It’s 630pm on a Saturday evening and I’m clad in the pristine white Illumi runners T-shirt I received as part of the sign up goody bag. As the sun sets on the Prudential Marina Bay Carnival, there’s a part of me that’s dreading what I’ve signed up for. I’m surrounded by countless kids at least 5 years younger than me, each of them bristling with … Continue reading Party On The Run: Illumi Run 2018
In taking on the mantle of the entire future of theatre from one’s predecessors, it is understandable that one would feel trepidation and anxiety at living up to the precedents set by them, or want to establish a new standard and stake one’s claim in the history of theatre. NUS’ latest batch of Theatre Studies students attempts to tackle just that issue in a project … Continue reading Review: Hana by NUS Theatre Studies Theatre Lab
Having sold out multiple runs when it played in Taiwan, Mandarin musical Super Mommy (我的妈妈是ENY?) makes its international debut this May as Resorts World Sentosa’s first production of the year! As is tradition, Super Mommy will be starring a number of local actors, including former radio deejay Lin You Fa, Queen of Theme Songs Chriz Tong, rising star Benjamin Josiah Tan, and actor Jaspers Lai, who will be playing … Continue reading Preview: Super Mommy (我的妈妈是ENY?) by Resorts World Sentosa
For the second show of Esplanade’s 2018 season of the Studios, spell#7 co-founder and co-artistic director Kaylene Tan returns to Singapore to direct an all new production titled In the Silence of Your Heart. Like Kaylene’s previous works, In The Silence of Your Heart offers an alternative theatre experience, as she subverts and plays with the idea of a monologue. Utilising in-ear audio recordings, audiences become privy … Continue reading The Studios 2018: An Interview with Kaylene Tan (In The Silence of Your Heart)
This April, Hatch Theatrics will be closing the latest chapter of their lives. The theatre company will be ending their two year residency with the Malay Heritage Centre with their 9th production, and will be presenting Hafidz Rahman’s Lanang. Prior to its premiere, we spoke to artistic director and Lanang director Faizal Abdullah, general manager Nur Khairiyah (Khai) and Lanang playwright Hafidz Rahman about the process leading up to Lanang and where Hatch might … Continue reading Lanang: An Interview with Hatch Theatrics
Jess Bellamy and Pooja Nansi have just completed a day of rehearsals at Checkpoint Theatre in Goodman Arts Centre. Their space is marked out in colourful shades of tape, while a visualisation board consisting of rappers from Nicki Minaj to Kanye West is stuck on a wall. Joined by director and dramaturg Huzir Sulaiman, we’re here to get down and find out about Checkpoint Theatre’s … Continue reading Thick Beats for Good Girls: An Interview with Creators Pooja Nansi, Jess Bellamy and Huzir Sulaiman
Toy Factory’s stellar first production charts the birth and growth of a clan association over the last hundred years. Hokkien is a language that isn’t often associated with grace or beauty, often relegated to slang used in the army or, as is the case with many dialects, seen as a relic of the past. But in Sometime Moon, Toy Factory makes a strong case for convincing audiences … Continue reading Review:《有时月光》(Sometime Moon) by Toy Factory
Growing up in Singapore, there’s always been this undeniable source of pressure all around us, whether from parents or peers, to prove yourself worthy by coming out on top and beating out any and all rivals. Now, that sense of ‘kiasu-ism’ has become fashionable itself, as a form of self-evaluation and both drives the endless rat race and act as a means of self-reflection.With a … Continue reading Preview: X & Y by RAW Moves
Think you know your fairytales? Think again, as Andsoforth gives you a riotous twist on some classic characters in their latest immersive theatre/dining experience. Immersive theatre-dining company Andsoforth has a unique formula that works, and it’s only getting better each time. With their latest edition, they’re having audience members hit the books, as they whisk you off to childhood Disney fantasies in Adventures in Grimmsneyland. But … Continue reading Review: Adventures in Grimmsneyland by Andsoforth
Style reigns supreme in this technically brilliant adaptation of Mark Haddon’s breakthrough novel. In National Theatre’s The Curious Incident of the Dog In The Night-Time, three pieces of chalk are used in every single performance, with two spares on standby. Adrian Sutton’s opening music is counts out a 2-3-5-7 rhythm based off prime number sequences. 115 props are used in the show. Each actor playing Christopher has … Continue reading Review: National Theatre’s The Curious Incident of The Dog In The Night-Time by The National Theatre
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