Review: The Page on Stage – A Performance of Words from the stories of Baratham, Cheong, Jeyaretnam and Tay

There’s magic in words as Rebekah Sangeetha Dorai and Jun Vinh Teoh bring to life classic characters from beloved stories from the 90s.  There are some books you read as you’re growing up that you never forget. For producer Tan Kheng Hua, they include works from 90s writers Gopal Baratham, Colin Cheong, Philip Jeyaretnam and Simon Tay, all of whom are proudly showcased in The Page … Continue reading Review: The Page on Stage – A Performance of Words from the stories of Baratham, Cheong, Jeyaretnam and Tay

Review: The Good Farmer by Theatreworks

Theatreworks’ twentieth edition of the annual 24-Hour Playwriting Competiton was held at a farm commune out in Lorong Chencharu. So it makes complete sense that one of its winners, first time competition participant Christopher Chee, would make full use of the setting for inspiration for his play The Good Farmer.  The Good Farmer’s entire plot revolves around the competition’s first prompt, where participants were tasked to open … Continue reading Review: The Good Farmer by Theatreworks

Review: Kumar 50 by Dream Academy

Singapore’s Queen of Comedy shows he’s still no drag at age 50 with a celebration shrouded in joy and laughter.  There is no argument that Kumar is a national icon. Dream Academy artistic director and longtime collaborator and friend Selena Tan has made an absolutely on point decision to stage Kumar 50, giving Singapore’s very own Queen of Comedy a golden jubilee to end all others. Sweeping … Continue reading Review: Kumar 50 by Dream Academy

Huayi 2018: Einstein In The Carpark (爱因与斯坦) by Emergency Stairs (Review)

Liu Xiaoyi, in his director’s message for Einstein in the Carpark, poses to the late renowned theoretical physicist Albert Einstein a litany of 33 questions, among them such pithy existential ones as: “What do you think is the most important question of all?” “How do I find simplicity in confusion?” “Why do so many people know you, but so few people understand you?” This thought … Continue reading Huayi 2018: Einstein In The Carpark (爱因与斯坦) by Emergency Stairs (Review)

Review: The Father by Pangdemonium!

Same same but different – Pangdemonium’s The Father is a terrifying take on dementia as seen through one man’s eyes.  Florian Zeller’s The Father is a difficult play to watch. Not necessarily because it’s complicated (although it’ll certain leave you confused and terrified by the end), but because it’s a play that deals with the inevitable – growing old, and the very real possibility of encountering … Continue reading Review: The Father by Pangdemonium!

Review: Homecoming《家在这里》by The Finger Players

    The Finger Players starts off their 2018 with an all new community tour, bringing their newest puppetry work Homecoming to the less privileged! From 3rd – 11th March, the group will be touring the play across various hospices, orphanages, old folks home and other similar centres, all while promoting each centre’s causes and missions to inspired more volunteers and charity to help the less privileged. In Homecoming, we’re … Continue reading Review: Homecoming《家在这里》by The Finger Players

Huayi 2018: Why We Chat? (聊斋) by Edward Lam Dance Theatre (Review)

Finding love in a hopeless place, with a side of ghosts, graves and a long list of ex-lovers. In Why We Chat?, director Edward Lam and writer Wong Wing Sze reimagine Pu Songling’s classic Strange Tales From A Chinese Studio (聊斋志异) for the times, taking inspiration from its supernatural themes and crafting an all new story about the contemporary horrors of feeling completely, utterly alone within the modern … Continue reading Huayi 2018: Why We Chat? (聊斋) by Edward Lam Dance Theatre (Review)

Huayi 2018: Cut Kafka! (咔嚓卡夫卡!) by Nine Years Theatre and T.H.E. Dance Company (Review)

Nine Years Theatre and T.H.E. Dance Company take audiences on a nightmarish journey that explores the chaos within our minds. When Nine Years Theatre and T.H.E. Dance Company come together, it’s almost certain that something incredibly out of this world will be born from the collaboration. And when you add a heavy dose of surrealism, you’d probably get something along the lines of Cut Kafka. … Continue reading Huayi 2018: Cut Kafka! (咔嚓卡夫卡!) by Nine Years Theatre and T.H.E. Dance Company (Review)

Review: Evita presented by BASE Entertainment Asia and Lunchbox Theatrical Productions (+Ticket Giveaway!)

A moving portrait of one of Argentina’s most beloved political figures. There are always two sides to every story. And by definition, it is the winners who get to decide which one will go down in the annals of history. In Evita, it is beloved Argentinian political figure Eva Peron whose life comes under scrutiny. Known for her rise in power from a humble provincial girl to … Continue reading Review: Evita presented by BASE Entertainment Asia and Lunchbox Theatrical Productions (+Ticket Giveaway!)

Review: AEG Presents Russell Peters – DEPORTED World Tour

It’s funny cause it’s true.  Russell Peters is one of those comedians you never forget. But it’s not just for having coined one liners like “Be a man, do the right thing!”, there’s something incredibly convincing about the unabashed way he delivers his punchlines that makes you just want to laugh out loud. It’s no wonder then that on the very first Asian stop of … Continue reading Review: AEG Presents Russell Peters – DEPORTED World Tour