SIFA 2019: Beware of Pity by Schaubühne Berlin & Complicité (Review)

Crippling guilt is the driving force of tragedy in this co-production between Schaubühne Berlin and Simon McBurney After closing SIFA 2018 with An Enemy of the People, Germany’s Schaubühne Berlin has now returned to open SIFA 2019 in an almost poetic act of programming continuity. In a similar vein to their production last year, Beware of Pity is a scathing, pointed look at the darkness of the human … Continue reading SIFA 2019: Beware of Pity by Schaubühne Berlin & Complicité (Review)

Review: Civilised by The Necessary Stage

An audacious celebration of the Singapore Bicentennial and our post-colonial hangups in true TNS fashion.  From the very moment the Singapore Bicentennial was announced, fiery controversy was sparked as the sheer audacity of such an event was called into question. After all, which country actually celebrates the anniversary of their colonisation? It is from this central question that The Necessary Stage’s newest production seems to be … Continue reading Review: Civilised by The Necessary Stage

Preview: How I Learned To Drive by Wag the Dog Theatre

Wag the Dog Theatre is back this June for their annual mainstage production. Once again playing at the Drama Centre Black Box, this year, they’re presenting Paula Vogel’s Pulitzer Prize-winning play How I Learned to Drive. Having premiered in March 1997, How I Learned to Drive is set in rural America in the 1960s, and exploring the life of L’il Bit, a teenage girl as she comes … Continue reading Preview: How I Learned To Drive by Wag the Dog Theatre

Preview: TheatreWorks Writers’ Lab – N.O.W. 2019

Theatreworks’ Writers’ Lab programme has been in place since the 1990s, continually encouraging and developing Singapore playwriting with its varied programmes. But this year, they’re changing up the formula a little, and integrating the brand new Not Ordinary Work (N.O.W.) into the programme, dedicating a three week programme to celebrating, as its title suggests, work that goes beyond the ordinary. Helmed by theatre practitioner Noorlinah Mohamed, N.O.W. is an interdiciplinary … Continue reading Preview: TheatreWorks Writers’ Lab – N.O.W. 2019

Preview: Esplanade Presents – The Far Side of the Moon by Ex Machina/Robert Lepage

The Esplanade is set for one of their biggest productions of the year, as they present visionary Canadian theatre director Robert Lepage’s The Far Side of the Moon this November. Touching on a narrative set against the backdrop of the race to the moon between the Americans and the Russians, our story instead centres on Philippe, a struggling introverted philosopher, and his younger brother Andre, a successful … Continue reading Preview: Esplanade Presents – The Far Side of the Moon by Ex Machina/Robert Lepage

In London’s (Off) West End 2019: White Pearl at the Royal Court Theatre (Preview)

LONDON – Making her international playwriting debut this May, the Royal Court Theatre presents New York-based writer Anchuli Felicia King’s White Pearl. Directed byNana Dakin, White Pearl is set in Singapore, where Clearday™ has developed from a small start-up company to a leading international cosmetic brand in less than a year. But when a draft of the company’s latest skin cream advert is leaked, the video goes viral globally for … Continue reading In London’s (Off) West End 2019: White Pearl at the Royal Court Theatre (Preview)

SIFA 2019: An Interview with Festival Director Gaurav Kripalani

We’re less than a week away from the launch of the 2019 Singapore International Festival of Arts (SIFA), marking the second year of Gaurav Kripalani’s stint as Festival Director, and if anything, we’re incredibly excited about the lineup for this year, with even more programmes, internationally renowned artists and premieres happening across Singapore for almost three whole weeks. Sitting down with Gaurav himself, we catch … Continue reading SIFA 2019: An Interview with Festival Director Gaurav Kripalani

Review: This Is What Happens To Pretty Girls by Pangdemonium

Grey areas abound as Pangdemonium addresses the ugly truth of sexual assault. When NUS student Monica Baey posted about her traumatic experience with a campus Peeping Tom on Instagram in April 2019, she set off a nationwide social media storm that has seen supporters and detractors both rallying behind her call for justice, and condemning her for kicking up a fuss, with perceived ulterior motives … Continue reading Review: This Is What Happens To Pretty Girls by Pangdemonium

Preview: Colours by Split Theatrical Productions

“What is your name?” Conceptualised in February 2019, and taking inspiration from T.S. Eliot’s set of four poems titled ‘Four Quartets’, Split Theatrical Productions presents a brand new devised work titled Colours. With the original text having taken the form of deeply religious meditations on man’s relationship with time, the universe and the divine, Colours seeks to find something beautiful amidst the drudgery of life, attempting to find meaning … Continue reading Preview: Colours by Split Theatrical Productions

Open Call: Audition For The Theatre Practice 2020 Season This May

  The Theatre Practice is without a doubt one of the foremost companies in Singapore who time and time again pushes the boundaries of theatre and produces memorable production after memorable production. Now, here’s your chance to join them in one of their upcoming shows for 2020, with their auditions taking place on 27th and 28th May 2019 at The Theatre Practice itself at 54 Waterloo … Continue reading Open Call: Audition For The Theatre Practice 2020 Season This May