Art: Maria Taniguchi – Afterimage at Singapore Art Museum

There is a temptation to describe Maria Taniguchi’s work as meditative. For nearly two decades, the Filipino artist has devoted herself to painting what appears, at first glance, to be the same image: vast fields of carefully hand-painted rectangles, meticulously built one brushstroke at a time until they resemble endless brick walls. Their monumental scale, subdued palettes and rigorous repetition have often led viewers to … Continue reading Art: Maria Taniguchi – Afterimage at Singapore Art Museum

Legally Blonde: Breaking stereotypes with stars Vanessa Kee, Sandra Riley Tang and Siti Khalijah Zainal

For a musical that’s become synonymous with pink outfits, pop anthems and perfectly coiffed hair, Legally Blonde spends surprisingly little time asking audiences to admire appearances. Instead, it focuses on dismantling them. Nearly every major woman in the show enters the story wearing a label. Protagonist Elle Woods is the most obvious example, quickly dismissed as the ditzy blonde. But while she may be the … Continue reading Legally Blonde: Breaking stereotypes with stars Vanessa Kee, Sandra Riley Tang and Siti Khalijah Zainal

Legally Blonde: An interview with director Kate Golledge and choreographer Simon Hardwick on bringing out the best of Singapore Repertory Theatre’s all-star cast

Everybody underestimates Elle Woods. That is, after all, the entire premise of Legally Blonde. Before she even speaks, people have already decided who she is: too blonde, too fashionable, too frivolous to be taken seriously. Yet for director Kate Golledge, that’s also the biggest misconception audiences have about the musical itself. “I love Legally Blonde. I honestly think it’s one of the best-written contemporary musicals … Continue reading Legally Blonde: An interview with director Kate Golledge and choreographer Simon Hardwick on bringing out the best of Singapore Repertory Theatre’s all-star cast

Music: Meet the Singapore Symphony Orchestra’s newest musicians Bryan Chong, Martin Peh and Reina Teo

In the hearts of many young Singaporean musicians, performing with the Singapore Symphony Orchestra (SSO) is an aspiration that begins long before they step onto the concert stage. For Bryan Chong, Martin Peh and Reina Teo, that aspiration has now become reality. Horn player Bryan joined in September 2025 after years of performing alongside the SSO as a freelance musician. Violinist Martin joined full time … Continue reading Music: Meet the Singapore Symphony Orchestra’s newest musicians Bryan Chong, Martin Peh and Reina Teo

An interview with artistic director Shaza Ishak and actress Serene Chen on the complexity and social fault lines laid bare in Teater Ekamatra’s revival ‘Charged’

When Charged premiered in 2010, it did something few Singapore plays had dared to do back then. Set over a single night in an army camp during Chinese New Year, Chong Tze Chien’s drama placed one of Singapore’s most enduring fault lines of race within one of its most sacred institutions. The Singapore Armed Forces has long been imagined as a crucible of nation-building, a … Continue reading An interview with artistic director Shaza Ishak and actress Serene Chen on the complexity and social fault lines laid bare in Teater Ekamatra’s revival ‘Charged’

Esplanade’s The Studios 2026: An Interview with Mark Teh on retelling legends of national heroes in Five Arts Centre’s ‘Fragments of Tuah’

Hang Tuah has occupied a singular place in the Malaysian imagination for centuries. The legendary warrior appears in school textbooks, literature, films and political speeches, often held up as the embodiment of loyalty, courage and duty. It is precisely because he is so deeply embedded in the national consciousness that theatre-maker Mark Teh never imagined he would make a work about him. “He’s a mythic … Continue reading Esplanade’s The Studios 2026: An Interview with Mark Teh on retelling legends of national heroes in Five Arts Centre’s ‘Fragments of Tuah’

Turning Audiences Into Accomplices: An Interview with director Tracie Pang, and cast members Coco Wang Ling and Ghafir Akbar on Pangdemonium’s ‘A Mirror’

“It wasn’t intentional that A Mirror was chosen for our final season,” says director and Pangdemonium founder and co-artistic director Tracie Pang. “We had already programmed the season before the decision was made that it would be Pangdemonium’s last. We had maybe five shows planned and moving forward, and then it became a question of which of those we would keep and which we would … Continue reading Turning Audiences Into Accomplices: An Interview with director Tracie Pang, and cast members Coco Wang Ling and Ghafir Akbar on Pangdemonium’s ‘A Mirror’

da:ns focus: An Interview with Kevin O’Hare, Director of the Royal Ballet, on legacy, live performance and reinvention

For Kevin O’Hare, director of The Royal Ballet, the long-awaited return of the world class British ballet company to Singapore this June goes far beyond just another international stop on a touring calendar. More than two decades have passed since the company last performed here, and the scale of The Royal Ballet Gala, part of the Esplanade – Theatres on the Bay’s da:ns focus – … Continue reading da:ns focus: An Interview with Kevin O’Hare, Director of the Royal Ballet, on legacy, live performance and reinvention

Flipside 2026: An interview with Guy Waerenburgh on risk, absurdity and the thrill of unpredictability in ‘Der Lauf (The Way Things Go)’

Contemporary circus rarely sits still, but Der Lauf (The Way Things Go) thrives in a state of beautiful collapse. Created by Belgian juggler and performer Guy Waerenburgh, the internationally acclaimed production transforms juggling into something far stranger and more theatrical: part cabaret, part endurance test, part social experiment. Blindfolded performers navigate towering stacks of wine glasses, spinning plates, flying buckets and razor-sharp knives, while the … Continue reading Flipside 2026: An interview with Guy Waerenburgh on risk, absurdity and the thrill of unpredictability in ‘Der Lauf (The Way Things Go)’

Flipside 2026: Lachlan Binns on how ‘A Simple Space’ celebrates human connection, trust, and play

When A Simple Space first premiered in 2013, contemporary circus was undergoing a global shift. Traditional big-top spectacles and variety-style performances were still dominant, shaped in part by the influence of companies like Cirque du Soleil, with their elaborate staging, narrative framing, and theatrical spectacle. But for co-creator and performer Lachlan Binns, the goal was to go in the opposite direction. “We made the show … Continue reading Flipside 2026: Lachlan Binns on how ‘A Simple Space’ celebrates human connection, trust, and play