A simple yet strong premise that sets the foundation for a better play in future One of the most pertinent events to have surrounded the issue of race is perhaps none other than Rachel Dolezal, the Caucasian woman who lived a life pretending to be black, drawing flak for the lie, yet was an outspoken vocalist for civil rights. It’s an issue that shows that … Continue reading Review: Master Race by Myle Yan Tay
Michael Chiang’s favourite script rings true even today. When it first premiered in 1992, playwright Michael Chiang’s Private Parts was groundbreaking for its bold choice to depict transsexuals onstage, not as cheap forms of entertainment or the butt of jokes, but as fully fleshed out characters with their own personal lives and stories to tell. Even today, 26 years on, with plays dealing with the concept of … Continue reading Review: Private Parts by Michael Chiang Playthings
The inheritance of violence and despair is on show in a powerful, unusual love story from one of Singapore’s most exciting theatre makers. If one has never known love, how does one then display it? That is the issue at the core of Noor Effendy Ibrahim’s 1995 play Cerita Cinta, where contrary to its innocent title (literally ‘Love Story’), love manifests itself in perverse, violent ways that leaves … Continue reading Review: Cerita Cinta by akulah bimbo SAKTI
A well-paced, tightly scripted first outing for Autopoetics. Founded by local arts educators Chelsea Crothers, Laura Hayes and Maiya Murphy, Autopoetics is the latest theatre collective to arrive on our scene, making their bold debut with an original once act play – Provenance. Written by Hayes, Provenance opens on the home of Alice (Hayes), an obsessive hoarder living in a home filled with all manner of junk and … Continue reading Review: Provenance by Autopoetics
Love is the drug, and oh what a terrible, wonderful drug it is too. For a four letter word, ‘love’, to this day, remains one of mankind’s greatest mysteries. At times absurd, most times frustrating, occasionally uplifting and always messy, it’s no wonder we’re practically obsessed with solving it, unable to live with or without it. In French playwright Joël Pommerat’s The Reunification of the Two … Continue reading Review: The Reunification of The Two Koreas by Theatreworks
This November, Esplanade – Theatres on the Bay returns with the 17th edition of the annual Kalaa Utsavam – Indian Festival of Arts. From 16th to 25th November this year, watch as the region’s top Indian artists gather to present revolutionary modern versions of traditional art forms, with artists such as sitar maverick Niladri Kumar, alternative rock band Avial, dancer/choreographer Leela Samson and chitravina artist Vishaal Sapuram … Continue reading Preview: Kalaa Utsavam – Indian Festival of Arts 2018 by Esplanade – Theatres on the Bay
Ten years is a long time to kidnap a bunch of fat kids, but local theatre group How Drama obviously has a winning formula with the tenth anniversary of ever popular play marathon Fat Kids Are Harder To Kidnap this November! The format of the show is simple: featuring five cast members, comprising Ross Nasir, Nicholas Bloodworth, Carina McWhinnie, Victoria Chen and Jun Teoh, the team will go on … Continue reading Preview: Fat Kids Are Harder To Kidnap X by How Drama
History is about to be made this February as not only will multi-award winning Matilda the Musical be coming to Asia for the first time; the cast will also be led by a brand new local talent, as Singapore’s Sofia Poston takes on the title role of Matilda. A student at United World College of South East Asia in Singapore, nine-year old Sofia first came to the … Continue reading Matilda the Musical: Singaporean Talent Sofia Poston to Take On Iconic Title Role In February
After the premiere of new play 13.13.13, Theatreworks concludes their 2018 season of theatre with French playwright Joël Pommerat’s The Reunification of the Two Koreas. Directed by Centre Dramatique National de Tours (CDNT) artistic director Jacques Vincey, this English translation by Marc Goldberg is set to make its Singaporean premiere this November at 72-13, the home of Theatreworks. “When I first watched this show in France,” says director … Continue reading Because I Love You: An Interview with Jacques Vincey, Timothy Nga and Cynthia Lee MacQuarrie of Theatreworks’ The Reunification of The Two Koreas
No frills attached – the Great Moscow Circus delivers thrilling acts with gusto and charm Step right up and get ready for a truly wild ride – the Great Moscow Circus isn’t afraid to announce its entrance, and having set up a gigantic, brand new red and white tent in the very heart of the city to make its Singapore premiere, it’s impossible to miss … Continue reading Review: The Great Moscow Circus presented by Sliding Doors Entertainment
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