembled, a … Continue reading N.O.W. 2019: Three Fat Virgins Unassembled (Review)

Dream Academy’s Broadway Beng: An Interview with Sebastian Tan

In many ways, Broadway Beng seems eternal. Having debuted in 2006, the dapper, Hokkien-spouting, Broadway/West End musical-lovin’ ‘beng’ has become something of a national icon in his own right, winning the hearts of countless aunties, xiao mei meis and men alike with his swagger and charm. But unlike an icon such as say, James Bond and how the character changes actors every few years, Broadway Beng can and will … Continue reading Dream Academy’s Broadway Beng: An Interview with Sebastian Tan