Malaysia Theatre: An interview with ‘The Secret Drawer’ creators Lim Tiong Wooi, Ling Tang and director Jo Kukathas

There are some family stories that sit in plain sight. Others are deliberately put away. For Ling Tang, it was a drawer she was told never to open. For Lim Tiong Wooi, it was a box of almost 60 documents tracing her father’s years of detention, rejection and separation. And for Jo Kukathas, it was a box of her own father’s belongings sitting in her … Continue reading Malaysia Theatre: An interview with ‘The Secret Drawer’ creators Lim Tiong Wooi, Ling Tang and director Jo Kukathas

Godot Theatre Company’s ART returns to the Esplanade, and Pu Hsueh-Liang, Chu Chung Heng and Tseng Kuo Chen are closer than ever

There is a moment before our interview properly begins that says almost everything one needs to know about ART. The first question has barely been asked when the three actors are already talking over one another. Within seconds, the room dissolves into laughter. They interrupt one another, finish each other’s sentences, argue over tiny details and gently tease each other without missing a beat. Before … Continue reading Godot Theatre Company’s ART returns to the Esplanade, and Pu Hsueh-Liang, Chu Chung Heng and Tseng Kuo Chen are closer than ever

Singapore Night Festival 2026: NAFA’s emerging talents showcase their skills on the city stage

Across Singapore Night Festival 2026, NAFA students, graduates and faculty are bringing folklore, oral histories, illustration, sound, dance and theatre into public spaces, and finding new ways to work beyond the boundaries of the art school. For many young artists, the transition out of art school can be an uncertain one. Graduation marks the end of a structured environment, but not the end of the … Continue reading Singapore Night Festival 2026: NAFA’s emerging talents showcase their skills on the city stage

How Drama’s ‘Big Brown Girl’ returns to Singapore, and creator Ross Nasir is inviting you to her room at The Standard

When Big Brown Girl was first staged, its premise was already an unusual one: a one-woman show about a Singaporean woman getting back into dating, with the audience deciding which men she meets along the way. Now, several years and iterations later, Ruby is returning to Singapore, but this time, audiences won’t simply be watching her dates from a theatre seat. The latest version of … Continue reading How Drama’s ‘Big Brown Girl’ returns to Singapore, and creator Ross Nasir is inviting you to her room at The Standard

SMU Arts Fest 2026: Legendary sees a new generation reinterpret and retell myths, legends and icons

At SMU Arts Fest 2026, the legends may be old, but the ways of telling them are anything but. Running from 21 August to 5 September, Singapore Management University’s annual arts festival transforms its city campus into a hub of performances, exhibitions and music, bringing together some 400 performers, including 250 undergraduate and postgraduate students and 25 alumni, from 14 SMU arts clubs, alongside professional … Continue reading SMU Arts Fest 2026: Legendary sees a new generation reinterpret and retell myths, legends and icons

Interview: Luke Street, Javon King, Frances Lee and Tabitha Nauser bring new life to Singapore’s ‘Jesus Christ Superstar’

More than five decades after Andrew Lloyd Webber and Tim Rice first brought Jesus Christ Superstar to the stage, the musical continues to ask audiences to look beyond the icons at the people behind them. For the cast of the international touring production arriving in Singapore, that human element is at the heart of the show. Luke Street, who plays Jesus, sees a man grappling … Continue reading Interview: Luke Street, Javon King, Frances Lee and Tabitha Nauser bring new life to Singapore’s ‘Jesus Christ Superstar’

Growing Together, Growing Apart: An interview with co-directors Haresh Sharma, Adib Kosnan, and the cast of The Necessary Stage’s ‘3 Queens’

“When you start, you start with yourself,” says actress Munah Bagharib. “And sometimes there’s no way of controlling the levels and layers of the character.” It is an apt description of how 3 Queens came to life. The Necessary Stage’s newest production may centre on three women: sisters Bedah and Zeina, and their close friend Aida, but the characters audiences will meet onstage did not … Continue reading Growing Together, Growing Apart: An interview with co-directors Haresh Sharma, Adib Kosnan, and the cast of The Necessary Stage’s ‘3 Queens’

Esplanade’s The Studios 2026: An interview with Ingrid Voorendt, Associate Director, Back to Back Theatre on ‘Multiple Bad Things’

In a placeless warehouse at the end of the world, three employees are given a possibly pointless task. As they struggle to work together, the boundaries between cooperation and conflict begin to fray. What starts with politeness gradually descends into sly victimisation and bad behaviour, while language shifts from playful and absurd to threatening and deadly serious. In MULTIPLE BAD THINGS, award-winning Australian company Back … Continue reading Esplanade’s The Studios 2026: An interview with Ingrid Voorendt, Associate Director, Back to Back Theatre on ‘Multiple Bad Things’

Who cares for artists?: An interview with CITRUS fest 2026 curator Chong Gua Khee

For the people who keep Singapore’s arts scene moving, care can be difficult to separate from the work itself. It can mean managing workloads and expectations, navigating difficult conversations, making space for different needs, or simply recognising when a person or team has reached their limits. These questions are at the centre of CITRUS fest 2026: Kacang Puteh, Care-Oke?, the second edition of the ten-day … Continue reading Who cares for artists?: An interview with CITRUS fest 2026 curator Chong Gua Khee

Esplanade’s The Studios 2026: An Interview with Samir Veen on participation and co-operation in Ontroerend Goed’s ‘Handle with Care’

When Belgian theatre company Ontroerend Goed first conceived Handle with Care, they knew almost nothing about the performance itself. There were no actors, no technicians, no script, and not even a clear idea of what would eventually be inside the box that sits at the centre of the stage. What they did know was that they wanted to make something they had never made before. … Continue reading Esplanade’s The Studios 2026: An Interview with Samir Veen on participation and co-operation in Ontroerend Goed’s ‘Handle with Care’