Singapore Theatre Festival 2018: An Interview with Thomas Lim and Janice Koh (Supervision)

W!ld Rice’s newest Resident Playwright Thomas Lim made a stunning debut with Grandmother Tongue at the Singapore Theatre Festival 2 years ago, selling out both that run and the restaging last year. This year, he’s back with an all new play in the form of Supervision, set to make its world premiere next week at the opening of W!ld Rice’s 2018 Singapore Theatre Festival. Directed by W!ld Rice artistic director … Continue reading Singapore Theatre Festival 2018: An Interview with Thomas Lim and Janice Koh (Supervision)

Singapore Theatre Festival 2018: An Interview with Tan Tarn How, Rei Poh and Shane Mardjuki (Press Gang)

Former Straits Times journalist Tan Tarn How knows a thing or two about controversy. The playwright is best known for penning some of the most scintillating political satires in local theatre, from his infamous The Lady of Soul and her Ultimate ‘S’ Machine, receiving objections in 36 of its 67 pages from the authorities, to his most recent play Fear of Writing, in 2011, where ‘MDA officials’ … Continue reading Singapore Theatre Festival 2018: An Interview with Tan Tarn How, Rei Poh and Shane Mardjuki (Press Gang)

Preview: Because I Love You – Theatreworks’ 2018 Season

Following exhibiting Zai Kuning’s epic Dapunta Hyang and touring Trojan Women internationally, Theatreworks’ 2018 theatre season begins proper again this July at their home in 72-13, Mohammed Sultan Road. This year, they’ve themed their season ‘Because I Love You’, and present two brand new plays diving in to the heart of relationships and love. Is love enough? How do you love someone who is far away, … Continue reading Preview: Because I Love You – Theatreworks’ 2018 Season

TheatreWorks’ Writer’s Lab Month 2018

After an educational and unexpectedly inspirational farm stay last year, Theatreworks’ annual 24-Hour site-specific playwriting competition returns this July, this time to be held at everyone’s favourite local theme park – Haw Par Villa. In conjunction with the competition, Theatreworks has lined up an entire month’s worth of programmes celebrating and imparting the power of writing to interested participants with the Writers’ Lab! First started … Continue reading TheatreWorks’ Writer’s Lab Month 2018

The Circle of Life: The Lion King Returns To Singapore After 7 Years

Over the years, Marina Bay Sands has seen countless productions grace its theatres, ranging from the best touring productions from Broadway and the West End to the strongest performers from around the region. But one production that will always have a special place in audience’s hearts would be the very first one. That production is Disney’s The Lion King, which saw a welcome return to the … Continue reading The Circle of Life: The Lion King Returns To Singapore After 7 Years

Preview: Wasteland Experience by Zed Events

LONDON – Halloween comes early this year for UK residents; following the runaway success of their previous Zombie Shopping Mall Experience, (which ran for 6 years), Zed Events presents the all new Wasteland Experience this July, the world’s first true post-apocalyptic combat scare attraction. In this two hour immersive experience, guests will head down to an abandoned mall in Reading, as they fight for survival while being … Continue reading Preview: Wasteland Experience by Zed Events

Preview: Boxman by Flugelman Productions and StoneCrabs Theatre

LONDON – The refugee ‘crisis’ only gets increasingly rampant with each passing month, with a deluge of new immigrants come to live in the country. But hold up, and listen to Ringo’s story before passing any judgments. Presented by Flugelman Productions with StoneCrabs Theatre, Blue Elephant Theatre plays host to Australian playwright Daniel Keene’s one-man show – Boxman. Directed by Edwina Strobl, Boxman follows a homeless refugee as he lives … Continue reading Preview: Boxman by Flugelman Productions and StoneCrabs Theatre

An Interview with the Creatives of dead was the body till i taught it how to move

Bhumi Collective has only been around for a couple of years, but they’ve already been showcasing a variety of genres  dipping their toes into various genres of shows, ranging from fringe theatre to lecture performance. Now, they’ll be presenting an all new, original, interdisciplinary work, co-created by a number of young theatre makers both familiar and new to the local scene in the premiere of dead … Continue reading An Interview with the Creatives of dead was the body till i taught it how to move

Preview: Love and Duty – Mozart’s Il Re Pastore by The Opera People

Opera has come a long way since the ‘park and bark’ style of the 1980s, with newer groups constantly attempting to buck the trend and make it trendy, modern and accessible. And perfectly in line with that, newly formed opera company The Opera People have arrived on the scene with big reputations and aspirations. Founded by opera stalwarts and brothers Jonathan and David Charles Tay, the contemporary opera … Continue reading Preview: Love and Duty – Mozart’s Il Re Pastore by The Opera People

M1 CONTACT Contemporary Dance Festival 2018: EARTH and Filled with sadness, the old body attacks by T.H.E Dance Company (Review)

A double-bill of movement heavy pieces open the 2018 M1 CONTACT Contemporary Dance Festival. T.H.E Dance Company opened the 2018 M1 CONTACT Contemporary Dance Festival with a double bill of work. Featuring ‘EARTH’ by Humanhood and ‘Filled with sadness, the old body attacks’ by Kim Jae Duk, the festival kicked off to a strong start with both these thought-provoking, physically challenging pieces.  EARTH by Humanhood In … Continue reading M1 CONTACT Contemporary Dance Festival 2018: EARTH and Filled with sadness, the old body attacks by T.H.E Dance Company (Review)