Flipside 2026: An Interview with Dwayne Lau on rolling with the punches with ‘Snakes and Ladders!’

For actor and musical theatre performer Dwayne Lau, his original work Snakes & Ladders! is a way of re-living, re-framing, and re-negotiating the unpredictable shape of a life that has unfolded very much like the board game at its centre. What began as a 40-minute showcase at the Esplanade Concourse has now grown into a full 90-minute theatrical experience a year later. But for Dwayne, … Continue reading Flipside 2026: An Interview with Dwayne Lau on rolling with the punches with ‘Snakes and Ladders!’

★★★★☆ Theatre Review: Charlie and the Chocolate Factory by Base Entertainment Asia

From rap battles to nightmare squirrels and chocolate waterfalls, this Roald Dahl adaptation is is weird, whimsical, and delightfully emotional. There is something inherently magical about Charlie and the Chocolate Factory. Whether through Roald Dahl’s original novel, the beloved 1971 film, or the many adaptations that followed, the story has always lived in that strange space between fantasy and cautionary tale; whimsical on the surface, … Continue reading ★★★★☆ Theatre Review: Charlie and the Chocolate Factory by Base Entertainment Asia

Becoming Willy Wonka: An Interview with Charlie and the Chocolate Factory’s Daniel Plimpton

Roald Dahl’s beloved tale of golden tickets and chocolate rivers is finally making its Southeast Asian debut, as Charlie and the Chocolate Factory the Musical opens at Sands Theatre, Marina Bay Sands, for a strictly limited season from 19th May 2026. Presented by Base Entertainment Asia in association with Broadway International Group and Broadway Asia, the production brings Willy Wonka’s fantastical chocolate factory to life … Continue reading Becoming Willy Wonka: An Interview with Charlie and the Chocolate Factory’s Daniel Plimpton

★★★★★ Theatre Review: Salesman之死 by Jeremy Tiang and Danny Yeo (SIFA 2026)

A love letter to theatre, translation, and humanity itself. Salesman之死 understands that sometimes the hardest thing to translate is not language; it’s culture, emotion, and perspective. Even someone like Miller, a playwright of immense stature, struggles to grasp even a fraction of the Chinese dialogue — a quiet but telling reminder of how language itself resists ownership, even by those who write it. This becomes … Continue reading ★★★★★ Theatre Review: Salesman之死 by Jeremy Tiang and Danny Yeo (SIFA 2026)

★★☆☆☆ Theatre Review: All You Can Eat by Wild Rice’s Young & Wild and The Rice Cooker

Undercooked, repetitively formulaic scripts do this promising batch of young actors a disservice. Graduation showcases are a notoriously difficult dish to plate. A director has to decide exactly what they want audiences to leave remembering: is it an ensemble spread where every graduate gets equal time to shine? A curated tasting menu built around the strongest performers? Or a riskier selection that leans classical, experimental, … Continue reading ★★☆☆☆ Theatre Review: All You Can Eat by Wild Rice’s Young & Wild and The Rice Cooker

★★★★☆ Theatre Review: Myles – Soulmate In A Box by Singapore Repertory Theatre

Inch Chua blends immersive multimedia and song into a visually arresting experience about the dangerous allure of frictionless love. If an AI could love you perfectly, from anticipating your every need, to removing every friction, and never misunderstanding you, would you still want a real person? Presented by Singapore Repertory Theatre after its earlier work-in-progress showing at the Singapore International Festival of Arts in 2024, … Continue reading ★★★★☆ Theatre Review: Myles – Soulmate In A Box by Singapore Repertory Theatre

Art: UOB Painting of the Year set to elevate artistic excellence in its 45th edition with a festival and more

For decades, the UOB Painting of the Year competition has quietly shaped the careers of some of Southeast Asia’s most respected artists. Now, as it enters its 45th edition, the long-running art prize is stepping beyond the traditional competition format — and into the wider community. This year, UOB will launch its first-ever arts festival in Singapore, transforming what was once largely an industry-facing awards … Continue reading Art: UOB Painting of the Year set to elevate artistic excellence in its 45th edition with a festival and more

Preview: Scaredy Kat Presents by Gateway Arts

There’s something quietly powerful about watching your fears play out in front of you—especially when they’re wrapped in story, light, and imagination. This May, Singapore audiences will get exactly that with Scaredy Kat Presents, a new youth theatre production by Gateway Arts. But this isn’t just another stage show, it’s an immersive, multimedia experience that transforms anxiety into something tangible, and ultimately, something hopeful. Inspired … Continue reading Preview: Scaredy Kat Presents by Gateway Arts

Preview: Flipside 2026 by Esplanade – Theatres on the Bay

Presented by Esplanade – Theatres on the Bay, Flipside 2026 returns from 29 May to 7 June as a bold celebration of risk, play and artistic daring. Known for its vibrant mix of circus, physical theatre, puppetry and comedy, the festival invites audiences into a space where uncertainty becomes part of the experience and the thrill. Flipside has always been a festival built on the … Continue reading Preview: Flipside 2026 by Esplanade – Theatres on the Bay

Theatre Review: Pulau Rindu by Emergency Stairs x NAFA Industry Project 2026

Finding the shape of yearning through deconstructing a city and all the lives and stories within it. What does it mean to belong, and what happens if that belonging is tied to a place that exists only in memory, imagination, or longing? Pulau Rindu, directed by Tan Shou Chen and presented as part of the NAFA Industry Project by Nanyang Academy of Fine Arts and … Continue reading Theatre Review: Pulau Rindu by Emergency Stairs x NAFA Industry Project 2026