SIFA 2018: An Enemy of the People by Schaubühne Berlin (Preview)

An Enemy of the People is perhaps one of Henrik Ibsen’s most recognizable plays, following the tale of Dr Stockmann, a man who discovers that the drinking water in his spa town has been contaminated by industrial waste. A classic story of one against the mob, Stockmann finds himself under fire for attempting to reveal the inconvenient truth, and put the town’s  and the persecution he faces … Continue reading SIFA 2018: An Enemy of the People by Schaubühne Berlin (Preview)

Wag the Dog Theatre: An Interview with the Cast of The Consultant

In a little over a week, co-op theatre group Wag The Dog returns to the scene with their second production. Following last year’s The Memory of Water, they’ll once again be heading back to the Drama Centre Black Box to present a rather different play – Heidi Schreck’s corporate comedy-drama The Consultant. First staged in 2014 in America, The Consultant is set during 2008, as colleagues attempt to survive … Continue reading Wag the Dog Theatre: An Interview with the Cast of The Consultant

Preview: And Suddenly I Disappear – The Singapore ‘d’ Monologues

The word ‘disabled’ has never meant anything more than ‘differently abled’ and this May, a number of award-winning artists from Singapore and the UK will prove just that  as they present the world premiere of a brand new, unique theatrical performance: And Suddenly I Disappear. Described as ‘an international theatrical dialogue of difference, disability, and what it is to be human’, And Suddenly I Disappear is inspired by … Continue reading Preview: And Suddenly I Disappear – The Singapore ‘d’ Monologues

SIFA 2018: The Blues Project by Dorrance Dance (Review)

Tap meets blues in an unlikely but effective collaboration. Is tap dance merely all show and no soul? Or is it possible that given the right music, tap can be a genre catapulted far beyond its stereotypical impression, into a form that seethes with expression and aches with emotion? Furious, rhythmic tap and slowed down, soulful blues might appear to be strange bedfellows at first, … Continue reading SIFA 2018: The Blues Project by Dorrance Dance (Review)

SIFA 2018: Octavia E. Butler’s Parable of the Sower (Review)

Afro-futurism is given a musical touch in a stirring work of speculative fiction. Toshi and Bernice Johnson Reagon’s Parable of the Sower is a genre defying work that, if it were to be summed up, would simply be a powerful musical adaptation of one of the most seminal works of Afro-futurism. Parable of the Sower was originally written as a novel by award-winning author Octavia E. Butler, and is … Continue reading SIFA 2018: Octavia E. Butler’s Parable of the Sower (Review)

SIFA 2018: OCD Love by L-E-V Dance Company (Review)

Mesmerising, muscular bodies tangle with the simultaneous pain and allure of the mental condition.  Obsessive Compulsive Disorder, or OCD for short, is characterised as a state by which a person’s mind is constantly occupied by cycles of intrusive thoughts and compulsive behaviours. It’s an invisible condition that only really becomes evident when you know someone, and is often a lifelong state an afflicted person finds … Continue reading SIFA 2018: OCD Love by L-E-V Dance Company (Review)

Review: Secret Theatre Project Singapore

A club night gone very very wrong. Richard Crawford’s Secret Theatre Project has made a bit of a name for itself ever since it began a couple of years ago, gaining a worldwide following. Playing to international audiences as it toured cities from London to New York to Hong Kong, the gimmick behind the project is simple – take a popular film (past projects have … Continue reading Review: Secret Theatre Project Singapore

EUFF 2018: An Interview with Maikäfer flieg Director Mirjam Unger and Screenwriter Sandra Bohle

We’re on the 24th floor of Parkview Square at the Austrian Embassy, halfway through an interview with Mirjam Unger and Sandra Bohle, director and screenwriter of the opening film of the 2018 European Union Film Festival Maikäfer flieg (Fly Away Home), when Mirjam becomes distracted and gazes out the window at a cumulonimbus of dark clouds and the impending thunderstorm. Compelled by its savage beauty, she excuses herself … Continue reading EUFF 2018: An Interview with Maikäfer flieg Director Mirjam Unger and Screenwriter Sandra Bohle

Preview: La Voix Humaine by Singapore Symphony Orchestra

This May, the Victoria Concert Hall is proud to present the Singapore Symphony Orchestra’s new production of Francis Poulenc’s one act solo opera La Voix Humaine. Based off the play of the same name by Jean Cocteau, this production will be taking on a uniquely theatrical direction, from W!ld Rice artistic director Ivan Heng, and featuring visuals by Brian Gothong Tan. La Voix Humaine takes place in the … Continue reading Preview: La Voix Humaine by Singapore Symphony Orchestra

SIFA 2018: TAHA by Amer Hlehel (Review)

Deceptively simple, Amer Hlehel puts the power of words onstage with a tour de force performance as the eponymous Palestinian poet.  How does one go through countless losses and still come out an optimist? In the eyes and life of Palestinian poet Taha Muhammad Ali (1931-2011), one will find that it is completely possible. Directed by Amir Nizar Zuabi, TAHA is a show with a simple set-up – writer … Continue reading SIFA 2018: TAHA by Amer Hlehel (Review)