★★★★★ Theatre Review: The BFG by the RSC, Chichester Festival Theatre, Roald Dahl Story Company, co-presented with Esplanade – Theatres on the Bay and SRT

A splendiferous invitation to dream big, in this magical adaptation of a beloved children’s classic with masterful puppetry and a giant heart full of hope. What if a single dream could change the world, and all it took was one small, brave “human bean” to believe in it? That spirit lies at the heart of The BFG by Roald Dahl, now reimagined in a breathtaking … Continue reading ★★★★★ Theatre Review: The BFG by the RSC, Chichester Festival Theatre, Roald Dahl Story Company, co-presented with Esplanade – Theatres on the Bay and SRT

Arts of Malaysia: Teater Normcore – Odisi Romansa by Ridhwan Saidi (Preview)

If you’re drawn to theatre that lingers somewhere between poetry and philosophy, Teater Normcore: Odisi Romansa might be one of the more intriguing productions to catch this season. Staged at the Black Box, Damansara Performing Arts Centre (DPAC) this May, the latest work by Malaysian playwright-director Ridhwan Saidi arrives with all the hallmarks of his signature style: quiet lyricism, a touch of deadpan humour, and … Continue reading Arts of Malaysia: Teater Normcore – Odisi Romansa by Ridhwan Saidi (Preview)

Concert Review: The Music of China’s Magnificent Mountains – Darrell Ang and SCO

Darrell Ang leads the Singapore Chinese Orchestra through an immersive soundscape capturing a vivid journey across mountains. Last weekend, under the baton of Darrell Ang, the Singapore Chinese Orchestra’s The Music of China’s Magnificent Mountains unfolded like a carefully charted expedition, one where every ascent, valley, and horizon was shaped with intention. From the very beginning, Ang established a distinct presence, where his entrance was … Continue reading Concert Review: The Music of China’s Magnificent Mountains – Darrell Ang and SCO

An Interview with actress Nathania Ong on finding her own voice and reclaiming Éponine in Les Misérables – The Arena Spectacular

In Les Misérables – The Arena Spectacular, scale is everything: a full orchestra onstage, sweeping projections, and a staging language that expands the musical’s visual and sonic reach. Yet within that enormity, the production’s emotional force hinges on something far more intimate. And doing exactly that is the character of Éponine. Portrayed by Singaporean performer Nathania Ong, the character emerges not as a peripheral tragic … Continue reading An Interview with actress Nathania Ong on finding her own voice and reclaiming Éponine in Les Misérables – The Arena Spectacular

NAC and Changi Airport Group enter partnership to expand reach of Singapore arts to air travellers

Singapore’s National Arts Council (NAC) and Changi Airport Group (CAG) are reimagining what an airport experience can be, and it goes far beyond duty-free shopping and transit lounges. In a newly announced three-year partnership, Changi Airport is set to transform into a dynamic cultural showcase, bringing Singapore’s arts scene directly to the millions of travellers who pass through its terminals each year. With over 70 … Continue reading NAC and Changi Airport Group enter partnership to expand reach of Singapore arts to air travellers

Singaporean Aaron Tan Crowned Red Bull Dance Your Style Regional Champion

By weekday, Aaron Tan Jian Yong works in financial wealth management. But under stage lights and pounding beats, the 32-year-old Singaporean transforms into a commanding street dancer, and now, the newly crowned Red Bull Dance Your Style Southeast Asia Regional Champion. On 25th April , Aaron made history as the competition’s first-ever regional winner, capping off a journey defined by instinct, resilience, and a willingness … Continue reading Singaporean Aaron Tan Crowned Red Bull Dance Your Style Regional Champion

★★★★☆ Dance Review: Fase, Four Movements to the Music of Steve Reich by Anne Teresa De Keersmaeker

Somewhere between trance and precision, Fase keeps turning. Watching Fase, Four Movements to the Music of Steve Reich, the signature work of Belgian choreographer Anne Teresa De Keersmaeker, feels less like attending a performance and more like submitting to a condition. It is not something that easily invites a rating. It asks instead for time, attention, and a willingness to sit inside repetition—something that feels … Continue reading ★★★★☆ Dance Review: Fase, Four Movements to the Music of Steve Reich by Anne Teresa De Keersmaeker

Tender Urgency: An Interview with rising artist Lucas Tan on his debut solo exhibition ‘Pressure Points’ at Haridas Contemporary

Lucas Tan paints as if trying to hold something just a moment longer, capturing an expression, a touch, a glance that might otherwise slip away. In his debut solo exhibition Pressure Points, the Singapore-based painter offers a body of 14 works that is at once intimate and composed, grounded in lived experience yet carefully constructed into images that linger. It’s a wildly successful work for … Continue reading Tender Urgency: An Interview with rising artist Lucas Tan on his debut solo exhibition ‘Pressure Points’ at Haridas Contemporary

Art: Passion is Volcanic – Desire in Southeast Asian Art at National Gallery Singapore

At National Gallery Singapore, its latest exhibition, Passion is Volcanic, announces itself with a sense of anticipation the moment the tour begins, not as a quiet, contemplative walkthrough, but as something far more alive. Even before the artworks begin, the tone is set: there’s a heightened awareness that this is a space with boundaries, with its unprecedented R18 rating, and strict rules of no photography … Continue reading Art: Passion is Volcanic – Desire in Southeast Asian Art at National Gallery Singapore

★★★★☆ Theatre Review: [title of show] (2026) by Sing’theatre

Metatheatrical musical pokes fun at the Broadway dream with charm and twee humour. Few musicals are as self-mythologising or as beloved within musical theatre circles as [title of show]. Since its debut, the meta-musical about two writers racing to create a musical has earned a kind of cult status, not just for its wit, but for how closely it mirrors the aspirations, anxieties, and inside … Continue reading ★★★★☆ Theatre Review: [title of show] (2026) by Sing’theatre