Tag: tzechien

art, Arts, Review, Teater Ekamatra, Wild Rice @ Funan

★★★★★ Theatre Review: Charged (2026) by Teater Ekamatra

Haunting revival interrogates the fragile foundations of Singapore’s racial harmony with unsettling force. Duration: 105min Singapore likes to tell itself a comforting story: that we are a multiracial nation where harmony is one of our greatest achievements. And while that may be true to a large extent, beneath the familiar choreography of Racial Harmony Day celebrations, bilingual policies and shared national rituals lies the assumption … Continue reading ★★★★★ Theatre Review: Charged (2026) by Teater Ekamatra

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art, Arts, Interview, Preview, Teater Ekamatra, Wild Rice @ Funan

An interview with artistic director Shaza Ishak and actress Serene Chen on the complexity and social fault lines laid bare in Teater Ekamatra’s revival ‘Charged’

When Charged premiered in 2010, it did something few Singapore plays had dared to do back then. Set over a single night in an army camp during Chinese New Year, Chong Tze Chien’s drama placed one of Singapore’s most enduring fault lines of race within one of its most sacred institutions. The Singapore Armed Forces has long been imagined as a crucible of nation-building, a … Continue reading An interview with artistic director Shaza Ishak and actress Serene Chen on the complexity and social fault lines laid bare in Teater Ekamatra’s revival ‘Charged’

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art, Arts, Preview, Teater Ekamatra, Wild Rice @ Funan

Preview: Charged by Teater Ekamatra

Some plays don’t lose their relevance, but become even more necessary with time. This July, Teater Ekamatra revives CHARGED, the acclaimed play by Chong Tze Chien that first sparked conversation when it premiered in 2010. Running from 23 July to 2 August 2026 at The Ngee Ann Kongsi Theatre, Wild Rice @ Funan, the production returns 16 years after its award-winning run, inviting a new … Continue reading Preview: Charged by Teater Ekamatra

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Arts, festival, Music, Review, Theatre

★★★★★ Theatre Review: Lush Life by Ong Keng Sen / T:>Works, Jacintha & Dick Lee (SIFA 2026)

Icon of Singapore’s music scene tells the story of her three ex-husbands through docudrama and song, in a theatrical concert that captures her verve for love, life and all it offers. There is a word Jacintha Abisheganaden uses early in Lush Life that tells you everything about what kind of evening this will be. Recounting her years performing in Hawaii, where a manager suggested she … Continue reading ★★★★★ Theatre Review: Lush Life by Ong Keng Sen / T:>Works, Jacintha & Dick Lee (SIFA 2026)

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Arts, festival, Review, Theatre

★★★★★ Theatre Review: Hedda Gabler by National Theater Company of Korea (SIFA 2026)

Lee Hyeyoung delivers a masterclass performance in Park Jung-hee’s hypnotic, sexually charged reimagining of Ibsen’s classic, now transformed into a suffocating psychological thriller of a K-drama. Before we see anything in the National Theater Company of Korea’s Hedda Gabler, we hear a gunshot. It tears through the darkness with such violence that the audience visibly jolts. And from that very first moment, director Park Jung-hee … Continue reading ★★★★★ Theatre Review: Hedda Gabler by National Theater Company of Korea (SIFA 2026)

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Arts, Dance with Me, festival, Review

★★★☆☆ Dance Review: Strangely Familiar《熟悉的陌生》 by T.H.E Dance Company (SIFA 2026)

T.H.E toes the line between human and machine in this visually ambitious production, occasionally overwhelmed by technology superseding the very humanity it seeks to explore.  Playing as part of the 2026 Singapore International Festival of Arts, before T.H.E Dance Company’s Strangely Familiar even begins, the world of the performance is already quietly consuming us. The soundscape hums through the theatre with an eerie, dystopian distance, … Continue reading ★★★☆☆ Dance Review: Strangely Familiar《熟悉的陌生》 by T.H.E Dance Company (SIFA 2026)

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Arts, Dance with Me, festival, Interview, Preview, Theatre

SIFA 2026: Lush Life – An interview with director Ong Keng Sen on making art out of life and legacy

Before streaming platforms, before bedroom recordings, and before Singapore had any real infrastructure for popular music, there were artists like Jacintha Abisheganaden and Dick Lee, figures who carved out creative lives with few precedents and even fewer guarantees. Their songs, relationships and artistic decisions did not just define their own careers; they helped shape what it meant to be a musician in Singapore at all. … Continue reading SIFA 2026: Lush Life – An interview with director Ong Keng Sen on making art out of life and legacy

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Arts, Dance with Me, festival, Interview, Preview, Theatre

SIFA 2026: Hedda Gabler – An interview with director Park Jung Hee on Henrik Ibsen’s universal cultural resonance

Few characters in modern theatre are as enduringly enigmatic as Hedda Gabler, a figure suspended between control and chaos, desire and restraint. In this latest staging by Park Jung-hee, Artistic Director of the National Theater Company of Korea, the question is not how to modernise Hedda Gabler, but how to encounter it anew. Rather than imposing a contemporary veneer, Park approaches the work as a … Continue reading SIFA 2026: Hedda Gabler – An interview with director Park Jung Hee on Henrik Ibsen’s universal cultural resonance

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Arts, festival, Review, Theatre

★★★★★ Theatre Review: Last Rites by Liu Xiaoyi / Emergency Stairs (SIFA 2026)

Five masters of performance confront mortality and artistic legacy in Liu Xiaoyi’s ambitious, cathartic cross-border work. What has always made theatre so beautiful is its temporality. Every performance exists only once; even repeated over multiple nights, no show will ever look or feel exactly the same again. It is fragile, fleeting, and alive precisely because it disappears the moment it is completed. By extension, the … Continue reading ★★★★★ Theatre Review: Last Rites by Liu Xiaoyi / Emergency Stairs (SIFA 2026)

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Arts, festival, Review, Theatre

★★★★☆ Theatre Review: Hamlet by Teatro La Plaza (SIFA 2026)

Life-affirming deconstruction of Shakespeare’s tragedy that insists on the validity of every human experience, regardless of disability or neurotypicality. Theatre and disability have long shared an uneasy relationship. Theatre is, after all, an art form built on visibility: on bodies being watched, voices being heard, and stories being witnessed. To place atypical bodies centre stage is therefore an act of resistance against mainstream ideas of … Continue reading ★★★★☆ Theatre Review: Hamlet by Teatro La Plaza (SIFA 2026)

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