A moving lesson on the life-cycle of objects. There is a belief in the Japanese Shinto religion that everything, including everyday household objects, possesses a life force of its own. From umbrellas to notebooks, clothes to food, each of these items, while seemingly non-living, have the potential to mean and be so much more than what they initially appear to be to the right person. … Continue reading M1 Singapore Fringe Festival 2019: Catamite by Loo Zihan (Review)

but precisely what is the purpose of this piece? Adapted from a collage of texts by Haresh Sharma, precise purpose of being broken presents 9 excerpts from the award-winning playwright’s most obscure texts, some of which have never been published or even performed. Directed and conceptualized by Koh Wan Ching, the multi-lingual movement work presents a collection of varied characters who are each broken in their own … Continue reading M1 Singapore Fringe Festival 2019: precise purpose of being broken by Koh Wan Ching (Review)

A Definitive, Alternative, Reclaimed Narrative of a Native? In a decidedly different version from the one staged by Teater Ekamatra in 2016, Nabilah Said’s ANGKAT gets a new lease of life with this brand new script and production directed by Noor Effendy Ibrahim. ANGKAT retains two characters from its previous rendition – tudung makcik Mak (Moli Mohter) and her adopted daughter, the beautiful and distinctly ‘ang moh’ Salma (Shafiqhah … Continue reading M1 Singapore Fringe Festival 2019: ANGKAT – A Definitive, Alternative, Reclaimed Narrative of a Native by Nabilah Said and Noor Effendy Ibrahim (Review)