Preview: 过年 The Nutcracker by The National Ballet of China

While primarily known as a Christmas ballet, you can expect the 2018 Yuletide spirit to carry on well into 2019 with the arrival of The National Ballet of China’s production of Tchaikovsky’s The Nutcracker in January this year. Presented by MyChinaChannel, 过年 The Nutcracker performs in Singapore for the very first time at the Esplanade Theatre from 18th to 20th January 2019, and plays as part of the company’s 60th … Continue reading Preview: 过年 The Nutcracker by The National Ballet of China

Preview: The Transition Room by Toy Factory

Besides the announcement of the second part of their theatrical trilogy at SIFA 2019, Toy Factory will be opening their 2019 season with their all new production The Transition Room. Making the bold transition from experimental to mainstage, The Transition Room originated as a dramatized reading held at Toy Factory’s space at NOWplaying@17, and will receive a full theatrical adaptation next February at the Drama Centre Black Box. Directed and … Continue reading Preview: The Transition Room by Toy Factory

M1 Singapore Fringe Festival 2019: An Interview with Michael Pinchbeck, Writer/Director of A Fortunate Man (Preview)

50 years ago, writer John Berger (Ways of Seeing) and Swiss photographer Jean Mohr collaborated on the book A Fortunate Man, a visionary, philosophical tome that meditated on what it means to be a doctor or member of the healthcare professional. Following the life of English country general practitioner John Sassall, a combination of storytelling and photography brings to life his daily routines, his compassions and practice. … Continue reading M1 Singapore Fringe Festival 2019: An Interview with Michael Pinchbeck, Writer/Director of A Fortunate Man (Preview)

M1 Singapore Fringe Festival 2019: An Interview with Nabilah Said and Noor Effendy Ibrahim of ANGKAT (Preview)

Having helmed our favourite play of 2018, suffice to say that we’re excited about director Noor Effendy Ibrahim taking the reins once more and starting off 2019 with a brand new play, premiering as part of the 2019 M1 Singapore Fringe Festival. Written by Nabilah Said, ANGKAT: A Definitive, Alternative, Reclaimed Narrative of a Native is set to be a highlight of the festival, and follows the … Continue reading M1 Singapore Fringe Festival 2019: An Interview with Nabilah Said and Noor Effendy Ibrahim of ANGKAT (Preview)

M1 Singapore Fringe Festival 2019: An Interview with Ayer Hitam’s Creative Team (Preview)

With the advent of 2019, the Bicentennial celebrations too will fast be upon us, as a series of activities look back not just on the 200 years of history we have from the time of Sang Nila Utama, but further back still, to the very origins of our island home. Appropriately enough then, there seems no better time than to peel back the veil of … Continue reading M1 Singapore Fringe Festival 2019: An Interview with Ayer Hitam’s Creative Team (Preview)

M1 Singapore Fringe Festival 2019: An Interview With Sean Cham, Creator of This Is Where

In the now immortal words of Dick Lee as sung by Singaporeans everytime August comes around, “this is where I won’t be alone, for this is where I know it’s home.” But as much as it’s nice to imagine that we live as one Singapore, it’s important to remember that reality isn’t often as rosy as National Day songs might lead us to believe, and … Continue reading M1 Singapore Fringe Festival 2019: An Interview With Sean Cham, Creator of This Is Where

Preview: The Severing Sword (情断昆吾剑) by Nam Hwa Opera

Nam Hwa Opera rounds off its 55th anniversary celebrations with the world premiere of a brand new Wuxia Teochew Opera! Titled The Severing Sword, the opera will premiere in March 2019, and be directed by Toy Factory artistic direction Goh Boon Teck. Based on a popular wuxia novel by genre master Liang Yu Sheng, The Severing Sword follows a series of unfortunate events set into motion … Continue reading Preview: The Severing Sword (情断昆吾剑) by Nam Hwa Opera

Review: Projek Suitcase 2018 by Teater Ekamatra

An assortment of short monodramas reflecting on what it means to live – and die. Teater Ekamatra’s site-specific Projek Suitcase series follows a simple poor theatre format – one actor performs a short monodrama, equipped with minimal props, lighting and costumes, celebrating the power of the voice and traditional storytelling techniques. For their latest edition, held at the brand new Wisma Geylang Serai, they’ve taken on the … Continue reading Review: Projek Suitcase 2018 by Teater Ekamatra

Preview: Projek Suitcase 2018 by Teater Ekamatra

Ending off their 30th anniversary celebrations, Teater Ekamatra completes their season with a brand new edition of Projek Suitcase this December! Created by the company in 2003, Projek Suitcase adopted a poor theatre format involving one actor and one suitcase in a performance space, showcasing the effectiveness of a play even in spite of minimal setup, and the power of storytelling from the actor alone. Now, … Continue reading Preview: Projek Suitcase 2018 by Teater Ekamatra

Kalaa Utsavam 2018: Bali by Adishakti Theatre (Review)

Adishakti Theatre delivers both monkey business and human emotion in equal amounts in this surprisingly powerful fringe show. The Hindi epic The Ramayana is an account of the heroic deeds performed by the hero Rama, often considered a ‘champion of dharma’, or righteous deeds. But as we all know, morality exists in shades of grey, and when put to close examination, one comes to realise … Continue reading Kalaa Utsavam 2018: Bali by Adishakti Theatre (Review)