SIFA 2019: Crowd by Gisèle Vienne (Review)
The lines of desire are powerfully drawn over one crazy night at the rave. While often considered a liminal spaceContinue Reading
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SIFA 2019: Körper by Sasha Waltz & Hans Peter Kuhn (Review)
The discomfort of being in our own skin translates to the discomfort of being alive. Often considered one ofContinue Reading
SIFA 2019: A Dream Under The Southern Bough – Reverie by Toy Factory (Review)
The second instalment of this adaptation of a Ming dynasty classic brims with potential – a quintessential Toy Factory productionContinue Reading
SIFA 2019: Ryuichi Sakamoto – Fragments with Shiro Takatani (Review)
A transcendent performance brilliantly portraying the struggle of art and life. Nobody ever said creating art was easy. But perhapsContinue Reading
SIFA 2019: Displaced Persons Welcome Dinner by Checkpoint Theatre (Review)
Humanitarian workers go through dreary office politics just like you and me. The issue of refugees and mass migration hasContinue Reading
SIFA 2019: Oreste by Ifigenia by Tan Shou Chen and Ng Tian Hui (Review)
Reclaiming gender in this new adaptation of a classic Greek tale. In its various adaptations, Ifigenia at Tauris has seesawed betweenContinue Reading
SIFA 2019: ST/LL by Shiro Takatani, Dumb Type (Review)
The impossible task of putting the meditative mind onstage is achieved in this visually stunning work from Japan. Created byContinue Reading
SIFA 2019: An Interview with Tan Shou Chen and Ng Tian Hui, Creators of Oreste by Ifigenia
Last weekend, local artists Tan Shou Chen and Ng Tian Hui will be presenting their brand new work, Oreste by Ifigenia, asContinue Reading
SIFA 2019: Ryuichi Sakamoto and Shiro Takatani in Conversation
Often considered one of the world’s most exciting living composers, it’s a rare treat to be able to come faceContinue Reading
SIFA 2019: Frogman by curious directive (Review)
Red herring is the catch of the day in this deep dive into childhood trauma. As technology continues to developContinue Reading
