Singapore Theatre Festival 2018: Supervision (Review)

A successful second outing for Thomas Lim in this gripping domestic drama touching on national themes.  George Orwell’s novel 1984 may have predicted a future where he believed our every action and movement will be placed under surveillance, but never could he possibly have imagined that the perpetrators would be ourselves. That dystopian future has unwittingly become a startling reality in Singapore, where not only are there CCTV … Continue reading Singapore Theatre Festival 2018: Supervision (Review)

Singapore Theatre Festival 2018: Building A Character (Preview)

When we first saw Rebekah Sangeetha Dorai onstage in Boeing Boeing last year, we knew she was something special. She’s proven that again when we last saw her onstage at the Arts House in The Page On Stage, and we were overjoyed to see her get a chance to take the spotlight all on her own in an upcoming solo show in the 2018 Singapore Theatre Festival. As … Continue reading Singapore Theatre Festival 2018: Building A Character (Preview)

Singapore Theatre Festival 2018: An Interview with Thomas Lim and Janice Koh (Supervision)

W!ld Rice’s newest Resident Playwright Thomas Lim made a stunning debut with Grandmother Tongue at the Singapore Theatre Festival 2 years ago, selling out both that run and the restaging last year. This year, he’s back with an all new play in the form of Supervision, set to make its world premiere next week at the opening of W!ld Rice’s 2018 Singapore Theatre Festival. Directed by W!ld Rice artistic director … Continue reading Singapore Theatre Festival 2018: An Interview with Thomas Lim and Janice Koh (Supervision)

Singapore Theatre Festival 2018: An Interview with Tan Tarn How, Rei Poh and Shane Mardjuki (Press Gang)

Former Straits Times journalist Tan Tarn How knows a thing or two about controversy. The playwright is best known for penning some of the most scintillating political satires in local theatre, from his infamous The Lady of Soul and her Ultimate ‘S’ Machine, receiving objections in 36 of its 67 pages from the authorities, to his most recent play Fear of Writing, in 2011, where ‘MDA officials’ … Continue reading Singapore Theatre Festival 2018: An Interview with Tan Tarn How, Rei Poh and Shane Mardjuki (Press Gang)

A Spotlight On New Writing: Singapore Theatre Festival 2018 by W!ld Rice

If you thought you loved theatre before, then W!ld Rice’s Singapore Theatre Festival will have you falling head over heels for it. Returning this July for its sixth edition, the festival from one of Singapore’s leading theatre companies will once again be taking place at Lasalle College of the Arts, and presenting a total of eight shows over three weekends! Says W!ld Rice Artistic Director … Continue reading A Spotlight On New Writing: Singapore Theatre Festival 2018 by W!ld Rice

Review: Mama White Snake by W!ld Rice

It’s the end of the year, and frankly, it’s been a long one, one that’s left us somewhat drained, a little emotional, and wanting a break. It’s times like these you want to watch a show that’s entertaining, yet mature enough in its ambition to strike an emotional chord. Thankfully, Mama White Snake is just the right medicine the doctor ordered and ends off W!ld Rice’s 2017 … Continue reading Review: Mama White Snake by W!ld Rice

Artist Spotlight: An Interview with W!ld Rice’s Ivan Heng, Glen Goei and Pam Oei

W!ld Rice’s annual Christmas pantomime opens in less than a week, and we couldn’t be more excited to catch it. Since its inception, W!ld Rice’s pantos have gone above and beyond simply being a show for children to enjoy with their families, to becoming all-encompassing theatrical extravaganzas filled with a whole barrel of laughs and plenty of love to go around. This year, they’ll be … Continue reading Artist Spotlight: An Interview with W!ld Rice’s Ivan Heng, Glen Goei and Pam Oei

Review: Grandmother Tongue by W!ld Rice

We’ve got bad news for readers who haven’t secured a ticket to Grandmother Tongue: it’s completely sold out! Having missed out on the first run of the show at last year’s Singapore Theatre Festival, we were ecstatic and brimming with excitement to check out the show that will be seeing full houses for 3 straight weeks. And we weren’t disappointed at all. Writer/director Thomas Lim … Continue reading Review: Grandmother Tongue by W!ld Rice

Taking Over Down Under: Four Singapore Theatre Companies In Australia This September

Singapore’s theatre scene is fast going global. Through the efforts of various companies and organizations over the last few years, we’ve seen a slew of local theatre companies flying overseas to present their shows at multiple festivals, from Edinburgh to Adelaide. In September alone, four local productions have or are slated to perform in Australia, split across Adelaide’s 2017 OzAsia Festival and the 2017 Brisbane … Continue reading Taking Over Down Under: Four Singapore Theatre Companies In Australia This September

Grandmother Tongue: An Interview with Playwright Thomas Lim and Actor Tan Shou Chen

The fastest selling show at W!ld Rice’s 2016 Singapore Theatre Festival was none other than Thomas Lim’s Grandmother Tongue, so it makes complete sense that they’re bringing it back this September for an extended month long run! Starring Tan Shou Chen, Jalyn Han and Rei Poh, Grandmother Tongue follows a grandson as he attempts to connect with his octogenarian grandmother, who can only speak Teochew. We follow them as they bond … Continue reading Grandmother Tongue: An Interview with Playwright Thomas Lim and Actor Tan Shou Chen