Singaporean Aaron Tan Crowned Red Bull Dance Your Style Regional Champion

By weekday, Aaron Tan Jian Yong works in financial wealth management. But under stage lights and pounding beats, the 32-year-old Singaporean transforms into a commanding street dancer, and now, the newly crowned Red Bull Dance Your Style Southeast Asia Regional Champion. On 25th April , Aaron made history as the competition’s first-ever regional winner, capping off a journey defined by instinct, resilience, and a willingness … Continue reading Singaporean Aaron Tan Crowned Red Bull Dance Your Style Regional Champion

★★★★☆ Theatre Review: [title of show] (2026) by Sing’theatre

Metatheatrical musical pokes fun at the Broadway dream with charm and twee humour. Few musicals are as self-mythologising or as beloved within musical theatre circles as [title of show]. Since its debut, the meta-musical about two writers racing to create a musical has earned a kind of cult status, not just for its wit, but for how closely it mirrors the aspirations, anxieties, and inside … Continue reading ★★★★☆ Theatre Review: [title of show] (2026) by Sing’theatre

★★★★★ Theatre Review: Randai Macbeth by ASWARA

Shakespeare meets the Nusantara in a bold, visceral Macbeth reborn through randai. It’s no small feat to make a 400-year-old play feel fresh, but Randai Macbeth achieves exactly that, and then some. Presented by Malaysia’s ASWARA and directed by Dr Norzizi Zulkifli, this bold adaptation reimagines Macbeth through the cultural lens of the Nusantara, transforming Shakespeare’s tale of ambition and moral decay into something visceral, … Continue reading ★★★★★ Theatre Review: Randai Macbeth by ASWARA

★★★★★ Theatre Review: PUNO – Sewing Memories by Papermoon Puppet Theatre

A universally affecting, timeless tale of love and loss by masters of the puppetry form. PUNO: Sewing Memories is, in many ways, a ghost story. Or perhaps more precisely, it is the story of a ghost, though not in the way we might expect. From the very outset of the show, which played as part of the Esplanade’s 2026 Pesta Raya – Malay Festival of … Continue reading ★★★★★ Theatre Review: PUNO – Sewing Memories by Papermoon Puppet Theatre

Film: An Interview with director Anthony Chen on new film ‘We Are All Strangers’ and closing the final chapter of his Growing Up trilogy

Seven years ago, when Anthony Chen last sat down to speak about Wet Season as the opening film of the 2019 Singapore International Fim Festival, he was reflecting on a film about longing, restraint, and quiet emotional fractures, hallmarks of a filmmaker deeply attuned to the rhythms of everyday life. Today, the conversation feels both like a continuation and a turning point, with his latest … Continue reading Film: An Interview with director Anthony Chen on new film ‘We Are All Strangers’ and closing the final chapter of his Growing Up trilogy

T:>Works presents PerºForm Open Academy of Arts and Activations (POA) 2026 – The Post-Migrant Academy

If your idea of a meaningful weekend goes beyond brunch and browsing, there’s something quietly powerful happening this Labour Day stretch in Singapore. From 29 April to 3 May 2026, T:>Works transforms its home at 72-13 Mohamed Sultan Road into a living, breathing space of ideas, performance, and conversation. Welcome to Per°Form Open Academy of Arts and Activations (POA) 2026: The Post-Migrant Academy, a gathering … Continue reading T:>Works presents PerºForm Open Academy of Arts and Activations (POA) 2026 – The Post-Migrant Academy

Pesta Raya 2026: An Interview with Maria Tri Sulistyani, founder of Papermoon Puppet Theatre, and playwright/director of ‘PUNO – Sewing Memories’

Twelve years ago, the story that would become PUNO: Sewing Memories began with a promise. Back in 2013, Papermoon Puppet Theatre was planning a collaboration with a close friend from the Philippines: puppetry artist Don Salubayba. “It was kind of like, wow, it’s amazing that we have so much in common, let’s do something together,” recalls director and playwright Maria Tri Sulistyani, also a co-founder … Continue reading Pesta Raya 2026: An Interview with Maria Tri Sulistyani, founder of Papermoon Puppet Theatre, and playwright/director of ‘PUNO – Sewing Memories’

Pesta Raya 2026: An Interview with Dr. Norzizi Zulkifli on adapting Macbeth for Randai and traditional arts in Malaysia

When Dr Norzizi speaks about randai, she does not describe it as an artefact or a genre. She describes the art form as something breathing, precarious, but alive. “Without ASWARA,” she says plainly of the National Academy of Arts, Cultural and Heritage of Malaysia, “randai is a dying traditional art form. It exists, but it is also not there. If you come to Kuala Lumpur … Continue reading Pesta Raya 2026: An Interview with Dr. Norzizi Zulkifli on adapting Macbeth for Randai and traditional arts in Malaysia

Preview: [title of show] (2026) by Sing’theatre

This April, theatre audiences in Singapore can look forward to Sing’theatre’s production of [title of show], a witty, fast-paced, Tony-nominated musical that turns the creative process itself into the main event. Equal parts hilarious and heartfelt, the show follows two writers racing against the clock to create a brand-new musical… about writing a musical. At first glance, it’s a clever meta-comedy. But beneath the sharp … Continue reading Preview: [title of show] (2026) by Sing’theatre

Preview: Emergency Stairs x NAFA Industry Project 2026 – ‘Backstage Protocol’ and ‘Pulau Rindu’

Have you ever wondered about the forces shaping our lives that we don’t see? This April, a new generation of theatre-makers in Singapore is asking exactly that. The NAFA Industry Project 2026, co-presented by Emergency Stairs and Nanyang Academy of Fine Arts, is a bold, immersive exploration of what they call “Invisible Architectures.” Think about the unseen systems, quiet hierarchies, and emotional undercurrents that shape … Continue reading Preview: Emergency Stairs x NAFA Industry Project 2026 – ‘Backstage Protocol’ and ‘Pulau Rindu’