Film: An Interview with director Anthony Chen on new film ‘We Are All Strangers’ and closing the final chapter of his Growing Up trilogy

Seven years ago, when Anthony Chen last sat down to speak about Wet Season as the opening film of the 2019 Singapore International Fim Festival, he was reflecting on a film about longing, restraint, and quiet emotional fractures, hallmarks of a filmmaker deeply attuned to the rhythms of everyday life. Today, the conversation feels both like a continuation and a turning point, with his latest … Continue reading Film: An Interview with director Anthony Chen on new film ‘We Are All Strangers’ and closing the final chapter of his Growing Up trilogy

T:>Works presents PerºForm Open Academy of Arts and Activations (POA) 2026 – The Post-Migrant Academy

If your idea of a meaningful weekend goes beyond brunch and browsing, there’s something quietly powerful happening this Labour Day stretch in Singapore. From 29 April to 3 May 2026, T:>Works transforms its home at 72-13 Mohamed Sultan Road into a living, breathing space of ideas, performance, and conversation. Welcome to Per°Form Open Academy of Arts and Activations (POA) 2026: The Post-Migrant Academy, a gathering … Continue reading T:>Works presents PerºForm Open Academy of Arts and Activations (POA) 2026 – The Post-Migrant Academy

Pesta Raya 2026: An Interview with Maria Tri Sulistyani, founder of Papermoon Puppet Theatre, and playwright/director of ‘PUNO – Sewing Memories’

Twelve years ago, the story that would become PUNO: Sewing Memories began with a promise. Back in 2013, Papermoon Puppet Theatre was planning a collaboration with a close friend from the Philippines: puppetry artist Don Salubayba. “It was kind of like, wow, it’s amazing that we have so much in common, let’s do something together,” recalls director and playwright Maria Tri Sulistyani, also a co-founder … Continue reading Pesta Raya 2026: An Interview with Maria Tri Sulistyani, founder of Papermoon Puppet Theatre, and playwright/director of ‘PUNO – Sewing Memories’

Pesta Raya 2026: An Interview with Dr. Norzizi Zulkifli on adapting Macbeth for Randai and traditional arts in Malaysia

When Dr Norzizi speaks about randai, she does not describe it as an artefact or a genre. She describes the art form as something breathing, precarious, but alive. “Without ASWARA,” she says plainly of the National Academy of Arts, Cultural and Heritage of Malaysia, “randai is a dying traditional art form. It exists, but it is also not there. If you come to Kuala Lumpur … Continue reading Pesta Raya 2026: An Interview with Dr. Norzizi Zulkifli on adapting Macbeth for Randai and traditional arts in Malaysia

Preview: [title of show] (2026) by Sing’theatre

This April, theatre audiences in Singapore can look forward to Sing’theatre’s production of [title of show], a witty, fast-paced, Tony-nominated musical that turns the creative process itself into the main event. Equal parts hilarious and heartfelt, the show follows two writers racing against the clock to create a brand-new musical… about writing a musical. At first glance, it’s a clever meta-comedy. But beneath the sharp … Continue reading Preview: [title of show] (2026) by Sing’theatre

Preview: Emergency Stairs x NAFA Industry Project 2026 – ‘Backstage Protocol’ and ‘Pulau Rindu’

Have you ever wondered about the forces shaping our lives that we don’t see? This April, a new generation of theatre-makers in Singapore is asking exactly that. The NAFA Industry Project 2026, co-presented by Emergency Stairs and Nanyang Academy of Fine Arts, is a bold, immersive exploration of what they call “Invisible Architectures.” Think about the unseen systems, quiet hierarchies, and emotional undercurrents that shape … Continue reading Preview: Emergency Stairs x NAFA Industry Project 2026 – ‘Backstage Protocol’ and ‘Pulau Rindu’

★★★★☆ Theatre Review: End of the World and Hard-Boiled Wonderland by HoriPro Inc.

A dream made tangible as Haruki Murakami’s surreal masterpiece comes vividly to life on stage. Fresh from its world premiere in Tokyo in January, End of the World and Hard-Boiled Wonderland arrives in Singapore with the weight of expectation. Beyond its sheer scale, adapting Haruki Murakami’s writing for the stage has always been a formidable undertaking. His novels are winding, introspective and often resistant to … Continue reading ★★★★☆ Theatre Review: End of the World and Hard-Boiled Wonderland by HoriPro Inc.

End of the World and Hard-Boiled Wonderland: An Interview with director/choreographer Philippe Decouflé on adapting Haruki Murakami for the stage

Few literary worlds are as slippery, introspective and visually elusive as those of Haruki Murakami—which makes the stage adaptation of Hard-Boiled Wonderland and the End of the World an especially intriguing proposition. Directed and choreographed by Philippe Decouflé, the production transforms Murakami’s dual narratives into a highly visual theatrical experience, where movement, colour and scenography take the place of interior monologue. Arriving in Singapore at … Continue reading End of the World and Hard-Boiled Wonderland: An Interview with director/choreographer Philippe Decouflé on adapting Haruki Murakami for the stage

Art Under Viaduct Spaces’s “Trainforest” blooms beneath Kembangan MRT and transforms the daily commute

There’s something magical happening beneath the tracks at Kembangan MRT station. What was once an overlooked stretch of concrete has been reimagined into a vibrant, living canvas, one that invites commuters to pause, look closer, and perhaps even smile on their daily journeys. Unveiled on 31 March 2026, Trainforest is a public art installation that celebrates inclusivity, creativity, and community, brought to life across 13 … Continue reading Art Under Viaduct Spaces’s “Trainforest” blooms beneath Kembangan MRT and transforms the daily commute

Arts of Hong Kong: Sotheby’s ‘Beyond The Abstract’ achieves white-glove result

HONG KONG – This spring, as Hong Kong pulses with the energy of Art Month, Sotheby’s presented Beyond the Abstract, billed as the most comprehensive survey of abstract art ever staged in Greater China. Unfolding as a meditative journey across 3,000 years of artistic expression, by the time the week closed, contemplation had given way to something far more electric: a record-breaking, white-glove auction that … Continue reading Arts of Hong Kong: Sotheby’s ‘Beyond The Abstract’ achieves white-glove result