SIFA 2019: Dionysus by Suzuki Company of Toga & Purnati Indonesia (Review)

Tadashi Suzuki draws out the wicked and the divine from a classic Greek tragedy . Staging a classic Greek tragedy has never been an easy feat for any theatre company – as enduring as these stories are, the true challenge lies in having a production simultaneously bring something new to the tale, while still preserving the essence of message of the original tale. In the … Continue reading SIFA 2019: Dionysus by Suzuki Company of Toga & Purnati Indonesia (Review)

Review: Ghost Call by RAW Moves

A call to reduce the distance technology has created. In the age of Tinder, WhatsApp, and other social media applications, the need to ever meet someone else in person for the sake of conversation has rapidly decreased. But is there still value in that face to face interaction that we’ve forgotten? That’s the crux of contemporary dance company RAW Moves’ latest production, as Ghost Call explores … Continue reading Review: Ghost Call by RAW Moves

SIFA 2019: Beware of Pity by Schaubühne Berlin & Complicité (Review)

Crippling guilt is the driving force of tragedy in this co-production between Schaubühne Berlin and Simon McBurney After closing SIFA 2018 with An Enemy of the People, Germany’s Schaubühne Berlin has now returned to open SIFA 2019 in an almost poetic act of programming continuity. In a similar vein to their production last year, Beware of Pity is a scathing, pointed look at the darkness of the human … Continue reading SIFA 2019: Beware of Pity by Schaubühne Berlin & Complicité (Review)

Not A Love Song: An Interview with Rising Pop Star bülow

Despite being freshly flown into Singapore and opening for Lauv on his whirlwind Asia Tour, rising star bülow remains energetic, and shows she can more than hold her own as a solo artist with her own share of rabid fans cheering for her at her performance. Speaking to her at her hotel in the city centre, unlike other visitors to Singapore, bülow remains completely unfazed by the … Continue reading Not A Love Song: An Interview with Rising Pop Star bülow

Museum Musings: Slices by Wedhar Riyadi at Yavuz Gallery

This May, Yavuz Gallery presents Indonesian-artist Wedhar Riyadi in his first solo exhibition in five years. Titled Slices, the show comprises nine paintings from his new body of work that explores the psychological depths of popular cultural imagery and its implications on the production of reality and the ideal body. Based in Jogjakarta, Indonesia, Wedhar is part of a group of Indonesian artists whose work … Continue reading Museum Musings: Slices by Wedhar Riyadi at Yavuz Gallery

Review: Civilised by The Necessary Stage

An audacious celebration of the Singapore Bicentennial and our post-colonial hangups in true TNS fashion.  From the very moment the Singapore Bicentennial was announced, fiery controversy was sparked as the sheer audacity of such an event was called into question. After all, which country actually celebrates the anniversary of their colonisation? It is from this central question that The Necessary Stage’s newest production seems to be … Continue reading Review: Civilised by The Necessary Stage

Preview: How I Learned To Drive by Wag the Dog Theatre

Wag the Dog Theatre is back this June for their annual mainstage production. Once again playing at the Drama Centre Black Box, this year, they’re presenting Paula Vogel’s Pulitzer Prize-winning play How I Learned to Drive. Having premiered in March 1997, How I Learned to Drive is set in rural America in the 1960s, and exploring the life of L’il Bit, a teenage girl as she comes … Continue reading Preview: How I Learned To Drive by Wag the Dog Theatre

Singapore International Piano Festival 2019: An Interview with Festival Director Lim Yan

The 26th edition of the Singapore International Piano Festival returns this May and brings together four of the world’s best virtuoso pianists, each performing solo at the Victoria Concert Hall over the four day festival. In the lead-up to the performances, we spoke to Singaporean pianist Lim Yan, the newly appointed Artistic Director of the festival and the first in SSO history to be an … Continue reading Singapore International Piano Festival 2019: An Interview with Festival Director Lim Yan

Television Time: Local Video Company The Hummingbird Co. Launches New Web Series ‘One Take’

  Local experimental video company The Hummingbird Co. has launched a brand new independent web series One Take, which, as its title suggests, comprises entirely of single-take episodes, with a narrative centred around a group of youths whose life-changing moments unravel in real time. The concept of One Take arose as the showrunners found a need to create honest conversations within the digital space, holding up a mirror … Continue reading Television Time: Local Video Company The Hummingbird Co. Launches New Web Series ‘One Take’

Preview: TheatreWorks Writers’ Lab – N.O.W. 2019

Theatreworks’ Writers’ Lab programme has been in place since the 1990s, continually encouraging and developing Singapore playwriting with its varied programmes. But this year, they’re changing up the formula a little, and integrating the brand new Not Ordinary Work (N.O.W.) into the programme, dedicating a three week programme to celebrating, as its title suggests, work that goes beyond the ordinary. Helmed by theatre practitioner Noorlinah Mohamed, N.O.W. is an interdiciplinary … Continue reading Preview: TheatreWorks Writers’ Lab – N.O.W. 2019